• Record Label: XL
  • Release Date: Mar 29, 2011
User Score
7.9

Generally favorable reviews- based on 795 Ratings

User score distribution:
  1. Negative: 45 out of 795

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  1. Mar 5, 2011
    7
    It's definitely solid, but I'm afraid King Of Limbs doesn't have the same wow-factor that In Rainbows, Kid A, OK Computer et al brought with them; it's exactly what we've come to expect from Radiohead and, even worse, where once they pioneered new trends and ideas in the music world they seem to have run out of originality here and are instead pillaging the recent dubstep/glitch trends ofIt's definitely solid, but I'm afraid King Of Limbs doesn't have the same wow-factor that In Rainbows, Kid A, OK Computer et al brought with them; it's exactly what we've come to expect from Radiohead and, even worse, where once they pioneered new trends and ideas in the music world they seem to have run out of originality here and are instead pillaging the recent dubstep/glitch trends of the likes of FlyLo and Jon Hopkins. However, the songs are very good I have to admit, particularly Lotus Flower; Give Up The Ghost and Separator are both standouts too; and while the first half is easily the more 'difficult', it's also the most profoundly growing (Morning Mr Magpie is becoming a clear favourite for me). But my problem is the lack of that one song that really makes me go, Wow, they've done it again, the one that stays with me for years. Fake Plastic Trees, Exit Music, How To Disappear Completely, Pyramid Song, There There, Nude. King Of Limbs has nothing to follow that string of greats, and for that reason it will always seem a lesser album to me, because even though the overall quality of Hail To The Thief and Amnesiac is less they are at least redeemed by the offerings that really rise above the pack. I love Radiohead, but I wish they'd had the courage to do something more original and less (seemingly) intentionally provocative - maybe next time. Expand
  2. Mar 4, 2011
    2
    I'm surprised so many people like this album. It doesn't sound like it was made or recorded as (or even by) a full band. Fragmented ideas layered together by somewhat interesting rhythms but unfortunately lacking in all other areas, especially in melody. They can't all be gems I suppose.
  3. Mar 4, 2011
    3
    Ok, guys, where's the real album you've kept so many of us waiting for many years??? In a couple of months, you'll release the innovative, mind bending, musical masterpiece and this whole "King of Limbs" business will just be a prank played on devoted listeners, right? Please tell me this underachieving pile of musical and lyrical mediocrity (mediocre for Radiohead) is just a mirage inOk, guys, where's the real album you've kept so many of us waiting for many years??? In a couple of months, you'll release the innovative, mind bending, musical masterpiece and this whole "King of Limbs" business will just be a prank played on devoted listeners, right? Please tell me this underachieving pile of musical and lyrical mediocrity (mediocre for Radiohead) is just a mirage in the shape of a Fourtet of Flying Lotuses. Anyone who rates this a 10 is putting this album up with their best. Please don't do that. Expand
  4. Mar 3, 2011
    8
    Any one who gives this below a 3 is simply doing so because they hate the idea of radiohead, and anyone giving it above a 8 or 9 or so is doing it because they love the idea of radiohead. a solid, short, sweet radiohead gem. on the scale of all albums ever released, yeah it's no star, but "lotus flower", "seperator", and "little by little" are just genuinly good songs. they are groovy,Any one who gives this below a 3 is simply doing so because they hate the idea of radiohead, and anyone giving it above a 8 or 9 or so is doing it because they love the idea of radiohead. a solid, short, sweet radiohead gem. on the scale of all albums ever released, yeah it's no star, but "lotus flower", "seperator", and "little by little" are just genuinly good songs. they are groovy, among radioheads more melodic works, and have that otherworldness you come to expect from radiohead. toss aside your previous biases about radiohead (and we ALL have them, whether good or bad) and just listen. it's a pleasurable piece of work =) Expand
  5. Mar 3, 2011
    0
    AWFUL Album!!! For a band called by critics revolutionary, Radiohead became very repetitive in the last 4 records. Any review of this new album could be used for the previews ones. The drum-n-beat is the same. The dark mood is the same. The lack of creativity is the same. For a band that gave us "The Bends", "OK Computer" and "Amnesiac", this album is extremely disapointing and must beAWFUL Album!!! For a band called by critics revolutionary, Radiohead became very repetitive in the last 4 records. Any review of this new album could be used for the previews ones. The drum-n-beat is the same. The dark mood is the same. The lack of creativity is the same. For a band that gave us "The Bends", "OK Computer" and "Amnesiac", this album is extremely disapointing and must be inserted as a b-sides collection. If a had a chance to tell them I will say "It´s time to renovate or Radiohead will be live in the shadows of the past". Expand
  6. Mar 1, 2011
    10
    Insanely delicious album. Loved "Little by Little." Everything is so eerily good. It does sound a bit more electronic then their other albums, but nevertheless, Radiohead makes it work.
  7. Feb 26, 2011
    8
    So it is not as good as In Rainbows. This much is true. However, it is one really good Radiohead album once again. The second half of the album is brilliant. My favorite and standout is "Codex" where a simple piano distortion and Yorke's vocals hit a desolate melancholy. "No one gets hurt/No one around" Great stuff. The album is short,yet it is an album that you can throw on withoutSo it is not as good as In Rainbows. This much is true. However, it is one really good Radiohead album once again. The second half of the album is brilliant. My favorite and standout is "Codex" where a simple piano distortion and Yorke's vocals hit a desolate melancholy. "No one gets hurt/No one around" Great stuff. The album is short,yet it is an album that you can throw on without investing too much (at like 38 min) No earth shattering stuff here but a very solid effort. If you got 8 really good songs why not just cut the crap and make that an album? Expand
  8. Feb 26, 2011
    0
    If there was ever an album that was created to cure insomnia, this would be it. A soulless effort from a band that has so many talents, too bad it was wasted on incessant beats. A great disappointment.
  9. Feb 26, 2011
    4
    On first listen I quite enjoyed this album. However, it really doesn't hold up well on repeated listens. What i shocking for me that there is really only one track- Codex - that induces or even attempts to induce a strong EMOTIONAL response from the listener. This from the band that gave as the emotional tour de forces of OK Computer, The Bends, and even Kid A/In Rainbows.

    I give it
    On first listen I quite enjoyed this album. However, it really doesn't hold up well on repeated listens. What i shocking for me that there is really only one track- Codex - that induces or even attempts to induce a strong EMOTIONAL response from the listener. This from the band that gave as the emotional tour de forces of OK Computer, The Bends, and even Kid A/In Rainbows.

    I give it four stars as I can appreciate the technical elements of the music. And there are some interesting sounds and rhythmic structures going on in some of the songs. But art such as this, that elicits purely an intellectual response, is not really art at all. I like the Radiohead that writes music that makes you feel alive with anger, sadness or even hope. This doesn't need to "safe" music. No surprises, Paranoid Android, Lucky etc, were not safe, unoriginal songs. But they were great songs. Nothing on here compares.
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  10. Feb 26, 2011
    9
    A slow burner but ultimately satisfying. "Separator" and "Codex" sublime. This is supposed to be 150 characters long .....blah..... blah...... blah....... blah.........
  11. Feb 26, 2011
    9
    The King of Limbs is an album in which Radiohead depends on you, the listener, to have followed them down the rabbit hole of sonic experimentation, where they have taken residence ever since the release of Kid A. If you have not kept up with them, or haven't listened to anything other than Ok Computer or The Bends, do not listen to this album. It will not make sense to you. In many ways,The King of Limbs is an album in which Radiohead depends on you, the listener, to have followed them down the rabbit hole of sonic experimentation, where they have taken residence ever since the release of Kid A. If you have not kept up with them, or haven't listened to anything other than Ok Computer or The Bends, do not listen to this album. It will not make sense to you. In many ways, this album picks up exactly where they left off. Very similar effect and guitar tones, odd rhythms and nearly impossible to understand lyrics sung from a falsetto Yorke. It is very easy to think that this album, for the first time, is more of the same from Radiohead. But well I don't think it's a complete reinvention of themselves, it certainly is the other side of the sound they created during the In Rainbows sessions.
    Think of it like this: if music is an army, and you, the listener, are a fortress, In Rainbows and The King of Limbs are two different strategies for the same army to take you down. In Rainbows saw the front gates, organized, and charged you down. The King of Limbs, however, surrounds you, cuts off your food supply, and waits for you to go out and attack it.
    Let me explain: In Rainbows was catchy, it had a driving beat, you could hear the guitars front and center doing interesting things. Without trying too hard, even if you just have the CD playing in the background, something will catch your ear, and you will like it. With the King of Limbs, this is not the case at all. If you don't actively engage the music as you're listening to it, you won't like it.
    Radiohead has the spotlight, they are one of the largest and most discussed bands on the planet. They do not need to demand your attention anymore, they have it. They know that no matter what they put out, you will buy it, and listen to it over and over until you've had enough. One way or another, you will get this CD, and you will listen to it, over, and over, and over.

