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Jun 9, 2016Light years from a mere slap-dash rarities compilation, The Other Side of the River takes some of a seminal rock musician's most interesting sketchworks and reimagines them as his magnum opus.
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May 27, 2016It’s a lovely, laidback collection, with percussionist Willie Bobo adding a languid Latin feel, and multi-instrumentalist David Lindley excelling on guitar and violin, while Reid’s sepiatone delivery is expertly framed by master producers Eddy Offord and Tom Dowd.
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May 27, 2016Not everything here was worth saving--the eight-minute jam "Country Brazilian Jam" could have been pared down--but overall, The Other Side of the River is a worthy companion to a classic, unsung album that stands on its own.
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May 27, 2016Experiencing The Other Side of the River without knowing the primary work would be like reading the footnotes in a history book and skipping the main text. But check out this well-intentioned, albeit overstuffed, collection after savoring the easy pleasures of River, and enjoy a flavorful chaser.
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May 27, 2016For anyone who appreciates the original, this offers a deeper revelation of the process in and context of Reid's classic.
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MojoJun 10, 2016Several of the songs on River are, aptly, long and meandering, passing the ears in a liquid, ungraspable way. You can drift away on it. [Jun 2016, p.104]
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May 27, 2016It’s no River II, though perhaps with a bit of harsh pruning, it could’ve been a carefully edited and extended version that preserved the blues-vs-bossa split of the original vinyl. What The Other Side of The River most definitely does offer, though, is proof that beyond those superlungs that still belt out the 60s cover versions in 2016, it’s from Reid’s breathier excursions that true beauty flows.
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May 27, 2016A mixed bag of variable results, then, though Reid’s voice remains consistently magnificent throughout.