Metascore
74

Generally favorable reviews - based on 13 Critics

Critic score distribution:
  1. Positive: 9 out of 13
  2. Negative: 0 out of 13
  1. The contrast of Moog buzz and the wordsmith's featherlight touch reaches full tilt with 'Hallelujah, Goodnight!' but takes a sharp left with the equally charismatic 'Bat Coma Motown,' where banjo and trumpet hug it out while dancing the Temptation Walk.
  2. Where the latter two releases felt like "Hail Marys" tossed into the musical ether, Ocean serves as a return to the kind of sharp-tongued, Beatlesque retro-pop that fueled 2005's "Novelist/Walking Without Effort" and the aforementioned "Letdown."
  3. In this brilliant new time of directional change, the piano-led analogue boy is practically smiling his words out on the Mark Ronson-produced 'Ballad Of Old What's His Name'.
  4. Swift hasn’t put out a bad record yet, but The Atlantic Ocean is his most solid effort yet, his best attempt at managing the dark-lit record store in his head.
  5. Uncut
    80
    Swift's stock-in-trade remains droll, gently roistering piano songs, mostly indebted to Harry Nilsson. [May 2009, p.97]
  6. Under The Radar
    80
    The Atlantic Ocean is a sleek, meticulously crafted folk-rock record which mines a similarly vintage Harry Nilsson-charted territory as Wilco traversed on "Sky Blue Sky." [Spring 2009, p.68]
  7. 70
    The sad sacks who populate such bitterly funny songs as 'Already Gone' and 'R.I.P.' linger in the mind long after the toe-tapping grooves have faded.
  8. If you’re reading this, stick with it. It has some real rewards in the back end--my only hope is that the songs were recorded in chronological order, to suggest that this is the direction Swift will take future albums.
  9. Swift has figured out how to make pretty music, but he hasn't found anything compelling to say through it.

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