    Before you think it's cold, and heartless music by name only, listen closely. There's beauty there. Find it.
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  12. Feb 26, 2011
    10
    To me this album represents Radiohead's courage and strength through all of their music. I think it is simply, strangely and utterly beautiful, sounds like a mix of In Rainbows, Kid A, and Yorke's solo stuff. Really loving codex, it brings you into the moment. 2nd half of the album is better than the 1st.
  13. wjw
    Feb 25, 2011
    9
    Kraftwerk meets Fleet Foxes. Seriously, though the album is short in duration (It's why I scored it a 9 and not a10--I WANT MORE!), this is a sublime work of sonic modern art. Unlike many great albums that seem, at first listen, similarly unapproachable (Trout Mask Replica), this album is just plain beautiful in every aspect of its layered and impressionistic soundscape. And, as a value,Kraftwerk meets Fleet Foxes. Seriously, though the album is short in duration (It's why I scored it a 9 and not a10--I WANT MORE!), this is a sublime work of sonic modern art. Unlike many great albums that seem, at first listen, similarly unapproachable (Trout Mask Replica), this album is just plain beautiful in every aspect of its layered and impressionistic soundscape. And, as a value, a few hundred albums of lower scores versus this gem, I'll take this gem. One more thing to note might be that its brevity might be its saving grace (justifying a 10), since it would be that much more addictive a listen were it to contain a number of other gracefuly and thoughtfully crafted compositions, but then again, I'm already addicted, and can't shake off this sonic crack. Well, anyway, though this album may not seem so melodic in such an immediate way, I can't take certain songs out of my mind. For those who might be adamantly, and in some cases, hysterically, opposed to any favorable assessment--aesthetic or otherwise--of this album, I can't help, you. I'll I can say to you is, "don't hurt me," as I am already haunted by this album. Expand
  14. Feb 25, 2011
    8
    It seems to me that everyone expects every new Radiohead release to be the most groundbreaking album ever. That's the level the group are at. But every album that does fall short of 'a modern classic' status is still better than 95% of the average dross that is out there at the minute. It's a Radiohead album. Which means that once again it's different, challenging and thoroughly enjoyable.It seems to me that everyone expects every new Radiohead release to be the most groundbreaking album ever. That's the level the group are at. But every album that does fall short of 'a modern classic' status is still better than 95% of the average dross that is out there at the minute. It's a Radiohead album. Which means that once again it's different, challenging and thoroughly enjoyable. Especially to anyone who is sick of what passes for 'music' nowadays. Expand
  15. Feb 25, 2011
    1
    Nausea-inducing trash that people force themselves like just because its radiohead. This is yet another step in the wrong direction for band that was evolving quite well up until the last few albums. I've already seen some people who genuinely hated this album after first listen, but have slowly but surely changed their minds based on critics' overrating of this album.
  16. Feb 25, 2011
    8
    I actually believe this is a complete album, despite the rumors that there's a 'part 2' on the way. Yes, it's short, but it feels complete to me. The first half of the album is dense and complicated, and then it breaks free into a second half that is beautiful and liberating. "Separator" is, in my opinion, the most emotionally satisfying closer Radiohead have pulled off since "The Tourist"I actually believe this is a complete album, despite the rumors that there's a 'part 2' on the way. Yes, it's short, but it feels complete to me. The first half of the album is dense and complicated, and then it breaks free into a second half that is beautiful and liberating. "Separator" is, in my opinion, the most emotionally satisfying closer Radiohead have pulled off since "The Tourist" from OK Computer. Expand
  17. Feb 24, 2011
    6
    This review contains spoilers, click expand to view. A solid effort, which is weird coming from Radiohead. I'm used to being blown away by this band, and this time it didn't happen. At first, I hated this album. The I've listened to it more, gave it a chance and now I just like it. Lotus Flower is a fantastic song, and so is Morning Mr. Magpie. This isn't a rock album by any means of the word, it's an electronica album, and you can have to accept it, and in my opinion that's what keeps it from becoming a great album. It doesn't seem like a complete effort from the whole album. Seems like it should be York's second solo album. They have 3 great guitarists and there's hardly any guitar used in it. The computerized drumming is just repulsive, and so is some of the other electronic effects used on the album. I wishing for something different, but instead I got this; a so-so album from one of the best bands in the last two decades. Expand
  18. Feb 24, 2011
    10
    Another classic by Radiohead. Simply the best band ever. Nobody has or ever will come close to their creative genius. From Bloom to Separator, every track on this album is a classic. Too bad the whole thing is so short.
  19. Feb 24, 2011
    8
    It was difficult to see how Radiohead could improve on In Rainbows and they have done the sensible thing and moved in a different direction. Parts feel more experimental and more sparse than previous efforts. Bloom and Feral are for biggest change in the sound and for me the weakest part - layered electronica, looped, tinny, slightly harsh sounding ...this is no doubt the sound they wereIt was difficult to see how Radiohead could improve on In Rainbows and they have done the sensible thing and moved in a different direction. Parts feel more experimental and more sparse than previous efforts. Bloom and Feral are for biggest change in the sound and for me the weakest part - layered electronica, looped, tinny, slightly harsh sounding ...this is no doubt the sound they were going for - I don't care for it, the later half of the album is mellower and has more organic sound which I prefer. I hope the later half is the way they move forward with their next offering, I recall Thom once saying OK Computer was their attempt at Endtroducing by DJ SHADOW, this again feels again like an attempt at that. To a Radiohead fan I would recommend this, to a newbie I would recommend the back catalogue. Expand
  20. Feb 24, 2011
    8
    Slightly melancholy and insightful with interesting hooks (yes, I think there are hooks). If you aren't into melancholy/interesting, you will be disappointed. You'll also be disappointed if you expect Radiohead to make your favorite Radiohead album again. Their albums each have a distinct personality, and this is no exception; in this case, the personality might rub you the wrong way,Slightly melancholy and insightful with interesting hooks (yes, I think there are hooks). If you aren't into melancholy/interesting, you will be disappointed. You'll also be disappointed if you expect Radiohead to make your favorite Radiohead album again. Their albums each have a distinct personality, and this is no exception; in this case, the personality might rub you the wrong way, and that's okay. The more I listen carefully to the tracks the more I appreciate this album's personality. Expand
  21. Feb 24, 2011
    10
    This review contains spoilers, click expand to view. The King Of Limbs is one of the best albums of radiohead. Better than In Rainbows, and more expermiental than ever, they come back for give us a excellent albums. I can say it without any problems: RADIOHEAD IS BETTER THAN EVER. Expand
  22. Feb 23, 2011
    1
    I have every Radiohead album and this is easily the most disappointing. I guess I'm a fan of their earlier stuff because I miss the sound of Pablo Honey, OK Computer and The Bends. Everything after the first three became very unemotional and lifeless to me. I hate wasting money on music I can't even enjoy listening to.
  23. Feb 23, 2011
    7
    The problem that most 20 year old bands have is continuing to make new and interesting music. Radiohead does not have this problem. Though this album is not their best, it is still unique and beautiful. The King of Limbs is most importantly pointing them in a new direction.
  24. Feb 23, 2011
    9
    first of all, ignore any reviews that were written during within the first few days of its release. it is useless, careless, and offensive of you to think you can digest any radiohead album in such a short span of time as they require many, many listens in a variety of moods, times of day, situations, listening devices, etc. having done that myself, and considering myself a pretty devotedfirst of all, ignore any reviews that were written during within the first few days of its release. it is useless, careless, and offensive of you to think you can digest any radiohead album in such a short span of time as they require many, many listens in a variety of moods, times of day, situations, listening devices, etc. having done that myself, and considering myself a pretty devoted radiohead fan, i have come to the conclusion that, while certainly not their best album, it is a beautiful and unique statement from a band that somehow seems to make beautiful and unique albums every time. it's another radiohead album. Expand
  25. Feb 23, 2011
    10
    Another slow-burning masterpiece from Radiohead! It blend the introverted world of Amnesiac with the softness of In Rainbows, and wisely does not outstay its welcome. However, it takes a few listens to fully grasp the sleepy mood of the album, which is much groovier and more patient than its predecessor In Rainbows. I personally can't stop listening to it and I become more impressedAnother slow-burning masterpiece from Radiohead! It blend the introverted world of Amnesiac with the softness of In Rainbows, and wisely does not outstay its welcome. However, it takes a few listens to fully grasp the sleepy mood of the album, which is much groovier and more patient than its predecessor In Rainbows. I personally can't stop listening to it and I become more impressed each time! This album is more than worth the $9.00 I paid for it. :) Expand
  26. Feb 23, 2011
    3
    To be quite frank, this album doesn't deserve the scores its getting. The only reason it's getting such high scores is because of the name the band has. Don't get me wrong, I'm a big fan of the band. My favorite albums easily include OK Computer and The Bends. But honestly, this album is pretty much crap. The first seconds of Bloom was interesting and melodic, but that's where all the goodTo be quite frank, this album doesn't deserve the scores its getting. The only reason it's getting such high scores is because of the name the band has. Don't get me wrong, I'm a big fan of the band. My favorite albums easily include OK Computer and The Bends. But honestly, this album is pretty much crap. The first seconds of Bloom was interesting and melodic, but that's where all the good stuff ended. The rest of the album is filled with hipster experimental electronica, and stupidly mumbled vocals such as "Good Morning Mr. Magpie, how are we today." There's no soul, no melody, no groove, no feeling or emotion. Someone hipster might say "you don't get the music man" but trust me: I do. This is easily Radiohead's worst album. If another band besides Radiohead came out with the same exact album, it would get much lower ratings, and thats the truth. Expand
  27. Feb 23, 2011
    8
    Probably the bands most elusive record to date. I was not disappointed and find myself strangely drawn to it. I've listened to it more times in the first few days then any other Radiohead album. I found it most similar to Amnesiac, but it really is quite different than anything else they've released. To me the vocals were most interesting and immediately stood out, and Thom dominatesProbably the bands most elusive record to date. I was not disappointed and find myself strangely drawn to it. I've listened to it more times in the first few days then any other Radiohead album. I found it most similar to Amnesiac, but it really is quite different than anything else they've released. To me the vocals were most interesting and immediately stood out, and Thom dominates on many of the tracks. I can see why people are comparing it to his solo work in that sense, but this album is much better than Eraser.

