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Oct 13, 2023Her third album, Tomorrow’s Fire, is her best work. Leaning in harder than ever to rock music, the roiling catharsis so often found in Williams’ vocal performance now bleeds into the production. Tomorrow’s Fire is lean, clocking in at 34 minutes across 10 tracks, but Williams doesn’t waste a second of it
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Oct 13, 2023If you’re going to listen to one new release this week, make it Squirrel Flower’s Tomorrow’s Fire. Ella Willams crafted a meaningful album that showcases her limitless potential without disregarding the nuances of her artistry that make Squirrel Flower so unique and powerful.
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MojoOct 13, 2023There's almost too much to bask in. [Nov 2023, p.91]
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Oct 13, 2023Tomorrow's Fire may be the most melancholic of Squirrel Flower's albums, but its sense of drama is captivating.
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Oct 13, 2023Throughout Tomorrow’s Fire, Williams sounds strategically self-effacing while also cradling a quiet, growing inner certainty. The result feels like the sound of someone coming into their own, albeit not without some rough patches; she still gets good and angry, but where rage used to feel like a deadend in her previous songs, here it drives her forward.
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Oct 13, 2023Music about climate disaster usually feels somewhat dogmatic and thematically grandiose. But on Tomorrow's Fire, Ella Williams of Squirrel Flower takes the wide scale of the apocalypse and taps into its most intimate and personal corners.
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Oct 18, 2023Williams refines her singular voice as a songwriter, bringing a focused, single-minded intensity to her songs without giving the impression that she’s ever repeating herself.
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UncutOct 25, 2023A reworking of an early Squirrel Flower track, "I Don't Use A Trash Can", and the delicately atmospheric "Finally Rain" bookend the work, showing Williams' quiet strength as a songwriter. [Dec 2023, p.34]