The 20/20 Experience
by Justin Timberlake
  • Record Label: RCA
  • Release Date: Mar 19, 2013
User Score
8.7

Universal acclaim- based on 493 Ratings

User score distribution:
  1. Positive: 441 out of 493
  2. Mixed: 27 out of 493
  3. Negative: 25 out of 493
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  1. marcmyworks
    Nov 14, 2013
    5
    The right time the right sound the same producer same collaborative team almost exactly what we have heard before. The result is that though Timbaland once proved himself to be a hit maker, he now proves to be not very relevant and slightly out of touch.
  2. Panchogul
    Sep 4, 2020
    10
    La obra cumbre de JT, quien pese a que se toma su tiempo entre cada nuevo álbum, vale realmente la pena porque se nota el gran esmero, trabajo y dedicación en The 20/20 Experience, el cual yo podría considerar como su trabajo mas consistente, maduro y colosal de toda su carrera, fin.
  3. Mab_987
    May 31, 2013
    7
    This album’s best aspects for the most part are the production & singing. Musically it goes in a fairly diverse amount of territories on the pop spectrum. It ranges from old-school horn/guitar-driven R&B to the modern electronically-tinged interpretations of R&B that was practically the trademark sound of his last album FutureSex/LoveSounds to some more worldly styles that incorporateThis album’s best aspects for the most part are the production & singing. Musically it goes in a fairly diverse amount of territories on the pop spectrum. It ranges from old-school horn/guitar-driven R&B to the modern electronically-tinged interpretations of R&B that was practically the trademark sound of his last album FutureSex/LoveSounds to some more worldly styles that incorporate tribal rhythm sections & mantra-like chant choruses that go on for a good majority of the song, to the minimalist closer Blue Ocean Floor that defies pop structure by running on solely a looped & seemingly backmasked keyboard part, creating an appropriately vast & subdued atmosphere for the beautifully sentimental lyrics about dedication to your significant other. This is one advantage 20/20 has over FS/LS; its ambitious & diverse (by pop album standards) instrumentation makes things a bit more sonically interesting from track to track in addition to the knack for great earworm hooks that has been a constant positive throughout JT’s career, whereas in the past, with a couple exceptions his work has been pop music through-and-through. On the mixed side of things, the lyrics are very hit-and-miss.They’re pretty much all about love (surprise surprise) though in a generally more mature direction than in the past; more ClassyBack than SexyBack. The thing is that the way these more sentimental ideas come across differs in success from track to track. Some tracks that pull this off exceptionally well include Mirrors & Tunnel Vision. The former is a very well-crafted & sincere affirmation that he and his significant other are perfect for each other and meant to last, playing on the term “better half” & tweaking the metaphor a bit. It’s basically this album’s My Love, except it sounds a little less made-for-radio while never losing its accessibility. The latter takes on a similar concept but focuses in more on the devoted & slightly obsessive side of things. It can get a bit cheesy in a couple lines but in comes off endearing rather than cringeworthy. Now if only that’d be the case with some of the other songs here... Some songs like Pusher Love Girl or Spaceship Coupe do nothing more than beat a bad metaphor (drugs & outer space respectively) into the ground until it’s reduced to dust. Heck, Pusher can’t even stay consistent; is the girl the drug or the dealer or it that actually JT that’s one of those things or what? Meanwhile Coupe devolves into replicating the lower points of FutureSex/LoveSounds, throwing out nothing but corny space-sex jokes. And while Strawberry Bubblegum doesn’t beat the titular concept entirely into the ground (in fact containing some pretty good lyrics), it’s still in the same ballpark of metaphoric lameness. It’s further amplified by the facepalm-inducing intro, which for 40 seconds beats into your skull that the song is “dedicated to you” like JT’s for some reason still pandering to the boy-band fangirl demo. It seems that on 20/20, lyrics can only work if they’re one of 2 extremes: the heart-pouring ballads & the lighthearted good-time songs. The songs in this category would include the uplifting & optimistic Don’t Hold the Wall, the dancey, fun & lyrically simple Let the Groove Get In (which like people have been saying sounds a lot like Michael Jackson’s Wanna Be Startin’ Something, but not to the point of ripoff in my opinion) & the suave, sophisticated ode to high-class attire Suit & Tie. When Suit & Tie was released as the first single I was pleasantly surprised (since this was from before I really got into his work), even if it was a bit flawed. Namely in the awful-sounding intro & as well as the meandering & unnecessary verse from Jay-Z. On repeated listens I found a couple cool lines in there, but I definitely would have shortened it. Plus there’s a couple lines in the second verse of the song (Stop, lemme get a good look at it So thick, now I know why they call it a fatty) that just irk me. Is he talking about drugs? His girl’s butt? Either way it’s a bit out of place in an otherwise very mature song. Easily the biggest problem in this album though is the song lengths. Since FS/LS for some reason JT’s had this odd obsession with outros & interludes. And sometimes, like on What Goes Around Comes Around, it works really well, adding sort of a new dimension to the song & giving it more personality & presence. Other times though it just feels tacked on for no reason other than to seem more ambitious a musician than he really is. Unfortunately for the most part this strategy just doesn’t work. It usually falls into at least one of a number of outcomes; either it tacks on practically a remix of the same song, repeats the same 1 or 2 lines for 4 minutes, or just stays on the same groove for WAY too long. Still despite these gripes, JT's in fine form here. He just needs to learn to focus more on his strengths. 70/100… Expand