    The music and vocals are densely layered and the album feels more like a single soundscape rather than a collection of songs. It meanders along, draws you in slowly, and keeps you coming back for more. There is really a lot here to digest and some songs sounded completely different to me after repeated listens. On that note, it's difficult to pick standout tracks. I think I like Morning Mr. Magpie and Give Up the Ghost best, but that could easily change in the next few days.
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  28. Feb 23, 2011
    7
    It just feels there is more here but I cannot pinpoint exactly what. More to come? More to discover? This is the heart of Radiohead's craft though; an ability to create music with substance, revealing additional layers with each subsequent listen. I too like many users here could not currently place this RH album above any other (except PH). But I find myself still wanting to play itIt just feels there is more here but I cannot pinpoint exactly what. More to come? More to discover? This is the heart of Radiohead's craft though; an ability to create music with substance, revealing additional layers with each subsequent listen. I too like many users here could not currently place this RH album above any other (except PH). But I find myself still wanting to play it again and i'm looking forward to it changing my current opinion. Expand
  29. Feb 23, 2011
    9
    Perhaps the most percussive album, Phil Selway has his coming out party as one of the most inventive drummers in modern rock. Beginning chaotic and frantic, the album draws on it's more peaceful latter half to really blow you away. Some may ask, "where are the guitars?" but this is no The Bends. We are listening to a more mature and relaxed Radiohead that does not "want to go into thatPerhaps the most percussive album, Phil Selway has his coming out party as one of the most inventive drummers in modern rock. Beginning chaotic and frantic, the album draws on it's more peaceful latter half to really blow you away. Some may ask, "where are the guitars?" but this is no The Bends. We are listening to a more mature and relaxed Radiohead that does not "want to go into that creative hoo-ha of a long-play record again" as Yorke has said. I can see why this record may not pander to some fans but it is definitely beautiful music that should be put on repeat and enjoyed over and over. Expand
  30. Feb 22, 2011
    7
    This is a very enjoyable album. They take a lot of elements from other bands and genre and create their own quite successfully. I assume the Wire Magazine and its ilk would have a plethora of music that would be better, but it is as it is.
  31. Feb 22, 2011
    8
    This is a very solid effort from the greatest band in the world. While it easily pales in comparison to their previous album, In Rainbows, it's a nice detour from their normal stuff. An accurate equivalent to this album would probably be Thom Yorke's solo album, or perhaps their Com Lag EP, both ambient and electronic heavy. The biggest problem with King of Limbs is that it feels like anThis is a very solid effort from the greatest band in the world. While it easily pales in comparison to their previous album, In Rainbows, it's a nice detour from their normal stuff. An accurate equivalent to this album would probably be Thom Yorke's solo album, or perhaps their Com Lag EP, both ambient and electronic heavy. The biggest problem with King of Limbs is that it feels like an incomplete album, which the number of tracks might suggest. There seems to be a real lack of closure in these songs and none of the songs truly point the album in any sort of direction. Even so, there aren't any true duds on this album and despite a real lack of hooks in these songs, there's an odd catchyness to them. Quite possibly their most enigmatic album to date, if you are a fan of their later works, you will definitely enjoy this one.

    Johnny's songs to not miss: Bloom, Morning Mr Magpie (Best song of the album), Lotus Flower, Separator.

    Johnny's song to skip: Feral
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  32. Feb 22, 2011
    7
    I tried to listen to this album as though it were a band I had never heard before and I felt a 7 would be a fair score. It's good, but it's not great. It is thick on electronic experimentation and thin on guitar, some may say similar to Kid A and Amnesiac, but it feels more like a follow up to Eraser than anything. In Rainbows was Radiohead at it's best, King of Limbs is the band deep inI tried to listen to this album as though it were a band I had never heard before and I felt a 7 would be a fair score. It's good, but it's not great. It is thick on electronic experimentation and thin on guitar, some may say similar to Kid A and Amnesiac, but it feels more like a follow up to Eraser than anything. In Rainbows was Radiohead at it's best, King of Limbs is the band deep in experimentation, some of it is good, some of it obscure enough to be listenable but not something you 'need' to listen to. Expand
  33. Feb 22, 2011
    7
    8 songs, 6 of which are good. Not really any TRULY great tracks, but just 4-5 solid ones. Giving up the ghost is quite bad, 'House of Cards bad', and the last song is wishy-washy by radiohead standards. i think with eight songs, it should be tighter to be considered a 9 or 10/10 as some people have reviewed. i haven't decided yet, but this album seems to be on par with In Rainbows. I still8 songs, 6 of which are good. Not really any TRULY great tracks, but just 4-5 solid ones. Giving up the ghost is quite bad, 'House of Cards bad', and the last song is wishy-washy by radiohead standards. i think with eight songs, it should be tighter to be considered a 9 or 10/10 as some people have reviewed. i haven't decided yet, but this album seems to be on par with In Rainbows. I still consider Ok Computer, Kid A, and Amnesiac their 3 best works. By radiohead standards, this is amongst their weakest efforts, still it is an OK album. Expand
  34. Feb 22, 2011
    7
    Neither here nor there. Radiohead treading water at the high plateau of their career? A band would be damned lucky to debut with this LP. As it is, Radiohead have had it carte blanche for so long, they scarcely resemble their origins, but their direction hasn't lead them to an evolutionary dead end either. King of Limbs is a highly competent album, born from very very talented musicians,Neither here nor there. Radiohead treading water at the high plateau of their career? A band would be damned lucky to debut with this LP. As it is, Radiohead have had it carte blanche for so long, they scarcely resemble their origins, but their direction hasn't lead them to an evolutionary dead end either. King of Limbs is a highly competent album, born from very very talented musicians, exploring their own curiosities in a very unindulgent and disciplined way. It feels almost calculated. Music and the world have changed dramatically since the Bends and OK Computer, and Radiohead has kept pace, but lost the initiative. They no longer push innovation, but who does in this nebulous industry anymore anyway? Those who miss those particular records will rejoice in the undying banality of acts like Cold Play. Now that I have sufficiently prefaced my unqualified opinion, I will finish by saying this album is just on the high end of okay, neither great nor terrible, and certainly rewarding a little diligence. Expand
  35. Feb 22, 2011
    8
    I wasn't really expecting anything, or expecting this to even be, but I am glad it exists... I just wish there was more of it. There is something unique about its tone, it's subdued, sort of molten production, it's almost forgetableness that allows forces repeated listens. Bits and pieces come back to you when you aren't listening but where they actually are on the album can be hard toI wasn't really expecting anything, or expecting this to even be, but I am glad it exists... I just wish there was more of it. There is something unique about its tone, it's subdued, sort of molten production, it's almost forgetableness that allows forces repeated listens. Bits and pieces come back to you when you aren't listening but where they actually are on the album can be hard to place. Nothing about this album is immediate but it doesn't seem that much is permanent either, after 15+ listens I'm still left wanting more. It's also hard for me to forget Thom's dominance on this record; it certainly does, as many have pointed out, feel like a Thom Yorke solo album. Which isn't a bad thing but it isn't a great thing either. I have hopes for a part 2 because being a fan for so long I can sense that something is missing but will that happen? I doubt it. All I can really say is I'm glad to have it and also glad I didn't pay 48$ for it. Expand
  36. Feb 22, 2011
    3
    This review contains spoilers, click expand to view. Disappointing album, to much influence by flying lotus, where´s the rock? if you have to listen "The Kings Of Limbs" several times to like it, it´s not a very good sign to consider a good album. The same sound of the last couples of radiohead´s albums. Expand
  37. Feb 22, 2011
    9
    Radiohead's eighth borrows elements from previous catalog - the abstract electronic found in Kid A, the funky beats from Amnesiac, and the beauty from In Rainbows. It's also influenced by Thomâ
  38. Feb 22, 2011
    9
    I expect like most Radiohead fans I was a bit taken back when I first heard the Album, and even had to double check that I didn't just buy one of Thom's personal projects. It definitely went in a direction I was not expecting it to take, and in parts I think the music is too artificial for my liking. I do think the album is a bit short for only 8 tracks, and it would have been nice to haveI expect like most Radiohead fans I was a bit taken back when I first heard the Album, and even had to double check that I didn't just buy one of Thom's personal projects. It definitely went in a direction I was not expecting it to take, and in parts I think the music is too artificial for my liking. I do think the album is a bit short for only 8 tracks, and it would have been nice to have some faster pace tracks. Alas in typical Radiohead fashion there is always so much more under the surface then is first perceived, and while very similar to The Eraser, it is very much that unique genre where Radiohead rules as king! Expand
  39. Feb 22, 2011
    10
    Understated, controlled, moody, and, of course, brief. But this album really grow on you over time. I liked it on the first listen, but it really began to become special after nearly a week of listening to it. While it is not among my favorite Radiohead albums, I think this is a fine addition to their catalog.
  40. Feb 22, 2011
    5
    this album is what being old probably feels like. it's so void of any signs of vitality, that it literally drained all energy out of me. endless loops with little to no variation, Yorke's dispassionate singing, lack of melody, harmony, and lyrics that develop and tell a story. that's not to say that the album doesn't have any positive sides to it. there are some beautiful moments withthis album is what being old probably feels like. it's so void of any signs of vitality, that it literally drained all energy out of me. endless loops with little to no variation, Yorke's dispassionate singing, lack of melody, harmony, and lyrics that develop and tell a story. that's not to say that the album doesn't have any positive sides to it. there are some beautiful moments with horns and strings and what not, but again, it's such cold dispassionate beauty void of any powerful human emotion. plus, it only takes one listen to anything from OK Computer to Hail to the Thief to demonstrate why the King of Limbs doesn't stand a chance in comparison. but it's not a bad album. it's just a disappointing radiohead album. Expand
  41. Feb 22, 2011
    9
    everyone's calling it a grower. i don't get it. i've worn out every radiohead record to date - turning back to them and cycling through the catalog when everything else is stale, and even jazz quits hitting the spot. once through 'the king of limbs' and they've done it again. unbelievable. it's very math'y. lots of disconnection and syncopation and calculation. i'm tempted to give it a 10everyone's calling it a grower. i don't get it. i've worn out every radiohead record to date - turning back to them and cycling through the catalog when everything else is stale, and even jazz quits hitting the spot. once through 'the king of limbs' and they've done it again. unbelievable. it's very math'y. lots of disconnection and syncopation and calculation. i'm tempted to give it a 10 right now, but need to give it a week or so to see how it lasts. certainly don't guess it's going to be a burn-out. way too nuanced. *the ability to create mesmerizingly engaging music that's challenging, cerebral, melodic when it needs to be, full of the sort of complex texture that only radiohead seems to be able to pull off in the same landscape and make work.*
    what's more impressive for me, personally, is that i have a keen sense of how tormented this band must feel sometimes - how easily they must get frustrated about the state of things in their world while trying to figure out who they are now, how to be, the balancing act of their persona vs. their output. and this record just feels like they put their guts into it - feels totally sincere in its intent - and you can just tell that they're satisfying their own needs to push themselves in their writing and composition. the fact that they manage to produce a very listenable, interesting and at times beautiful record amount to the meat & potatoes of why radiohead may very well be the best band on planet earth. like them, sick of them, bored of them, devil's advocate, cool-dodger, or not. reckon john lennon, hendrix and kirk cobain would all agree.
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  42. Feb 22, 2011
    5
    I'm sorry, Radiohead has had more time to come up with more than 8 semi-ambient and climax-less tracks wrapped up in a pretentious (therefore meaningless) package. Where's "The tourist"? Where's "Pyramid Song?" Usually with difficult-to-listen-to-Radiohead albums, there's something that invites me to come in. Not this time. It was just two years ago when In Rainbows opened up with thatI'm sorry, Radiohead has had more time to come up with more than 8 semi-ambient and climax-less tracks wrapped up in a pretentious (therefore meaningless) package. Where's "The tourist"? Where's "Pyramid Song?" Usually with difficult-to-listen-to-Radiohead albums, there's something that invites me to come in. Not this time. It was just two years ago when In Rainbows opened up with that crazy beat in 5, and this is a melange of songs in 4 that pass by without being remembered, even on second and third listens. I tried, guys. I just feel sorry for those who're going to pay fifty bucks for the newspaper. Expand
  43. Feb 22, 2011
    6
    I'm not actually a Radiohead big fan, but I like them as much as enough to be impressed by a new great album. First of all "The King of Limbs" isn't another OK Computer or In Rainbows (my favorites), but it's obviously Radiohead's. I don't know why but I feel most of the tracks are the same somehow. Something like all tracks of Thom Yorke's The Eraser. They are all rhythmic and mostlyI'm not actually a Radiohead big fan, but I like them as much as enough to be impressed by a new great album. First of all "The King of Limbs" isn't another OK Computer or In Rainbows (my favorites), but it's obviously Radiohead's. I don't know why but I feel most of the tracks are the same somehow. Something like all tracks of Thom Yorke's The Eraser. They are all rhythmic and mostly based on Drum (which I don't like). By the way beside that The King of Limbs couldn't stone me as predecessors albums, but I'm glad that at least there is a new album, which purports me "Radiohead is still alive". Expand
  44. Feb 22, 2011
    9
    Radiohead...as a readiohead is going well...when i look at their past and the way came all along i can't say time and size of their changes,but this change was enough slow to give us a confidence that Radiohead goes well always.Now that they are trying to be kings of limbs like that very old tree,I certainly can say they are success! king of limbs is not awseome,and it can't be a worldRadiohead...as a readiohead is going well...when i look at their past and the way came all along i can't say time and size of their changes,but this change was enough slow to give us a confidence that Radiohead goes well always.Now that they are trying to be kings of limbs like that very old tree,I certainly can say they are success! king of limbs is not awseome,and it can't be a world traveler album and change everything in music world! its a very radioheadly! album and you can understand it with first three beats of the very first of it's song,"Bloom". I like it too much and hope radiohead's fans all over the world be happy of it as much as I am.
    For the end and some recommendation, I recommit "Bloom","Morning Mr.magpie","Lotus Flower" and "Codex".
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  45. Feb 22, 2011
    3
    Why do they feel the need of constant radical innovation, instead of building upon what they have already achieved and work for perfection, with some gradual incorporation of new ideas? Why not build on the phenomenal OK, Computer and stand tall and strong instead of being shaky and confused in unchartered waters with each new album?

