• Record Label: Anti-
  • Release Date: Mar 8, 2024
Metascore
84

Universal acclaim - based on 13 Critic Reviews

Critic score distribution:
  1. Positive: 12 out of 13
  2. Negative: 0 out of 13
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  1. Mar 19, 2024
    90
    As excerpts of poetry sound like heart-stricken dialogue and foggy soundscapes take the shape of a score, it often steps out of the confines of music and begins to approach theatre.
  2. Mar 8, 2024
    90
    Moor Mother’s latest album is a tough listen, and might take a bit of research and a few listens to fully situate in its various contexts. This is all to be expected — grappling with terrible moments in history is never a pleasant or easy experience, but Ayewa makes the pain of remembering feel like fuel for the future.
  3. Mar 8, 2024
    86
    It is precisely this linkage between systematized death and riches that makes the album such a mortifying listen and perhaps the most essential of 2024.
  4. Mar 6, 2024
    84
    The Great Bailout is as much a historical commentary as a work of art, a detailed chronicle of the way in which a flawed system was flawlessly crafted.
  5. Uncut
    Apr 26, 2024
    80
    Muttered vocals and jazzy trumpet combine on the unsettling “God Save The Queen”, and even Mary Lattimore’s harp and Lonney Holley’s graceful voice can’t disguise “Guilty”’s uncomfortable challenges. [Jun 2024, p.37]
  6. Mar 21, 2024
    80
    There isn’t a singular, clear message of hope on The Great Bailout, but in documenting the rage and despair built into life under such a ugly and evil system, Moor Mother has provided something just as valuable — if not more so— in understanding the struggles of the present day.
  7. Mar 7, 2024
    80
    Her concentration on an especially brutal historical subject makes it one of her most bracing works, and it becomes more compelling and powerful with increased intention and awareness.
  8. 80
    It’s a wonderfully strange, dense, and visceral album that finds solace in uncanny experimentalism.
  9. Mojo
    Mar 5, 2024
    80
    The Great Bailout is a grand, artistic and political statement in an age when such vision is too rarely attempted. [Apr 2024, p.87]
  10. The Wire
    Mar 5, 2024
    80
    Despite the sonic shifts – from grinding electronic roars to manipulated vocal samples and field recordings to shimmering harp to desolate piano – it remains unified, because of Ayewa. [Mar 2024, p.50]
  11. Mar 5, 2024
    80
    The Great Bailout is a hauntingly edifying experience born out of intergenerational trauma, political rage and suffering. Echoey vocals and experimental composition hold this album up as a house of mirrors – a forceful confrontation with an ugly past with no way out. Its counterpoint is a feeling of strength.
  12. Mar 14, 2024
    78
    Unfathomable sorrow and controlled fury give the album its shape.
  13. Mar 5, 2024
    60
    The Great Bailout, while resting handily within her trademark virulent atmospheres and spoken word, is among her most impenetrable and least entertaining from a practical sense. This is not a fault of the record, but a necessary and expected byproduct of its existence, as each track runs up to ten minutes in a dirge of menacing poetry with instrumentals more evocative of a sinister mood-piece than a traditional song

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