  4. Spangle
    Mar 19, 2013
    10
    Absolutely fantastic. Timberlake's signing is on point, the writing is amazing, the sulky production is also fantastic. This is what pop and R&B is supposed to be. Should be hailed as the classic it is in a few years.
  5. geedup
    Mar 19, 2013
    6
    I am not a big fan of JT, although I do think he is talented. I was anxious to hear a new album from him since it had been so long between releases. And, let me say this- it sounds dated. Ultra-electronica sounding (which Usher did late last year). Not that JT's voice is to blame, but I think the producer is where to point the finger. Timaland was the producer and he hasn't made anythingI am not a big fan of JT, although I do think he is talented. I was anxious to hear a new album from him since it had been so long between releases. And, let me say this- it sounds dated. Ultra-electronica sounding (which Usher did late last year). Not that JT's voice is to blame, but I think the producer is where to point the finger. Timaland was the producer and he hasn't made anything good since MIssy Elliot. Additonally the material/subject is nothing extraordinary (which is disappointing) and each song is 7 minutes long leaving a casual fan like me to skip to the next track. Glad I didn't spend money on this. LOL.… Expand
  6. Jiano74
    Jan 27, 2016
    5
    At first I thought that this was a brilliant album, but now I am not too sure it is okay I guess but I certainly prefer the second part of this album but a 70 minute album with about 10 songs just isn't necessary unless it is rock or metal which this clearly isn't
  7. victorcarter
    Nov 21, 2016
    8
    It's a shame that The 20/20 Experience didn't live up to its title by way of, say, a visual for every song (coughcoughbeyonce), but in nearly every other way, 20/20 is one doozy of an album. It may take a special kind of listener to thoroughly enjoy the longer tracks, but who can deny the hooks on this thing? While it isn't a bass-heavy endeavor, the production on this album glistens andIt's a shame that The 20/20 Experience didn't live up to its title by way of, say, a visual for every song (coughcoughbeyonce), but in nearly every other way, 20/20 is one doozy of an album. It may take a special kind of listener to thoroughly enjoy the longer tracks, but who can deny the hooks on this thing? While it isn't a bass-heavy endeavor, the production on this album glistens and bangs in equal measure, finding the balance of pristine melody and enticing rhythms in every track. It's the little touches that give 20/20 its shine, like the barely-melodic harp flourishes on "Suit & Tie", or the aerated, creamy strings on "Strawberry Bubblegum". The album's secret weapon is "Blue Ocean Floor", a track many listeners may have never reached, and the one that keeps me coming back for full listens.… Expand
  8. Clubsocial
    May 4, 2015
    10
    JT's best album so far hands down and better than part 1 without any doubts .
    Give me what i dont know Murder True Blood Amnesia are the kkkkkkkkkkkkkkkkkkkkkkkk
  9. LanaDelRey
    Mar 24, 2013
    4
    Very Bland, And Boring... It' Time For Timberlake To Retire In The Music Buisness
  10. Samimacedo
    Nov 18, 2016
    10
    his is probably one of the greatest albums ever created. All the songs are so different from each other and they are all so amazing. Justin Timberlake's voice is so smooth and the beats and rhythms are great as well. King
  11. MusiclyMade
    Mar 21, 2013
    5
    Alright Justin, you've got some balls on you. I cannot help respecting what Justin Timberlake has done in making The 20/20 Experience. Let us not forget that he's still one of the biggest names in pop music regardless of the time he's had off just look at the amount of hype the album has received: he’s managed to make the cover of naff tween magazines and the front cover of PitchforkAlright Justin, you've got some balls on you. I cannot help respecting what Justin Timberlake has done in making The 20/20 Experience. Let us not forget that he's still one of the biggest names in pop music regardless of the time he's had off just look at the amount of hype the album has received: he’s managed to make the cover of naff tween magazines and the front cover of Pitchfork during the same media frenzy. Yet, he comes back with a pop album made up of ten tracks which average out at seven minutes each. The shortest track is nearly five minutes long, which is kind of remarkable in that he could be so adventurous and bold when he could have played the safe card after such a long solo absence. As a decision, I can take it and admire it for what it is, but that doesn't mean I have to enjoy the decision exactly. See, while the most interesting aspect of the album is the fact that Timberlake hasn't exactly played it safe, it’s also that decision which has made the album a wholly unsatisfying one.