    Experiments in sound-sculpting, texturing,
    Why do they feel the need of constant radical innovation, instead of building upon what they have already achieved and work for perfection, with some gradual incorporation of new ideas? Why not build on the phenomenal OK, Computer and stand tall and strong instead of being shaky and confused in unchartered waters with each new album?

    Experiments in sound-sculpting, texturing, sound-scapes, mixing all types of musical styles -- from Penderecki and Terry Reilly to Krautrock to Post-rock and god knows what else -- all that and even more, but no, not much music in this album, nothing expressive (except for endless gloom), nothing that matters. Reminds of Kid A and Amnesiac (which I love) but doesn't even get close to those. A side experiment, a joke maybe, a teaser... No, no, and no.
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  46. Feb 21, 2011
    9
    My first listen; "Wow, that might be their worst album since Pablo Honey. 'Feral' sucks!"
    My eighth listen; "Wow, that might be their best album since Kid A. 'Feral' is my favourite!"

    It's quiet, dark, and mossy, but it will eventually shine a light back on you.
  47. Feb 21, 2011
    10
    Once again, Radiohead have crafted an album that not only satisfies me, but surpasses my lofty expectations. This is the band that all others should aspire to be. Not in sound, but in creative evolution and consistent greatness. Radhiohead have just released their 7th masterpiece in a row, not only according to fans, not only according to critics, but both. I cannot think of another bandOnce again, Radiohead have crafted an album that not only satisfies me, but surpasses my lofty expectations. This is the band that all others should aspire to be. Not in sound, but in creative evolution and consistent greatness. Radhiohead have just released their 7th masterpiece in a row, not only according to fans, not only according to critics, but both. I cannot think of another band today (or in the past) that has had such consistent greatness. Each album evolves naturally from the last, and breaks new ground. These guys from Abingdon know what they're doing more than any other artist in music today. Expand
  48. Feb 21, 2011
    7
    After giving a few full listens and discussing this album with a number of friends, all huge Radiohead fans, I am willing to say that this is the World Debut of the Second Mediocre Radiohead Album (Pablo Honey being the first, of course). Of course, a seven would be good for another band, but its sub-par for this band, and this album is just that for me. There are a few good songs, but IAfter giving a few full listens and discussing this album with a number of friends, all huge Radiohead fans, I am willing to say that this is the World Debut of the Second Mediocre Radiohead Album (Pablo Honey being the first, of course). Of course, a seven would be good for another band, but its sub-par for this band, and this album is just that for me. There are a few good songs, but I don't get a cohesive flow from their selection and placement, and the short tracklist makes literally half the album consist of B-side grade songs. I almost feel like this is a Disc 2 to a full album, a la the In Rainbows extra disc. Or maybe an extension of The Eraser, the style of which this album bears striking resemblance for me. And just like The Eraser, it has some gems but ultimately comes off as far less dynamic than previous Radiohead releases, and almost lifeless by comparison. Something's missing in these songs; some passion hasn't made it to the recording studio, not like the emotion you hear through the middle of Hail, the beginning of In Rainbows, or any of Ok Computer. Even the sometimes-sanitized feel of Amnesiac makes for brilliant (and some of my favorite) moments of emotional outburst. This just feels stale to me. Expand
  49. Feb 21, 2011
    9
    Like the namesake tree, The King of Limbs slowly reveals its majesty through the twilit fog of layered ambience and funky brambles of rhythmic complexity. This may be their most classically taut collection, less experimental than Kid A and Amnesiac, more layered and subtle than Hail to the Thief and In Rainbows. A deep sense of mystery and even mysticism reigns throughout, a feeling ofLike the namesake tree, The King of Limbs slowly reveals its majesty through the twilit fog of layered ambience and funky brambles of rhythmic complexity. This may be their most classically taut collection, less experimental than Kid A and Amnesiac, more layered and subtle than Hail to the Thief and In Rainbows. A deep sense of mystery and even mysticism reigns throughout, a feeling of ancient things struggling to speak. And although dominated more than ever by electronics, Radiohead's sound here feels remarkably organic, earthy, even pagan. The result is the most sonically cohesive collection of songs since Kid A, reaching out of alienation to a sense of connectedness with the world that is nonetheless disorienting for all its prettiness. Expand
  50. Feb 21, 2011
    5
    I honestly can't believe what I'm hearing here. This album is so strange! How far can you take minimalism before you're listening to empty space. Radiohead are know for bombastic and complicated cerebral climactic music. In Rainbows was toned down, and had quite a few "slow" songs, but they were at least interesting. It wasn't my favorite, but I was willing to accept that this is just aI honestly can't believe what I'm hearing here. This album is so strange! How far can you take minimalism before you're listening to empty space. Radiohead are know for bombastic and complicated cerebral climactic music. In Rainbows was toned down, and had quite a few "slow" songs, but they were at least interesting. It wasn't my favorite, but I was willing to accept that this is just a direction the band wanted to explore. With this album, I fear they've gotten completely lost on their exploration. This feels like a soundtrack to a video montage. What the hell is this album? I'm a DIE HARD fan, as my username would suggest. I've listened to this album over an over looking for the brilliance that I've come to expect. It's not there guys. At least not as far as I'm concerned. Expand
  51. Feb 21, 2011
    10
    The King Of Limbs is a perfect album to follow In Rainbows. While the latter sparked an immediate obsession, TKOL took a little more time and was slightly more refined. Radiohead proves that the moment before the climax can be more beautiful than the climax itself and it takes an incredibly talented group of musicians to achieve something like this.
  52. Feb 21, 2011
    7
    When you first hear a new Radiohead album, you should expect by now to be thrown for a loop, and this one is no exception. This one hearkens back to the skittish Kid-A/Amnesiac sound, but probably even more closely resembles Thom Yorke's solo album. As with all of the above, this album takes a few listens to digest. But like Amnesiac and The Eraser, the ultimate reward fallsWhen you first hear a new Radiohead album, you should expect by now to be thrown for a loop, and this one is no exception. This one hearkens back to the skittish Kid-A/Amnesiac sound, but probably even more closely resembles Thom Yorke's solo album. As with all of the above, this album takes a few listens to digest. But like Amnesiac and The Eraser, the ultimate reward falls significantly short of Radiohead's best. Many of the songs tend to loop ad nauseum over Yorke's mumbled crooning - namely 'Feral' and 'Give Up The Ghost', while others sound like weaker rewrites of past material - 'Codex', while definitely pretty, feels like another 'Pyramid Song', this time without the wonder and majesty. Considering the album is only 8 tracks long, this tends to leave a slightly empty feeling for fans who have heard everything Radiohead has to offer. But even at that, it's a quality product that fans will not want to avoid, and an enjoyable listen. Expand
  53. Feb 21, 2011
    9
    I knew after listening to TKOL for the first time that I had just witnessed a masterpiece. TKOL shows signs of progression as well as a return to Radioheadâ
  54. Feb 21, 2011
    9
    A new album, a new sound. "King of Limbs" has your trademark layered and perfected studio sound which leaves a whole lot to discover over repeated listens but gone from 2007's "In Rainbows" are the guitars, some of those familiar song structures, and gone is the built up tension. KOL's floats, with almost dream like soundscapes. Its a new sound but fresh as ever, if this is their newA new album, a new sound. "King of Limbs" has your trademark layered and perfected studio sound which leaves a whole lot to discover over repeated listens but gone from 2007's "In Rainbows" are the guitars, some of those familiar song structures, and gone is the built up tension. KOL's floats, with almost dream like soundscapes. Its a new sound but fresh as ever, if this is their new direction, I love it. They play with drum loops, hookless formats, and heavy bass...its exciting. Repeat listens are needed, RH know this and accept the discovery phase..once it comes to, your rewarded heavily for your time :) Stand outs are Bloom, Lotus Flower, Feral, and the beautiful Codex. Lotus Flower could be up there with their best. The only thing I can complain about is fact that there is only 8 tracks, but I have a feeling that we will see more from these sessions sooner than later. Radiohead never ceases to amaze me! 9/10 Expand
  55. Feb 21, 2011
    9
    Radiohead is hands down my favorite band of all time, and what I love about them is that the music never presents itself right away. It always unfolds over repeat listening and this cd is no exception. Something that can seem non-melodic can at times present little snippets that join together to form a melody and over time that's what takes over in your ears. They are never predictable,Radiohead is hands down my favorite band of all time, and what I love about them is that the music never presents itself right away. It always unfolds over repeat listening and this cd is no exception. Something that can seem non-melodic can at times present little snippets that join together to form a melody and over time that's what takes over in your ears. They are never predictable, and they are always challenging...as great music should be. I don't like this cd as much as OK Computer or In Rainbows, but I still like it better than pretty much anything else I've heard this year. And knowing how this music unfolds it very well may become a favorite 20 listens down the road. Codex is just an amazingly beautiful song, and worth the price of admission alone. Expand
  56. Feb 21, 2011
    10
    King Of Limbs is definitely a grower, that much is for sure, but if you let TKOL grow on you, you will find Radioheads most detailed and complex album yet. TKOL begins with bloom, the bands best opener since well, ever in my opinion. morning mr magpie is tough to get ahold of but when you do it becomes a captivating listen. Little by little is the closest thing to a rock song and i use theKing Of Limbs is definitely a grower, that much is for sure, but if you let TKOL grow on you, you will find Radioheads most detailed and complex album yet. TKOL begins with bloom, the bands best opener since well, ever in my opinion. morning mr magpie is tough to get ahold of but when you do it becomes a captivating listen. Little by little is the closest thing to a rock song and i use the term loosely. Little by little is a great song that demands you to move your body. It is followed by their best all electronic song since idioteque, in feral. Feral clicks and whirrs and the vocal effects are completely haunting. Lotus flower, the first single is one of the bands best songs in recent memory, but Codex is the best. Codex is strikingly gorgeous and surpassed my expectations completely. Give up the ghost and separator close out the album beautifully, giving us another perfect 10 radiohead album. its not for everyone, but if you appreciate Radioheads new direction it is in a class of its own Expand
  57. Feb 21, 2011
    3
    If this were a Thom Yorke project, I'd say it's his most accomplished work to date. As a Radiohead album, however, it ranks just above "Pablo Honey." Flabby, indulgent stuff.
  58. Feb 21, 2011
    6
    Radiohead lost themselves somewhere back around OK Computer. What we've had in their last 4 albums or so is a completely different and lesser band. I really enjoyed a lot their work on Kid A, Amnesiac, etc. In Rainbows took some listening to get used to and eventually I enjoyed it as I'm sure will be the case here. The problem for me is that they keep getting better and better at a styleRadiohead lost themselves somewhere back around OK Computer. What we've had in their last 4 albums or so is a completely different and lesser band. I really enjoyed a lot their work on Kid A, Amnesiac, etc. In Rainbows took some listening to get used to and eventually I enjoyed it as I'm sure will be the case here. The problem for me is that they keep getting better and better at a style of music I don't much care for. It's too slow, quiet, navel-gazing and minimal. Do they even still have guitars? I like the album as it is, Little by Little is quite good, Bloom has its fun parts, but overall this isn't what I want from them. I rate this a 6 because they've done this album very well (for the style), but it isn't higher because while it is well put together, it is not what I actually want from them. I want some guts, some oomph, some power. What they continue to give us is anemic and tired. Expand
