User Score
8.3 out of 10

Universal acclaim- based on 25 Ratings

User score distribution:
  1. Positive: 23 out of 25
  2. Negative: 1 out of 25

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  1. Oct 28, 2010
    10
    Amazing album! it is probably there best album yet. It just runs shivers up your spine every time you hear Oliver Sykes (Lead Singer) sing and scream. 'It Never Ends" is my favorite song from the album along with "Dont Go", "Crucify Me" and **** . It's going to take me along time to not listen to these songs for a day.
    I just love it. :)
  2. Dec 31, 2012
    9
    In recent years, the post-hardcore has seemingly died down since the outburst of the dreadful "scene" clique it's created. But in this destruction, there are gems, and one of them are Bring Me the Horizon. There Is a Hell is one of the most energetic, experimental, creative, dynamic, and personal albums in recent years, thanks to its balance of balls-out, speaker thumping metal and mixture of symphonic and electronic influences. Album opener "Crucify Me" features Oli screaming out religious slurs ("There is nothing above, there is nothing below, Heaven and Hell lives in all of us) over rumbling guitars before the distorted choir vocals take over the chorus, as well as a lovely entry from Canadian singer-songstress Lights. "Anthem" is blunt and specifically made for the mosh pits at their shows. And "Don't Go" is simply a masterpiece, it's climatic, beautifully and tragically written, and Oli's screams are as heartfelt as ever before being joined by Lights' soft clean vocals. It's only downfall is its tendency to rely on the typical "chugga chugga" guitar solos and the band still has a lot of growing up to do. But that's okay, we'll love every step this band takes to becoming one of post-hardcore's most memorable acts. Expand
  3. Apr 16, 2013
    9
    A surprisingly good metal album. Oli Sykes completed his transition from deathcore screaming to metalcore growling. The album is ambitious, marking a departure from previous releases by incorporating electronica influences and moving away from the loud distorted guitars, although still prevalent on the album the sound is much more polished and cleaner.
  4. Apr 2, 2013
    10
    A classic album.. one of the best of all time. The band really stepped up from the already amazing 'Suicide Season' but this album takes their success to a higher level. So emotional, so perfect.
Metascore

Generally favorable reviews - based on 9 Critics

Critic score distribution:
  1. Positive: 7 out of 9
  2. Negative: 0 out of 9
  1. Dec 21, 2010
    60
    On their third album, these dizzying British metalcore chemists swing erratically in an effort to shake genre conventions, flirting with dystopic Max Headroom stutter, electro gloom, and tender indie-folk cuddles.
  2. The sonic evolution of the group is remarkable, and the dark, introspective lyrics of Sykes will not only be cathartic for him, but for many.
  3. By-the-numbers breakdowns, tired metalcore riffing, and cliched lyrics are still very much part of the group's formula. It's too bad since the band has plenty of energy and ambition. [Nov/Dec 2010, p.94]