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MojoAug 20, 2014While her David Lynch qualities remain, there's also something of the masochistic Lars Von Trier heroine in the resigned drowse of these songs. [Sep 2014, p.92]
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Jun 17, 2014The line between self-aware irony and tragically conforming to type is thin, though, her knowing winks getting stuck in a tangle of false eyelashes, and ultimately undermining what had the potential to be a powerful artistic statement.
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Jun 17, 2014Without the hip-hop beats that peppered her first album, the songs here lack a sprinkling of brashness--a little of the Kim and Kanye touch would have helped.
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Jun 16, 2014Ultraviolence is more of the same, but less.
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Jun 16, 2014The end result is stylish and cogent but, as a consequence, perhaps a teensy bit samey.
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Jun 24, 2014Throughout Ultraviolence, there's a sense of musical haziness that rests in a safe zone that Del Rey either can't or won't escape from.
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Jun 17, 2014Ultraviolence almost qualifies as a parody. Unfortunately, there's not enough punch in the songs to make listeners care whether she's joking or not.
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Jun 17, 2014Ultraviolence moves away from more pop-friendly territory and instead languishes in a sleepy, sad aesthetic.
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Jun 12, 2014The sound is so dense it threatens to asphyxiate the singer, which may just be the point. Everything about her work plays into fantasies of a potentially fatal manipulation.
Awards & Rankings
User score distribution:
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Positive: 2,028 out of 2264
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Mixed: 52 out of 2264
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Negative: 184 out of 2264
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Jun 17, 2014
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Jun 17, 2014
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Jun 17, 2014