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There's a weird outdated feel to the album; too many of the songs feel like attempts to cross over to a rap mainstream that barely exists anymore.
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Ultimately, Bun ends up feeling like a bit of a guest on his own LP, similar to Rick Ross' Teflon Don effort, and though Trill O.G. is full of quality-sounding music it simply fails to make any argument for its necessity to anyone but the most strident fans of Bun B's monolithic presence.
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While Bun B's weathered voice and lyrical detail add weight to his words, there are a lot of predictable OG conventions on this overlong album.
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The WireHe telegraphs all too simplistic rhymes schemes and rarely offers subject matter beyond deeply cliched braggadocio. He's rapping like he doesn't want to be there. [Oct 2010, p.67]
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Twista & Bluesman Ceddy St. Louis hybrid a blues toaster bringing out the best of BB, and fellow H-town boss Slim Thug cruises "Ridin' Slow." B boasting "I Git Down 4 Mine" rides nobody shotgun and again shoots straighter for it, same as "Snow Money" and "Let 'Em Know." Time for a solo joint.
User score distribution:
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Positive: 8 out of 9
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Mixed: 1 out of 9
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Negative: 0 out of 9
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RoyD.Aug 8, 2010Very solid from beginning to end. A very pleasant surprise in this age of overhype. An under promoted album that deserves a much greater push!
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JamesPAug 6, 2010The best is back ! this tape is one of the best LPs from south in these years !