  59. Feb 21, 2011
    9
    With all the anticipation surrounding the fallow up album to Radiohead's In Rainbows, the question was, will Radiohead deliver another amazing album to the masses. The answere is yes. King of limbs starts off by casting a trance like spell over its listeners. This last until about the halfway point of the album, until the haze of confusion, and frustration dissipates and a love storyWith all the anticipation surrounding the fallow up album to Radiohead's In Rainbows, the question was, will Radiohead deliver another amazing album to the masses. The answere is yes. King of limbs starts off by casting a trance like spell over its listeners. This last until about the halfway point of the album, until the haze of confusion, and frustration dissipates and a love story evolves. This is not an album that you can throw on at a party and have every one like it. In my opinion this album is one that must be enjoyed in the company of wine, headphones, and a spliff, to get the full body experience needed to truly enjoy a masterpiece. As for all the critics that say KOL is nothing compared to their older work, they need to understand that, like everything else, bands evolve. The sound of Radiohead's The Bends is almost a complete 180 compared to KOL, but you can trace their sound evolving through the years from ok computer to kid A and Amnesiac, to hail to the thief, etc. do we really want our rock bands to all sound exactly the same like these club songs being blasted over the radio waves? we need to embrace innovation and change in music, if we didn't every band would sound exactly the same. i haven't met anyone to say "Rubber Soul is the greatest Beatles album ever, the white album had to many noises that i didn't like, and the Magical Mystery Tour made my ears hurt. why cant the beatles make real music like before and copy rubber soul 10 times?" - it is called the progression of music and without the Beatles acting as a catalyst between instruments and experimentation in the Rock industry maybe Radiohead wouldn't even be here. My point is don't bash on a great band for putting out an album that does not sound like anything else they put out, this should be embraced and celebrated. Expand
  60. Feb 21, 2011
    10
    Radiohead continues to put forth some of the most interesting, multidimensional music out there. This album might take a few listens - but it's definitely worth every minute.
  61. Feb 21, 2011
    8
    Many thoughts rushed through my head upon first hearing this album. Track 1 seemed to be a mess. I found myself wondering "what happened to Jonny!?" and "Where's Phil!?" This album is definitely heavy on the electronic drums and sparse on Greenwood's electrifying riffs. I thought I was disappointed at first, but as many others have said, upon subsequent listening, each track has grown onMany thoughts rushed through my head upon first hearing this album. Track 1 seemed to be a mess. I found myself wondering "what happened to Jonny!?" and "Where's Phil!?" This album is definitely heavy on the electronic drums and sparse on Greenwood's electrifying riffs. I thought I was disappointed at first, but as many others have said, upon subsequent listening, each track has grown on me. I "get it" now. I didn't wait 3 years for Radiohead to release another "OK Computer" or "Kid A." I waited 3 years for Radiohead to release something DIFFERENT, something CHALLENGING. Something that is going to keep me coming back for more. Like a birthday gift that you have to unwrap one square inch at a time, your appreciation has grown beyond your expectations when you finally "open it up."
    Get it?
    This is not Radiohead's best album. But Radiohead are on a musical plateau so far removed from everything else that it doesn't matter. An '8' for Radiohead is an '800' for any other band. Hopefully that provides some perspective.
    Give it a listen, then listen again. You'll be glad you did.
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  62. Feb 21, 2011
    8
    "King of Limbs" was so burdened by all of our expectations and preconcieved, hopeful notions for what it could be that it could not possibly live up. KOL is not a masterpiece in the way albums such as Ok Computer and In Rainbows proved to be. The album is however, after multiple listens, very good. Despite it's shortcomings in the way musical complexity that the band is known for, the"King of Limbs" was so burdened by all of our expectations and preconcieved, hopeful notions for what it could be that it could not possibly live up. KOL is not a masterpiece in the way albums such as Ok Computer and In Rainbows proved to be. The album is however, after multiple listens, very good. Despite it's shortcomings in the way musical complexity that the band is known for, the vocal melodies and overall song writing remain strong. The album feels like a more bleak and far more electronic rendition of In Rainbows. Also,(fingers crossed)the album's beautiful closing track is titled "Separator." Separator of what? A double album? "If you think this is over then you're wrong."-Separator. Expand
  63. Feb 20, 2011
    10
    Great, great album! "The King of Limbs" is unique in comparison with anything else that the band has ever done. The album gets better with every listen, and at this point, is among my favorite Radiohead albums!
  64. Feb 20, 2011
    5
    This album may require a few listens to appreciate, but the fact that it may be an acquired taste does not excuse the lack of effort put into this album. It is beautiful at times but it lacks emotion, rhythm, lyrical significance, and is almost completely devoid of any hooks or medley whatsoever. Don't get me wrong, I love alternative rock and I love Kid A and all other Radiohead albums. IThis album may require a few listens to appreciate, but the fact that it may be an acquired taste does not excuse the lack of effort put into this album. It is beautiful at times but it lacks emotion, rhythm, lyrical significance, and is almost completely devoid of any hooks or medley whatsoever. Don't get me wrong, I love alternative rock and I love Kid A and all other Radiohead albums. I also understand that Radiohead isn't a band that focuses on medley, pop, and hooks. However, there is not a song on here that compels me to listen to it more than a few times.
    I think that rabid Radiohead fans will accept any thing that Yorke comes up with no matter what it sounds like. Being weird for the sake of being weird does not make a good album. It sounds like a fat recluse could have created the majority of this album on his PC in his mom's basement.
    Now that every rabid Radiohead fan hates me I will say this...there are good parts to this album and it is by no means a bad or terrible album. It just needs a little more effort and some more guitar.
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  65. Feb 20, 2011
    10
    Amazing album, Radiohead continue to do what they do best: innovate and pave the way for the rest of the music business. Possibly one of their top three albums
  66. Feb 20, 2011
    10
    Amazing. I love the return to experimentation and beautiful atmospherics. This album tops In Rainbows for me. A multilayered listen which requires the attention of the listener, it is not as immediately accessible as In Rainbows was. But neither was Kid A, an album which has proven over time to be one of Radiohead's, and modern music's, most beloved. Radiohead have clearly, true to form,Amazing. I love the return to experimentation and beautiful atmospherics. This album tops In Rainbows for me. A multilayered listen which requires the attention of the listener, it is not as immediately accessible as In Rainbows was. But neither was Kid A, an album which has proven over time to be one of Radiohead's, and modern music's, most beloved. Radiohead have clearly, true to form, expanded their influences greatly, with elements of Burial and dubstep in "Feral," further exploration of IDM in most songs, and most strikingly, gorgeous ambient sounds reminiscent of Boards of Canada in album closer "Separator," one of the most beautiful pieces of music of the last few years. This album is Radiohead at their unconventional best; never predictable and ever-changing. Any fan of music must give this a fair listen, and any fan of Radiohead's music will find "The King of Limbs" to be another brilliant foray into new sonic exploration. Highly recommended. Expand
  67. Feb 20, 2011
    10
    it's not love @ first sight for sho', but that's aight, i'm not gay anyway... And so isnt that LP.
    Long live the king, parse all of those that stayed 17 years ago, climbing up the walls; well, i guess it takes some time to...
  68. Web
    Feb 20, 2011
    8
    It's a quality album, but a difficult album to place. In the context of evolution, I don't see it being very far beyond prior albums in a vertical sense, and not so different from prior albums in a horizontal sense. It lacks the emotional range of "In Rainbows," which was a more complete, more diverse album to my ear. "The King of Limbs" is rather an exploration and a refinement of aIt's a quality album, but a difficult album to place. In the context of evolution, I don't see it being very far beyond prior albums in a vertical sense, and not so different from prior albums in a horizontal sense. It lacks the emotional range of "In Rainbows," which was a more complete, more diverse album to my ear. "The King of Limbs" is rather an exploration and a refinement of a particular sound: intricate, cut and paste rhythms that mix acoustic and electronic percussion, layers of single note krautrock guitar lines, altered keyboards, crafty string and horn arrangements, bass lines that drift from the tonic note to give a song more motion, all crowned with Yorke's reverb soaked abstractions. It's an inimitable sound, and they seem to use the short space of this album to hone it the best they possibly can. But the majority of it's successes in the evolutionary sense are hidden from the casual listener, who cannot distinguish the subtleties as well as avid Radiohead listeners. Other critics have commented that the band has retreated back into its shell after the success of 'In Rainbows.' There is some truth to that sentiment. It's more introverted, less concerned with connecting us all or showing us something incredible; less triumphant in a word. At the same time, it's more intimate than most reviewers have given it the chance to be. They aren't turning giving us the cold shoulder. Check out the video to 'Lotus Flower.' That's a man bearing himself. Musically, the songs are well-composed, with all of the usual Radiohead trimmings and subtleties, perhaps more subtlety than any other album. Something that cannot be said enough about this band is that they are all fine musicians and that they never become content with being fine musicians only. They strive more than any other band, and it takes a very concentrated listen to glean everything they are offering. To touch on the lyrics, I'd say there is at least something to be desired, particularly after the excellent lyrics of "In Rainbows." I agree with most of the reviews I've read that the latter half of the album is stronger, and that 'Codex' is the finest song on the album, adding that it's, in my opinion, the most controlled song of their catalogue. 'Give Up The Ghost' is a gem as well, one that I predict many people will enjoy more as they hear it more. My main criticism of the album is that it's simply not enough given the four-year gap. I'm privy to the rumor that this may not be the entirety of what's to be released this year, and I can only say that it will elevate my feelings toward this album if I know it's not the complete product. How hard it is to meet expectations when you are the greatest band around I can only imagine, but this album is in no way a failure, if not a mind-blowing success. Expand
  69. Feb 20, 2011
    9
    Top album. It's not their upfront classic, but they really pushed themselves for this record. All those different feelings and styles, it's truly unbelievable. Radiohead, the most significant band of the last 2 decades, and maybe even for this decade.
  70. Feb 20, 2011
    9