    I have to admit that I really admire The 20/20 Experience as an album and I really admire Justin Timberlake as an artist for embarking on a project that carries a sense of risk and an enormous amount of pressure with it. On the whole The 20/20 Experience is a bold piece of work that, for the most part, displays some of Justin's more adventurous desires when it comes to creating concepts and songs themselves there's some excellent choruses on here and I've come away humming a few of the more obvious future singles. But in the end it leaves Justin sounding a little too full of himself and too involved in the ideas he's clearly had lots of since he started writing this album. Most of the album's tracks should end a good three or four minutes before they do (none of the tracks warrant even being 6 minutes long, never mind 8 minutes) and Justin rarely displays a sense of restraint or ability to know when to just knock out an idea quickly and leave a lasting mark, like he used to in the beginning of his solo career, but there are enough of pop’s most traditional and effective qualities on show to at least make 20/20 enjoyable for the most part. You've got to give credit to Justin for trying something like this, and credit to him for showing slightly more ambition to branch out, but sometimes creases need ironing more than once.    … Expand
  12. godwinkent888
    Feb 14, 2014
    5
    I was disappointed. I listened to this album primarily because of its ambitiousness and basically a return for JT in the music part of his career. But after around 3/4's through the album, I stopped. I just couldn't take it anymore. I have to admit, I was enjoying at some points of the album, it was filled with catchy hooks, some sharp lyrics, but... there's a HUGE flaw in the album: itsI was disappointed. I listened to this album primarily because of its ambitiousness and basically a return for JT in the music part of his career. But after around 3/4's through the album, I stopped. I just couldn't take it anymore. I have to admit, I was enjoying at some points of the album, it was filled with catchy hooks, some sharp lyrics, but... there's a HUGE flaw in the album: its poor song structures. JT's trying too hard to stretch out his songs in order to "conform" to the "at-least-6-minute-songs" rule in the album. I mean, some songs are good, but it gets too repetitive that the listener could easily bored, the song "Mirrors" in particular. It's catchy, meaningful, but again, just like any other song in the album, it's too lazily written just to pan out its length (the awkward phrasing in "You are, you are the love of my life" for example). I could go on and on reviewing this, but I'll just stop there. I guess you already know what I mean. To sum it up, Justin tries. I appreciate his efforts, but this album just hit the ground like a "thud" instead of a "bang".… Expand
  13. DrewBrauer
    Aug 30, 2013
    10
    Man, it's been a while since we've heard from Justin Timberlake (or JT for short) in the music world. After debuting his new single "Suit & Tie" with Jay-Z, everyone was curious to see what Timberlake was going to do next and with the announcement of two albums in one year (20/20 Experience 2 of 2 comes out later this fall) we all wanted to see how Timberlake could do it. Ladies andMan, it's been a while since we've heard from Justin Timberlake (or JT for short) in the music world. After debuting his new single "Suit & Tie" with Jay-Z, everyone was curious to see what Timberlake was going to do next and with the announcement of two albums in one year (20/20 Experience 2 of 2 comes out later this fall) we all wanted to see how Timberlake could do it. Ladies and Gentlemen JT did it, "The 20/20 Experience" may possibly be one of the best albums I've heard in quite sometime, Exceptionally written, Expertly produced, and well, excellent. The one thing that could keep this from being the best album of the year could be Timberlake's second release this year, we'll have to see. 20/20 Experience is unconventional to all Pop music out there, it's different and at times it's just R&B, it's Brilliant. Justin Timberlake is at the top of his game here, his vocals here are Natural, Toned in Well, and flows smoothly with everything going on. The album is only about ten songs long, but it's also a little more than 70 minutes long, I was consistently into the music all the way until the final seconds of the last song "Blue Ocean Floor", speaking of songs there are many standout's here, which include "Suit & Tie", "Let the Groove Get in", "Pusher Love Girl", and "Tunnel Vision" all sound amazing. Hardly any problems here but listeners looking for mainstream Pop should stay away from this, it's very different and if you want something different then this is a must. One of the Best albums of 2013, "The 20/20 Experience" is a wonderful experience and something that will go down as one of Timberlake's best and most iconic releases...ever.… Expand
