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Of course it's pretentious, but the blend of reading-group rock, goth showtunes and gold standard hamming from Willem Dafoe and Steve Buscemi is surprisingly compelling after a while.
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Reed has once again stretched the boundaries of popular music and, in doing so, has honored Edgar Allan Poe's illustrious legacy, along with his own.
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Q MagazineInevitably, it's a bit of a mess.... But if you like Poe, or Reed, and can tolerate the incoherence, there's fun to be had. [Feb 2003, p.105]
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Probably makes more sense in a theatre than on your CD player.
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Often falters distressingly.
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Though perfect for hipster English-lit teachers, ravenous Reed fans will find themselves saying "nevermore."
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The outcome is alternately brilliant and awful, adventurous and boring, incisive and pretentious, over-wrought and subtle.
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While that approach might have worked well on stage, on disc it's deeply unsatisfying.
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BlenderThe format is so rambling and fragmented that is serves neither Poe the storyteller noor Reed the songwriter. [#13, p.97]
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Reed's wraparound originals are mostly vaudeville, which is to say laughable. [Note: The score listed is for the 2xCD version. The single CD version received a lower score of 1/5 stars.]
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UncutAll albums are vanity projects, but this vanity may be in vain. [Feb 2003, p.76]
User score distribution:
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Positive: 12 out of 14
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Mixed: 1 out of 14
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Negative: 1 out of 14
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Jul 16, 2019
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EnriqueRDec 9, 2006
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CosmoJun 2, 2005Makes me want to dance! The most sensual party album of the decade