    Radiohead's most consistent effort since OK Computer, The King of Limbs manages to sound manic and mature simultaneously. The grooves rush, layers build only to drop suddenly, melodies anticipate each other. But this time the songs and sounds seem to issue from the same place. The King of Limbs confirms our suspicions: experiments begun on Kid A have taken us somewhere worth going.
  71. Feb 20, 2011
    10
    Clearly, Radiohead did not try to make their most accessible album. However, this album is absolutely brilliant! Every song is so well orchestrated and seems as it has been pulled apart and put back together again. Throughout the album, I felt the first four tracks ask, "Radiohead, where have you been? Oh! Well, this is terrifying." Then as the album continues into the last half I feel theClearly, Radiohead did not try to make their most accessible album. However, this album is absolutely brilliant! Every song is so well orchestrated and seems as it has been pulled apart and put back together again. Throughout the album, I felt the first four tracks ask, "Radiohead, where have you been? Oh! Well, this is terrifying." Then as the album continues into the last half I feel the songs say, "It'll be okay. Wake up." I think this is one of those albums where you'll love it or hate it. If ya hate it... hey! give it a second chance. Expand
  72. Feb 20, 2011
    9
    Remember when Kid A was released? Remember how lots of fans were so miffed because Radiohead actually decided to expand their sound? 10 years later those former haters praise Kid A so highly you'd think they had a hand in its production. The way Kid A was an experiment in a distinguished rock band trying its hand at electronic music, The King of Limbs is an experiment in Dubstep,Remember when Kid A was released? Remember how lots of fans were so miffed because Radiohead actually decided to expand their sound? 10 years later those former haters praise Kid A so highly you'd think they had a hand in its production. The way Kid A was an experiment in a distinguished rock band trying its hand at electronic music, The King of Limbs is an experiment in Dubstep, Ambience, and Trance. Dubstep is on the rise the way electronica was on the rise at the time of Kid A. Radiohead adepts to make art and fresh grooves with each new wave of music. That is what they do; that is why they are still relevant. This IS a subtle album. It's soft, lulling, jazzy. If it bores you it's because you're too addicted to formulaic songwriting. Just because radiohead isn't repeating a previous album or blowing you away with an in your face chorus doesn't mean the album is bad. You need to expand your music palate now or pretend you've always loved it ten years from now. Expand
  73. Feb 20, 2011
    10
    The King Of Limbs contains moments of real beauty, it just needs to be given the time and space to really sink in. the last four tracks in particular show a band evolving in a very gentle, natural way, and they're some of the finest songs they've ever produced. the first four tracks are more frantic, but no less brilliant, particularly the busy 'morning mr magpie' and ethereal 'bloom'.The King Of Limbs contains moments of real beauty, it just needs to be given the time and space to really sink in. the last four tracks in particular show a band evolving in a very gentle, natural way, and they're some of the finest songs they've ever produced. the first four tracks are more frantic, but no less brilliant, particularly the busy 'morning mr magpie' and ethereal 'bloom'. seriously, if you're unsure, just give it more time. this is a fantastic radiohead album. this is what a new radiohead album sounds like, and if that's what you want, then you'll adore this record. Expand
  74. Feb 20, 2011
    8
    This album wasn't made for hits. It was created to evoke a mood, crafted quite successfully. A perfect fit for the end of what has seemed to be a long cold winter in Middle America. After about four to five plays through this album, I don't think there's a song on it as good as "15 Step," "Bodysnatchers,"Weird Fishes," or "All I Need." But I don't think that was their goal. RadioheadThis album wasn't made for hits. It was created to evoke a mood, crafted quite successfully. A perfect fit for the end of what has seemed to be a long cold winter in Middle America. After about four to five plays through this album, I don't think there's a song on it as good as "15 Step," "Bodysnatchers,"Weird Fishes," or "All I Need." But I don't think that was their goal. Radiohead had something in mind for this record, and I would guess they did exactly what they set out to do. Do you really think, at this stage in their evolution, Radiohead really needs to make a hit record? Expand
  75. Feb 20, 2011
    9
    Is this a long intro to something epic? Even if it isn't, the 8 tracks are all pretty sweet. I get the feeling I'm listening to the future of music. Some of it very complicated and unique. I'm particularly fond of "Codex," "Lotus Flower," and "Separator." In ways similar to PJ Harvey's newest release (Let England Shake), I get an eerie feeling listening to Radiohead's latest work thatIs this a long intro to something epic? Even if it isn't, the 8 tracks are all pretty sweet. I get the feeling I'm listening to the future of music. Some of it very complicated and unique. I'm particularly fond of "Codex," "Lotus Flower," and "Separator." In ways similar to PJ Harvey's newest release (Let England Shake), I get an eerie feeling listening to Radiohead's latest work that we could sit around a campfire as the apocalypse unfolds. At the same time, I do not believe this is all they intended to release. There is some mystery/surprise typical of Radiohead. Why do they have 2 10" vinyls being released with the first-ever "newspaper album" in late March? What is on those discs? Only 8 tracks? Perhaps, but I think we have not heard the last from Radiohead on this particular release. Expand
  76. Feb 20, 2011
    10
    Really like the new album. Been listening to it for the last two days. It opens up little secrets every time you listen to it. For a band continuing with this quality i hope they´ll never stop!
  77. Feb 20, 2011
    10
    This review contains spoilers, click expand to view. Although it feels more like an experiment than an album, it's still Radiohead. Which means it is still made by one of the best bands around. This album just makes me more excited for the next one while being an interesting experiment and a great album all at the same some. In short, Thom Yorke, Johnny Greenwood, and the rest have knocked it out of the park again. Expand
  78. Feb 20, 2011
    9
    Brilliance never ceases to exist from this band. Anyone who pidgins them into the "irrelevant electronic" genre doesn't listen to their music. They have evolved like no other in terms of studio album growth. Period. I have the highest standards when it comes to tunes, and if for some reason you cannot appreciate Radiohead's genius in the studio, please move on and listen to somethingBrilliance never ceases to exist from this band. Anyone who pidgins them into the "irrelevant electronic" genre doesn't listen to their music. They have evolved like no other in terms of studio album growth. Period. I have the highest standards when it comes to tunes, and if for some reason you cannot appreciate Radiohead's genius in the studio, please move on and listen to something catchier...These artists are the BEST that music has to offer, and so much more. This may not supplant "In Rainbows" in its entirety but those expectations are ridiculously high. I love this band and always will, they give me hope of what music can/should be: Creative. Expand
  79. Feb 19, 2011
    10
    Radiohead mercilessly melt faces again! Each song- Diamonds of the purest quality. Yorke's blistering falsetto glows- tender like great soul singers of past (Sam Cooke, Redding, Brown). Foremost contributer Colin greenwood, Tares silence with chainsaw bass-lines of delicious groove. Selway creates amazing energy and dissonance, stapling each song with jazz blasts and light concussions thatRadiohead mercilessly melt faces again! Each song- Diamonds of the purest quality. Yorke's blistering falsetto glows- tender like great soul singers of past (Sam Cooke, Redding, Brown). Foremost contributer Colin greenwood, Tares silence with chainsaw bass-lines of delicious groove. Selway creates amazing energy and dissonance, stapling each song with jazz blasts and light concussions that would find themselves right at home on some early Brian Eno ( which brings to heart a strong resemlance to the late talking Head masterpiece "Remain In Light") Radiohead strips away the need to create new found territory and relishes in great works from the past; subtly perfecting a formula of creative brilliance! With a sleak runtime of 38 minutes radiohead taps into the psyche of the modern man - a record built for the morning jog, drive to work, late night **** Radiohead repeats on the mysteriously titled SEPARATOR- "If you think this is over, then your wrong". Should they flood us with another release soon-> This listener wouldn't be surprised. Every previous Radiohead release has yielded vast amounts of wonderful material. Lets cross our fingers! ---Music this good doesn't come 'round very often- Go to bed with your unworthy compliments. Radiohead more than any other have earned the right to be completely devoid of **** Let freedom ring. The King of Limbs yearns for a world rid of toxicity- Save the flowers as this record will have it. 10/10 Expand
  80. Feb 19, 2011
    7
    Wish I could have downloaded just, "Little by Little", "lotus flower", and "separator". I figure it paid $3/song. I give the album a 7, cause it's still better than most of the trash that gets released every year. But for a radiohead album, I am highly disappointed. Actually, I'm pissed. First listen, I thought "This blows!" After 5 listens, I like some songs, but its definitely theirWish I could have downloaded just, "Little by Little", "lotus flower", and "separator". I figure it paid $3/song. I give the album a 7, cause it's still better than most of the trash that gets released every year. But for a radiohead album, I am highly disappointed. Actually, I'm pissed. First listen, I thought "This blows!" After 5 listens, I like some songs, but its definitely their worst album. I've been a fan since 'The Bends'. That album, ok computer, and In rainbows are some of my favorite albums of any artist. Love Kid A, and Hail to The Thief as well. Cmon people, this album is nowhere even near the quality of these albums. Go back and listen to any of these and then listen to this new album. Not even close.
    Songs on new album:
    1. Bloom :(( Happy to never listen to it again
    2. Morning Mr Magpie :( A little catchy at first. Gets tedious.
    3. Little By Little :)) okay. this sounds nice. Do I hear a guitar? Love this song.
    4. Feral: :(( Maybe if I was on E, I would like this.
    5. Lotus Flower :)) Love it. Interesting. Lovely vocals
    6. Codex :( I want to like this. Just too slow or boring or repetitious.
    7. Give up the ghost :( Repeat of Codex. Too repetitious. Just boring to me.
    8. Separator :] Like it. Would be better if it started at 2 minutes in.
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  81. Feb 19, 2011
    10
    Great Album, grows on you the more you listen to it. I liked Lotus Flower, Give up the Ghost the most. Has a nice haunting flow about it. Thom Yorke as one of the most distinct voices in rock music
  82. Feb 19, 2011
    2
    Codex and Lotus are average at best, the rest of the album sounds like filler for a solo album. Musically its a side step for a band capable of offering so much more. This album leaves most fans thirsty and hungry for more. Whilst disappointing to have only 8 tracks Radiohead maybe holding a trick up its sleeve (Part 2???), however, as we are learning Radiohead are wanting to be different.Codex and Lotus are average at best, the rest of the album sounds like filler for a solo album. Musically its a side step for a band capable of offering so much more. This album leaves most fans thirsty and hungry for more. Whilst disappointing to have only 8 tracks Radiohead maybe holding a trick up its sleeve (Part 2???), however, as we are learning Radiohead are wanting to be different. Only for die hard fans who'd think the sound of Thom Yorke blowing his nose would class this offering as a masterpiece. Expand
  83. Feb 19, 2011
    5
    It's like Radiohead, but with none of the catchy parts.
  84. Feb 19, 2011
    8
    This review contains spoilers, click expand to view. Let's get one thing out of the way first, this review will be partial. I am a humongous Radiohead fan. They are musical geniuses. No other band has so repeatedly and consistently released so many perfectly nuanced and constructed songs since Beethoven. I want Thom Yorke's bug-eyed children. However, I am a professional. I will do my best to keep things equitable and remain detached. Review: Radiohead - The King of Limbs WWW.GAMESOFDAN.COM

