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At its best, Untitled sounds like a compilation of his previous work--a smooth-voiced crooner reading a sex thesaurus over R&B beats.
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Untitled's titles-- 'Pregnant,' 'Whole Lotta Kisses,' and (yes) 'Bangin' the Headboard'--don't do much to flip the script, or even write a new page.
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Kelly is still intermittently hilarious--if never intentionally so--but too much of Untitled feels generic, which is a curious flaw for a larger-than-life eccentric with the most, though not necessarily the best, personality in mainstream R&B.
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Strings, guitars and keyboards add color in carefully measured doses. The songs never develop much beyond their initial verse and chorus and rarely bother with contrasting bridge sections, but that’s the point: No jarring changes to throw off the mood.
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Throughout most of Untitled, Kelly seems to have taken the worst aspects of "Trapped In The Closet"--it's over-the-head relentless melodies and lyrics--and decided that they'll work in a song until the repetition instead relegates it to wallpaper.
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As with nearly every R. Kelly album, sex is Untitled's raison d'être. But too often here he trips over trends.
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The only thing that prevents Untitled from dissolving in its own moisture is Kelly's consummately unhinged personality.
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His voice is heavenly and the production cool and slinky, but all that really registers is the explicitness of the lyrics.
User score distribution:
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Positive: 10 out of 13
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Mixed: 2 out of 13
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Negative: 1 out of 13
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Jul 30, 2011
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joannajDec 4, 2009
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DavidStoneDec 3, 2009Classic album look beyond the sex and you will see a true genius at work.