  14. StrawberryBlond
    Apr 14, 2013
    5
    Justin has made a habit out of taking big breaks between albums, but this was ridiculous. After six and a half years, everyone thought he'd disappeared for good and was completely devoted to acting now, but then, out of the blue, a new single got released with an album coming real soon. Despite the sudden announcement, fans responded well and Mirrors was even a #1 smash for threeJustin has made a habit out of taking big breaks between albums, but this was ridiculous. After six and a half years, everyone thought he'd disappeared for good and was completely devoted to acting now, but then, out of the blue, a new single got released with an album coming real soon. Despite the sudden announcement, fans responded well and Mirrors was even a #1 smash for three consecutive weeks in the UK. But I have to say, the album is not up to par with his opus, Futuresex/Lovesounds. While doing something very different with its retro sound, nearly every song is so slow, bland and boring. It was a big risk and it seems like Justin is the only one who could have success with this as it's so far removed from what the public want. But there are little upsides. Don't Hold The Wall is one of the true urban influenced tunes that might actually encourage people to dance, Spaceship Coupe is so smooth with an amazing electric guitar solo and deluxe edition bonus track, Dress On, is a very sexy little number. Everything else is ok to mediocre to awful with eyebrow raising metaphors for love in Pusher Love Girl and awful atrocities like That Girl and Let The Groove Get In. Justin's lyrics are pretty bad and the biggest issue is with the incredibly long duration of every song. Just when you think it's over, it goes into another level for another 3-4 minutes. Sure, Justin did long songs with his last album, but the transition isn't done well this time and it seems like an extra bit was tacked on to make the songs un-necessarily long and it seems to have no connection to the first half. Long songs are not automatically artsy. It's all about quality, not duration. Sometimes, a song's just meant to end at a certain point. Don't milk it so it becomes an overproduced mess. Justin does have a part 2 to this album due out later this year, so here's hoping he's learned what works and what doesn't this time. But I assume it's going to be more of the same.… Expand
  15. Teodoro
    Jun 20, 2014
    1
    Tanta espera por um album com apenas uma boa música???
    Não consigo entender por que dizem que ele é o novo Rei Do Pop,ele ta mais pra Mais Um Querendo A Coroa.
  16. le_one
    Jun 4, 2013
    9
    Incredible album filled with fantastic awesomeness. Okay, that's not a good way to start a review. But it's true. It stars with the magic "Pusher Love Girl", flows with the hit single "Suit & Tie", gets a little messy with "Don't Hold the Wall", romantic with "Strawberry Bubblegum", extraordinary with "Tunnel Vision", magical with "Spaceship Coupe", groovy with "That Girl", annoying (butIncredible album filled with fantastic awesomeness. Okay, that's not a good way to start a review. But it's true. It stars with the magic "Pusher Love Girl", flows with the hit single "Suit & Tie", gets a little messy with "Don't Hold the Wall", romantic with "Strawberry Bubblegum", extraordinary with "Tunnel Vision", magical with "Spaceship Coupe", groovy with "That Girl", annoying (but catchy) with "Let the Groove Get In", deep with "Mirrors" and beautiful with "Blue Ocean Floor". The only thing missing here is a dance pop song. But that obviously was not the goal.… Expand
  17. arvintaylor138
    Feb 18, 2014
    6
    The slow jams and 'chilled-out' experience flaunts Justin Timberlake's charms and talents while other times, the tracks can just be a drag that feels never-ending.
  18. Brad_
    Apr 3, 2013
    9