    8.5 out of 10
    -1 for its short length
    7.5 out of 10

    In 2011 a lot of things will happen. California will open the worlds largest solar plant. The united states is set to withdraw from iraq. Also Radiohead will release a new album. That day is today.

    WWW.GAMESOFDAN.COM

    The Follow up to the 2007 award winning postmodern rock inomarata "In Rainbows"; Radioheadâ
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  85. Feb 19, 2011
    9
    The King of Limbs...The King indeed. I was hesitant to listen after waiting for so long, and having my expectations climb. But amazingly, my expectations were met, and then some. "Bloom" set the mood, being a great continuation of In Rainbows. It isn't my favorite song on the album, but I feel that it is the best pick for the opener. "Morning Mr Magpie" was a nice change from Bloom. It isThe King of Limbs...The King indeed. I was hesitant to listen after waiting for so long, and having my expectations climb. But amazingly, my expectations were met, and then some. "Bloom" set the mood, being a great continuation of In Rainbows. It isn't my favorite song on the album, but I feel that it is the best pick for the opener. "Morning Mr Magpie" was a nice change from Bloom. It is more upbeat, and impossible not to nod your head to. "Feral", the instrumental piece, is my least favorite. It's fine, and I think that it plays an important role in the album, but I won't be listening to it as often as the others. "Lotus Flower" is one of my favorites, with its basic chillness about it. "Codex" is by far the best, in my opinion. Despite the rather depressing lyrics, it's the only song that really captured me out of the whole album. "Give Up The Ghost" is very chill, and gives the listener another break from the usual Radiohead "craziness" per say. "Separator" is a track that easily ends the album, but can also leave the listener ready for more. Eight tracks are not enough for me, but I hope that sooner than not, another album will be released. Radiohead lived up to everything we were hoping for yet again. It is reminiscent of In Rainbows, but a darker version, more of a continuation than another album altogether. This album was worth the wait, completely. I highly recommend it to any Radiohead fan. Expand
  86. Feb 19, 2011
    9
    I'll be honest; the first time I listened to this, I was half-asleep. My roommate woke up at 7 am on Friday, somehow discovered that the album had been released a day early and decided to play it in its entirety twice while I vacillated between sleep and excitement. But by my third time through the album, for one of which I was finally wholly awake, something struck me: this RadioheadI'll be honest; the first time I listened to this, I was half-asleep. My roommate woke up at 7 am on Friday, somehow discovered that the album had been released a day early and decided to play it in its entirety twice while I vacillated between sleep and excitement. But by my third time through the album, for one of which I was finally wholly awake, something struck me: this Radiohead album seemed too familiar. For a band defined by its redefinition with every album, Radiohead seemed disturbingly reminiscent, pulling far too many elements from previous work. A day later, and I would say that Radiohead has once again done exactly what they are best at: redefinition. For despite all of its reminiscence, â Expand
  87. Feb 19, 2011
    10
    Radiohead's 8th album leaves me very satisfied. I'm glad they're trading in conventional guitar hooks, breaking off and making nebulous, groove-laden, eerie music. When I first heard the album, I liked it a lot, and thought "it sounds so cohesive as to be one long song". But I knew the songs would differentiate themselves in time, and after a few listens, the personality of each songRadiohead's 8th album leaves me very satisfied. I'm glad they're trading in conventional guitar hooks, breaking off and making nebulous, groove-laden, eerie music. When I first heard the album, I liked it a lot, and thought "it sounds so cohesive as to be one long song". But I knew the songs would differentiate themselves in time, and after a few listens, the personality of each song revealed itself. This album makes In Rainbows sound like a collection of songs, and a very good collection at that. But this is an artistic statement in the sense that it flows perfectly from beginning to end. Awesome. Expand
  88. Feb 19, 2011
    9
    this album starts where "push pull revolving door" ends. its a beautiful, complex and, most of all, grown album by a band that does not cease to amaze. it wont fit the "computer fans" - u all can go listen to muse. on the start of "bloom", the albums first track, thom yorke shouts "open your mouth wide" cause this wont be easy to swallow. true, this is not an easy album but thom and co owethis album starts where "push pull revolving door" ends. its a beautiful, complex and, most of all, grown album by a band that does not cease to amaze. it wont fit the "computer fans" - u all can go listen to muse. on the start of "bloom", the albums first track, thom yorke shouts "open your mouth wide" cause this wont be easy to swallow. true, this is not an easy album but thom and co owe nothing to no one...and that's why their music continue to evolve and "push/pull" our minds. this album will grow on u if u like it or not, the beats will eventually be your heart beats, thoms vocals will itch and scratch ur skin and in 8 years u will say its album of the decade. Expand
  89. Feb 19, 2011
    0
    There's NO hint of underlying melody buried beneath the rubble of inanimate production behind, in front, and to the sides of "The King of Limbs": it's an aimless series of soulless, tacky, lounge ambience - at it's best, recalling ambient-era Moby ("Bloom"). The rhythm section cannot be the combined effort and participation of humans - it sounds way too stupid and clunky - there areThere's NO hint of underlying melody buried beneath the rubble of inanimate production behind, in front, and to the sides of "The King of Limbs": it's an aimless series of soulless, tacky, lounge ambience - at it's best, recalling ambient-era Moby ("Bloom"). The rhythm section cannot be the combined effort and participation of humans - it sounds way too stupid and clunky - there are steady, obvious climbs and falls in the bass and drums, and African beats; resonating nothing. The only songs worth mention, "Little by Little," "Codex," and "Give Up the Ghost," are slight, near good accomplishments of some structured fashion. "Give Up the Ghost" is warm - tinged with a subtle 70's AM pop easiness - almost folky. "Codex" is the nicely written, if not the best song here - invoking some pleasant imagery, and a dynamic mood, with the slight bit of melancholy. "Codex" could serve easily as a b-side to "Pyramid Song." "In Rainbows" was the embodiment of Radiohead's pursuit of cerebral alternative rock in a minimalist, hyper-melodic, 3-minute structure.They've depreciated since, if not forever. I've listened to this album intimately - in my room, for six hours straight - hoping to God I hear it - I've yet to register a thing. Expand
  90. Feb 19, 2011
    8
    Trippy. It's no 'In Rainbows', but it's still really good. I don't understand why people are saying this is their worst album, though: I feel like 'Pablo Honey' is their worst.
  91. Feb 19, 2011
    9
    This is a really beautiful album. It ebbs and flows with beautiful melodies and intricate counter rhythms. I've listened to the album twice and as a veteran Radiohead fan, it will take me at least 20 more listens to fully grasp this short, but very interested album. I love their use of horns, which I haven't heard so prevalent since Kid A. I guarantee that 8 tracks isn't the end, I'm sureThis is a really beautiful album. It ebbs and flows with beautiful melodies and intricate counter rhythms. I've listened to the album twice and as a veteran Radiohead fan, it will take me at least 20 more listens to fully grasp this short, but very interested album. I love their use of horns, which I haven't heard so prevalent since Kid A. I guarantee that 8 tracks isn't the end, I'm sure we will hear another 6 to 8 tracks to book-end this well crafted album. To all the quick to judge haters...yes, we know The Bends and OK Computer were AMAZING albums, but they are 17 and 14 years old. Bands change and have to evolve their sounds. Just listen, don't judge. This isn't the **** Rolling Stones, they can't just keep kicking out guitar jams for 40+ years. Expand
  92. Feb 19, 2011
    10
    This review contains spoilers, click expand to view. Who the F**** is Arcade Fire?!!??! Expand
  93. Feb 19, 2011
    7
    Definitely a great album, but not one of Radiohead's best albums (refer to OK Computer,, Amnesiac, or even In Rainbows), but this album gives us the much needed fix of a new, quality Radiohead album. My biggest issue is with the length of the album, it almost feels almost like there is going to be a second disc released much like Radiohead did with In Rainbows. That is still to be seen though!
  94. Feb 19, 2011
    8
    If only I could afford it, I'd buy hundreds of copies of The KoL.

