Buy Now
- Critic score
- Publication
- By date
-
Mar 7, 2024Her concentration on an especially brutal historical subject makes it one of her most bracing works, and it becomes more compelling and powerful with increased intention and awareness.
-
Mar 6, 2024The Great Bailout is as much a historical commentary as a work of art, a detailed chronicle of the way in which a flawed system was flawlessly crafted.
-
Mar 21, 2024There isn’t a singular, clear message of hope on The Great Bailout, but in documenting the rage and despair built into life under such a ugly and evil system, Moor Mother has provided something just as valuable — if not more so— in understanding the struggles of the present day.
-
Mar 8, 2024Moor Mother’s latest album is a tough listen, and might take a bit of research and a few listens to fully situate in its various contexts. This is all to be expected — grappling with terrible moments in history is never a pleasant or easy experience, but Ayewa makes the pain of remembering feel like fuel for the future.
-
MojoMar 5, 2024The Great Bailout is a grand, artistic and political statement in an age when such vision is too rarely attempted. [Apr 2024, p.87]
-
Mar 8, 2024It is precisely this linkage between systematized death and riches that makes the album such a mortifying listen and perhaps the most essential of 2024.
-
Mar 14, 2024Unfathomable sorrow and controlled fury give the album its shape.
-
Mar 19, 2024As excerpts of poetry sound like heart-stricken dialogue and foggy soundscapes take the shape of a score, it often steps out of the confines of music and begins to approach theatre.
-
Mar 7, 2024It’s a wonderfully strange, dense, and visceral album that finds solace in uncanny experimentalism.
-
Mar 5, 2024The Great Bailout is a hauntingly edifying experience born out of intergenerational trauma, political rage and suffering. Echoey vocals and experimental composition hold this album up as a house of mirrors – a forceful confrontation with an ugly past with no way out. Its counterpoint is a feeling of strength.
-
Mar 5, 2024The Great Bailout, while resting handily within her trademark virulent atmospheres and spoken word, is among her most impenetrable and least entertaining from a practical sense. This is not a fault of the record, but a necessary and expected byproduct of its existence, as each track runs up to ten minutes in a dirge of menacing poetry with instrumentals more evocative of a sinister mood-piece than a traditional song
-
The WireMar 5, 2024Despite the sonic shifts – from grinding electronic roars to manipulated vocal samples and field recordings to shimmering harp to desolate piano – it remains unified, because of Ayewa. [Mar 2024, p.50]
-
UncutApr 26, 2024Muttered vocals and jazzy trumpet combine on the unsettling “God Save The Queen”, and even Mary Lattimore’s harp and Lonney Holley’s graceful voice can’t disguise “Guilty”’s uncomfortable challenges. [Jun 2024, p.37]
Awards & Rankings
There are no user reviews yet.