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BlenderThe music makes her giddiness contagious. [#16, p.114]
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Macy's decision to team with [producer Dallas] Austin this time around gives her anarchic brilliance just the right creative counterbalance.
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Part biography, part self-analysis, part feminine primal scream, Myself is a tour through familiar Gray territory, spiked with humor and her take-no-bullshit attitude.
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At once more of the same and something more, a set of polished, enchantingly newish approaches to her favorite themes, from bad choices (hers and his) and rueful memories to exhilarating anticipations and beguiling fantasies.
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The Trouble With Being Myself is solidly produced, if too safely MOR to stand beside Gray's debut, and it doesn't exhibit anything close to The Id's sense of risk.
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Q MagazineAs ever, when the beats go uptempo, things go awry... but there's life in the giant-haired lady yet. [Jun 2003, p.98]
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To call Macy Gray's new album, The Trouble With Being Myself, delightful is to minimize its sensual intelligence and considerable emotional depth.
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Now, done with that id shit, she finds her voice by pleading with her man to stay or come back as the case may be.
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MojoThe best of The Trouble With Being Myself finds Gray grinning. [Jun 2003, p.98]
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As a current-events commentator, Gray's got better beats than The New York Times and funnier lyrics than Fox News.
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Her third album reins it all in to a more palatable place with traditional R&B production and a healthy dose of funkiness.
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Gray's idiosyncrasies are sometimes buried beneath the syrupy strings (which may have been the intent), robbing the album of unpredictable highs as well as lows.
User score distribution:
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Positive: 7 out of 10
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Mixed: 0 out of 10
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Negative: 3 out of 10
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ArtemHAug 7, 2003