    It would be the least I could do for what they have gotten me through over the years.
  95. Feb 19, 2011
    10
    At a short run time and only 8 tracks, Radiohead has found itself on the middle of a tightrope. They're coming off the heels of the remarkably successful "In Rainbows," cryptically revealing new material that hearkens back to albums prior, and having fans just in reach of having any new material at all. Does that mean that by reaching the end of the tightrope they'll be able to achieve theAt a short run time and only 8 tracks, Radiohead has found itself on the middle of a tightrope. They're coming off the heels of the remarkably successful "In Rainbows," cryptically revealing new material that hearkens back to albums prior, and having fans just in reach of having any new material at all. Does that mean that by reaching the end of the tightrope they'll be able to achieve the fan base they've created? Absolutely not.

    I seem to recall a similar album that had the challenging job to overcome the hugely successful "OK Computer," and wound up in a place of personal reflection and exploration. It was not an album that achieved notoriety upon release and took a good amount of time to realize the intimacy that was "Kid A." Readers, "The King of Limbs" is in the same vein - more experience than normal listening.

    Like the song titles imply, beginning with the magnificently clouded "Bloom," the album tinkers the idea of growth, as I'm sure the album will likely grow upon the listener. With a first half textured with electronic drum beats and soundscapes that sound oftentimes lonely and lost, Radiohead seems to have aimed in a direction of truly finding oneself within the sounds, that is until reaching "Lotus Flower," which is by far the most accessible song on the album. The groove is representative to efforts on "Hail to the Thief," presenting the last half of the album with a greater sense of being found. I wouldn't necessarily call this a concept album, but if there was any way to discover what it is that Radiohead is driving, they've certainly made me want to spend the time searching.

    Radiohead's latest is one that will most certainly be challenging, considering it has to live up to the remarkably successful "In Rainbows." Yet "The King of Limbs" excels in pursuing intimacy in the vein of "Kid A," another album trying to find its voice amidst the huge success of "OK Computer." I'm certainly "The King of Limbs" will find the limbs it needs to grow and become one of Radiohead's considerably better efforts.
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  96. Feb 19, 2011
    8
    At the moment this is the third review I have written for this album and I can now say that it is definitely not a bad album and eventually grows on you. While there is no doubt that it is not one of Radiohead's best albums it is still a good listen. The main disappointment with this album is how short it is. Only 37 minutes and 8 songs for $14 (I bought WAV version; $9 for lowerAt the moment this is the third review I have written for this album and I can now say that it is definitely not a bad album and eventually grows on you. While there is no doubt that it is not one of Radiohead's best albums it is still a good listen. The main disappointment with this album is how short it is. Only 37 minutes and 8 songs for $14 (I bought WAV version; $9 for lower quality MP3) is borderline $2 a song which is just way too much. I definitely feel like I have been ripped off a little by this album. I recommend getting the $9 MP3 version because I have tested the two versions and found that the audio quality is almost exactly the same, so save yourself the $5 (if you're considering buying the album). So this is my final verdict on The King of Limbs; a good album that doesn't necessarily live up to the Radiohead standard. Who knows, maybe they'll do what they did with Kid A (another short Radiohead album) and release a 19 song album (deluxe version of Amnesiac not including live performances) before the end of next year. Expand
  97. Feb 19, 2011
    9
    I downloaded "The King of Limbs" trying to speculate as to what era of Radiohead's career it would most resemble. Would it be a return to Kid A? Was Thom Yorke no longer "bored of melody"? Perhaps it would be an innovative mesh of all Radiohead's previous styles! Upon my first few listens, however, I felt generally underwhelmed. Why, this sounded like none of my predictions! How rude ofI downloaded "The King of Limbs" trying to speculate as to what era of Radiohead's career it would most resemble. Would it be a return to Kid A? Was Thom Yorke no longer "bored of melody"? Perhaps it would be an innovative mesh of all Radiohead's previous styles! Upon my first few listens, however, I felt generally underwhelmed. Why, this sounded like none of my predictions! How rude of Thom and the gang to put out something I couldn't immediately contextualize! Despite my initial disappointment, I continued listening as any diligent Radiohead fan would. Upon writing this review, I am on roughly my eighth tour through the album, and (of course) it has improved markedly with each new iteration. Is it because this album's electronic subtleties are more complex than Kid A, its melodic sensibilities, at times, surpass In Rainbows, or that the album forms a more accessible ambience than Amnesiac? Well, yes, but there's more to the story. While all of the above questions are going to invariably be asked, they're all ultimately irrelevant. This is RADIOHEAD, guys. Comparing their newest release to a previous work is exactly the antithesis of what we should be doing for one of the world's most innovative, dynamic bands. The Flying Lotus/glitch-beat influence is evident on songs like "Bloom" and "Feral"; Yorke's unfailing ability to melt one's heart with his OKC-era melodies manifests itself in songs like "Lotus Flower" and "Separator"; the piano balladry reminiscent of "Pyramid Song" and "Videotape" is well-represented on TKOL by songs like "Codex." However, despite all the external context of Radiohead's contemporary influences and their previous work, this album is very much its own, singularly functioning unit. To me, the strength of this album (like all of Radiohead's work) is its ability to create an overall aesthetic whose whole is great than the sum of its parts. Every song, on the surface, is pleasing to the ear and interesting to listen to, but the real magic is the subtle intricacy that each song offers to a diligent listener. The cool bass on "Lotus Flower," the fragile harmonic backdrop to "Separator," and the gradually devolving piano on "Bloom" are all examples of the lower-level intricacies that truly make this album a heady, thought-provoking listening experience that any fan of Radiohead, or music in general, should be able to at least appreciate. Upon writing, I am giving this album a 9, but I can already see myself regretting that low score in a few days' time. This album is a unique, complex, and downright pretty grower. Buy it. Expand
  98. Feb 19, 2011
    10
    Surprisingly accessible upon first listen, The King of Limbs is another masterpiece from English band Radiohead. The last two tracks close out the album beautifully.
Metascore
80

Generally favorable reviews - based on 40 Critic Reviews

Critic score distribution:
  1. Positive: 34 out of 40
  2. Negative: 0 out of 40
  1. Dec 14, 2011
    80
    There's just incredible depth to The King Of Limbs, and if you're impatient, you'll miss it.
  2. May 24, 2011
    80
    It's been a long time since Radiohead made records with an eye toward anything more than satisfying the band's own creative impulses, if it ever did. Those who are prepared to stick it out, though, may well find The King of Limbs worth the wait.
  3. Mojo
    May 16, 2011
    60
    They've delivered their biggest surprise to date. A record that falls short for its constituent parts. [May 2011, p.100]