    I enjoyed this album completely. It is exactly what I envisioned the album to be after his release of Suit and Tie and you can truly hear the effort that JT has put towards this album as nearly all the songs (except three) are about 8 minutes long a true experience. I'm still figuring out whether the continued collaboration between Timbaland and Timberlake is a positive or a negativeI enjoyed this album completely. It is exactly what I envisioned the album to be after his release of Suit and Tie and you can truly hear the effort that JT has put towards this album as nearly all the songs (except three) are about 8 minutes long a true experience. I'm still figuring out whether the continued collaboration between Timbaland and Timberlake is a positive or a negative aspect of the production as it is very similar to JT's previous albums but then again why stop an amazing pair simply because it is expected? My favourite song on this record is possibly Strawberry Bubblegum it's composition and styling is reminiscent of Sade with the "mellow" lyrics and tone. I can truly see this album winning Best Album in the Grammy's 2014 or maybe I am speaking to soon...… Expand
  19. PRTYNTGRVS
    Oct 23, 2013
    7
    I do applaud the ambition on this LP compared to his previous albums: Justified and Future Sex/Love Sounds, however Justin tries too hard to make his songs stick and become memorable. They do become memorable, but for all the wrong reasons. He does still retain that pop style to keep his listeners attracted while challenging them stylistically but he doesn't really follow through with theI do applaud the ambition on this LP compared to his previous albums: Justified and Future Sex/Love Sounds, however Justin tries too hard to make his songs stick and become memorable. They do become memorable, but for all the wrong reasons. He does still retain that pop style to keep his listeners attracted while challenging them stylistically but he doesn't really follow through with the sound he's giving. Just keep it short and sweet Justin, consistent even. For now his pop signature continues to shine with a few blemishes. He barely misses the mark he has set for himself, which doesn't really make this experience all to clear (20/20). But that's what Timberlake has to offer here, and his croon and intriguing enigma makes it almost impossible to resist.… Expand
  20. Rosaria88
    Jun 15, 2015
    10
    Foxes é maravilhosa. Eu amo tudo o que ela faz, tudo bem feito, impecável. Coisa de artista de verdade, é uma pena ver que não tem o reconhecimento merecido.
  21. Stefffan
    Aug 8, 2017
    8
    It could be better of course, but overall, it's a great comeback for JT! Most of the songs are awesome, but some songs is hard to listen. Mirrors is classic song now and Suit & Tie doesn't belong to the popular music genres, but JT proves that he can pull out everything.
  22. thugnificent2
    Mar 30, 2013
    7
    the beats are the main thing on this album. justin timberlake only shines on a few songs. suit and tie is probably the best song on the album. the songs are also too long, he needs to cut songs in half instead of just changing the beat
  23. ZacharyMatson
    Jun 19, 2013
    9
    By far his best work yet. The 20/20 Experience returns us to the groovy, poppy, sounds that we heard from FutureSex/LoveSounds, with the addition of some more classic R&B tones and influences that I personal was pleasantly surprised to hear.
  24. Willduffy
    Nov 4, 2020
    10
    This is a perfect album, definitely one of my favourites of all time. My many favourites include:
    Pusher love girl
    Suit & Tie
    Mirrors
    Blue ocean floor
    Dress on
  25. SimpleMethod
    Aug 2, 2013
    7
    A good album. I liked all the tracks, and loved a few. Nothing special, nothing terrible. I'm excited for 20/20 Experience- 2 of 2. Good job JT, keep the good tunes coming.
  26. Markosvini
    Apr 4, 2013
    4
    O CD não ficou muito ruim, mais na minha opinião JT esqueceu que estamos em 2013, a capa do album nos remete a algo novo um "Experience", mas a realidade que todas músicas soam iguais.
    Suit & Tie (ft. Jay-Z) foi escolhida como primeiro single, porque realmente a melhor música do álbum, a minha impressão foi a de estar ouvindo "FutureSex/LoveSounds" do próprio Justin, Será que acabou o    O CD não ficou muito ruim, mais na minha opinião JT esqueceu que estamos em 2013, a capa do album nos remete a algo novo um "Experience", mas a realidade que todas músicas soam iguais.
    Suit & Tie (ft. Jay-Z) foi escolhida como primeiro single, porque realmente a melhor música do álbum, a minha impressão foi a de estar ouvindo "FutureSex/LoveSounds" do próprio Justin, Será que acabou o reinado do príncipe do Pop?    … Expand
  27. star_gazing
    Apr 26, 2013
    3
    By the fourth song, I began to question why in the world I would listen to this.

