- Summary: Released a day earlier than expected as a digital download on February 18th, this is the eighth album from the epic, experimental UK five-piece.
- Record Label: XL
- Genre(s): Pop/Rock, Alternative/Indie Rock, Alternative Pop/Rock
- More Details and Credits »
Feb 22, 2011As with anything that's trying to do something bigger and better, lessons of that magnitude can take more time to sink in, definitely longer than the handful of hours we've had to absorb what The King of Limbs might be all about. In that sense, the jury is still out on The King of Limbs and that's because there's always something more to Radiohead.
Feb 18, 2011Radiohead, under the gun of expectation, have not disappointed with their eighth studio album "The King of Limbs." The title itself isRadiohead, under the gun of expectation, have not disappointed with their eighth studio album "The King of Limbs." The title itself is provocative of something large, and even the album cover hints as well. The King of Limbs is very drum heavy, which is somewhat of a step away from their usual routine, but still manages to resonate the true Radiohead frequencies. One thing that sticks out is the evident direction with which Radiohead seems to be tending. This album leans toward a modern classical direction. This may be due to leader Thom Yorke's infatuation with dubstep and certain electronic music. On the other hand, the band still keeps its grounding, with Johnny Greenwood's haunting keyboards, and Colin's bass driving the beats of Phil Selway's lathered drum section. The King of Limbs is very beat heavy, with Thom using his voice to complement the aura surrounding the left and right that make up the production of Nigel Godrich. There is a different Radiohead in every one of the eight songs on The King of Limbs, with the majority of the tunes relating back to the second set of songs on In Rainbows. Lotus Flower, which has a brilliant video concurrently released today, is the awe-inspiring track to The King of Limbs. It contains hints of dubstep, but also plays fairly close to Idioteque. Thom Yorke's vocals on this album as a whole reach high and low, as expected from Radiohead nearly twenty years now. One prolific aspect of this album is the ability Yorke encompasses during his "sliding" of vocals. Yorke, now in his forties, still has the power he had back in 2000's Kid A, and continues to create new avenues to hone and elaborate his use of vocals. Radiohead never ceases to disappoint, and certainly do not do so here. The album is just under forty minutes in length, which is a true disappointment, but I hope the "Newspaper" edition that comes out will contain bonus songs or something of the sort. Radiohead's eighth album The King of Limbs is a knocker with power, force, and a soul to reckon with, the only inhibition the album may experience is its length-challenged state. But this may also be a strength. It may cause a desire for more! Keep the people guessing. They have been keeping the public guessing since way back in September, why stop now? I would also like to strike a chord with the lyric substance in the album. The album contains parts, in its minute state, with little lyrical substance, which, in my opinion, can be disappointing. I will say it now that, the length and lyrical shortcomings may cause a negative stir among the Radiohead fan base. But if you ask me, this album is In Rainbow's antagonist. It takes In Rainbows, and flips it on its side. A new world of music, but keeps the Radiohead vibrations resonating. This album is brilliant. It is no surprise nor expectation fulfilled. It is Radiohead without being typical or predictable.… Expand
Feb 21, 2011Radiohead continues to put forth some of the most interesting, multidimensional music out there. This album might take a few listens - butRadiohead continues to put forth some of the most interesting, multidimensional music out there. This album might take a few listens - but it's definitely worth every minute.… Expand
Feb 19, 2011I listened to it once. I wasn't convinced.
I listened to it twice and I got to track 2 "Morning. Mr Magpie" and I played it about 5 times overI listened to it once. I wasn't convinced.
I listened to it twice and I got to track 2 "Morning. Mr Magpie" and I played it about 5 times over before I could even change the song and after listening to it over and over, it became clear.
Radiohead aren't there to please people they're there to challenge you musically, to test you
and this is where there genius is: Every time it's amazing, after OK Computer they bought out KID A and it challenged people, but now its ranked next to OK Computer in greatness.
The King Of Limbs challenged me, but, in the end it won.