    Timberlake's voice is flawless, don't get me wrong; he's got a very smooth voice that goes well into the R&B genre of the industry, silky and warm. It's also good making general pop music too, so there is a hint of diversity. And some of the background instrumental is nice too, kinda like a dream in some    By the fourth song, I began to question why in the world I would listen to this.

    Timberlake's voice is flawless, don't get me wrong; he's got a very smooth voice that goes well into the R&B genre of the industry, silky and warm. It's also good making general pop music too, so there is a hint of diversity. And some of the background instrumental is nice too, kinda like a dream in some cases.

    However, that's all that can be said of this album. The production falls flat and becomes questionable right from the very start. The songs drag on for longer than they need too, considering the lyricism is lacking in any general depth or meaning and the instrumentals don't do any justice. And at 70 minutes long, it DRAGS. I don't mind the fact that people would like this album, I really don't. It sounds nice, sometimes; the fact of the matter is is that there's nothing to it. Nothing on this album has any substance whatsoever, and it's easier to listen to nails on a chalkboard for five minutes than over an hour of this.    … Expand
  28. Calciferus
    Jun 2, 2013
    9
    A seriously good album considering his long absence. Could be the best pop album of the year, JT throw away his old R'n'B style and reinvent himself on this LP. Most of the tracks are long and few of them feels rather lengthy, making the highs and lows of the album more apparent. But still, mostly highs, mostly highs. Highlight tracks: Mirrors, Suit & Tie, Blue Ocean Floor, Strawberry Bubblegum
  29. tito909
    Mar 19, 2013
    5
    good and nice album but very disappointed because its not good as i thought after waiting 7 years
    and most tracks r over 7 minutes so how can it be on radio and has the success that deserve
    i was thinking it will be the best album in 2013 but i think it will be too hard to acheive that
  30. idontknowher
    Dec 21, 2016
    1
    Horrible. Este álbum es bastante desagradable. Creo que Timberlake quiso innovar en cuanto a sonido e imagen y todo le salió mal, el disco es muy aburrido y cada canción dura milenios, las letras son bastante fuera de lugar en cuanto a la imagen que Justin le dió al promocionarlo. La única rescatable es "Mirrors" de ahí en fuera todo está totalmente desagradable.
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Awards & Rankings

20
#20 Most Discussed Album of 2013
36
#36 Most Shared Album of 2013

Critic Reviews

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Metascore
75

Generally favorable reviews - based on 39 Critic Reviews

Critic score distribution:
  1. Positive: 29 out of 39
  2. Mixed: 10 out of 39
  3. Negative: 0 out of 39
  1. Absolute Punk (Staff reviews)
    Jun 6, 2013
    85
    This is the kind of record where everyone will have different favorite song, where what someone calls dull or overlong or indulgent will resonate perfectly with someone else, depending on that listener’s past musical tastes and experiences.
    Read full review
  2. cokemachineglow
    May 6, 2013
    80
    The result would be encyclopedia-thumbing pastiche if it weren’t all so carefully curated, and if the production wasn’t so intricately, lavishly produced that as each track stretches into the fifth or sixth or eighth minute it was not still revealing permutations, secrets, strange little surprises.
    Read full review
  3. Under The Radar
    Apr 17, 2013
    75
    While it may be a little overlong at nearly an hour and a half, there are influences from 40-odd years of pop music expertly melted together by a master craftsman to create an album of consistently brilliant songs.
    Read full review
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