BRILLIANT ALBUM 9/10… Expand
Feb 24, 2011It was difficult to see how Radiohead could improve on In Rainbows and they have done the sensible thing and moved in a different direction.It was difficult to see how Radiohead could improve on In Rainbows and they have done the sensible thing and moved in a different direction. Parts feel more experimental and more sparse than previous efforts. Bloom and Feral are for biggest change in the sound and for me the weakest part - layered electronica, looped, tinny, slightly harsh sounding ...this is no doubt the sound they were going for - I don't care for it, the later half of the album is mellower and has more organic sound which I prefer. I hope the later half is the way they move forward with their next offering, I recall Thom once saying OK Computer was their attempt at Endtroducing by DJ SHADOW, this again feels again like an attempt at that. To a Radiohead fan I would recommend this, to a newbie I would recommend the back catalogue.… Expand
Feb 18, 2011While this album did not wow me after a long break the way Kid A did, it had brilliant moments. Codex took my breath away and the rhythmicWhile this album did not wow me after a long break the way Kid A did, it had brilliant moments. Codex took my breath away and the rhythmic structure of Lotus is just fun. This album feels like a less melodic continuation of In Rainbows in the same way Amnesiac felt like (and in many senses actually was) a continuation of Kid A. It felt to me, also sort of like Amnesiac, like a transitional album. Here, we are moving from the narcotized dreamscapes of In Rainbows to something with a little more bite and muscle. If we can use the history of the band as a guide, these sorts of transitional albums lead to brilliant synthesis albums like Hail to the Thief. I wouldn't be surprised if there was a new album in the next two years that, like Hail to the Thief, smoothly blended the plethora of sounds. I'm betting that that will be the album that changes music in a substantial way. I'm only sorry it wasn't this one.… Expand
Feb 22, 2011I tried to listen to this album as though it were a band I had never heard before and I felt a 7 would be a fair score. It's good, but it'sI tried to listen to this album as though it were a band I had never heard before and I felt a 7 would be a fair score. It's good, but it's not great. It is thick on electronic experimentation and thin on guitar, some may say similar to Kid A and Amnesiac, but it feels more like a follow up to Eraser than anything. In Rainbows was Radiohead at it's best, King of Limbs is the band deep in experimentation, some of it is good, some of it obscure enough to be listenable but not something you 'need' to listen to.… Expand
Mar 18, 2011This album is so bad its unlistenable. Once is enough for me and i love Radiohead but then again, i dont listen to KId A either. Crap is crapThis album is so bad its unlistenable. Once is enough for me and i love Radiohead but then again, i dont listen to KId A either. Crap is crap people. If its good i will come back for more. Until then im donating this CD to the salvation army for some poor unsuspecting punter to try and figure out what the hell is going on through his headphones.… Expand
Published: March 1, 2011Music critics were in a mellow mood last month, preferring more minimalist and restrained works, including the latest releases from PJ Harvey and Radiohead. Find out more about February's best-reviewed albums, and listen to full songs from each one.
|Sticky Fingers [Deluxe Edition] - The Rolling Stones|
|Physical Graffiti [Remastered] - Led Zeppelin|
|To Pimp A Butterfly - Kendrick Lamar|
|The Smithsonian Folkways Collection [Box Set] - Lead Belly|
|Miles Davis at Newport: 1955-1975 The Bootleg Series, Vol. 4 - Miles Davis|
|Bouquets from a Cloudy Sky: The Complete Pretty Things Collection [Box Set] - The Pretty Things|
|Carrie & Lowell - Sufjan Stevens|
|Hand.Cannot.Erase. - Steven Wilson|
|Live at the Fillmore East: October 4th & 5th, 1968 [Box Set] - Sly & the Family Stone|
|Sometimes I Sit And Think, And Sometimes I Just Sit - Courtney Barnett|
|The Fade in Time - Sam Lee|
|From Kinshasa - Mbongwana Star|
|Complicated Game - James McMurtry|
|Ten Love Songs - Susanne Sundfør|
|The Blade - Ashley Monroe|
|Choose Your Weapon - Hiatus Kaiyote|
|Mono - The Mavericks|
|I Love You, Honeybear - Father John Misty|
|Remembering Mountains: Unheard Songs By Karen Dalton - Various Artists|
|Dark Energy - Jlin|