Review this album
Mar 6, 2013I get people not being able to let go of preconceived notions of what Trent should be sounding like based on their usually pretty shallow knowledge of the Nine Inch Nails catalogue. That's understandable. It's dumb, but understandable. But don't let that stop y'all from seeing that this is a solid album by a band that themselves live in the shadow of NIN, probably quite consciously. They've put together an album that ranges from ethereal to jarring sometimes within the same track while maintaining a sense of cohesion.… Expand
Mar 5, 2013How To Destroy Angels' first self titled release felt like the band was searching for their sound. This release not only defines what the band is striving to be, but fully and completely achieves their goal of defining this group as something other then "Trent Reznor's other band".
Mar 6, 2013The album echoes the soundtrack work done by Trent Reznor and Atticus Ross, but also shows it's own style. The songs on this album that were introduced on the last EP make much more sense in the context of the whole album. Different enough from NIN that it can be understood on it's own, but similar enough to draw in Trent's hardcore fans, a genuinely unique and engaging experience worth multiple listens.… Collapse
Mar 17, 2013The album is near perfection. If you're a NIN fan looking for NIN sounds, kindly smash your head with rocks. I don't walk into McDonald's expecting vegan food just because I know the fast food establishment has lettuce and tomato, so you shouldn't expect NIN music just because Trent Reznor and Atticus are present.
Having said that, the music isn't so far from NIN. Don't expect the faster, guitar-leading stuff, but the energy is still here. And Mr. and Mrs. Reznor have perfected the melting of their make-up. Hearing both of them singing together is just heavenly.
The electronics: they are just awe-inspiring. Trent Reznor just packs songs with unorthodox sounds and melodies that at some point turn into butterflies. It's quite wonderful to look at any single song and look at it from an analytical standpoint. Too Late, All Gone is a prime example. The song starts so abstract, but by the end of the song, it turns into pure (too pure) energy.
In conclusion, this isn't NIN, SO STOP RATING IT AS A F**KING NIN ALBUM! Jesus, it's like Trent has collected as bunch of fake, one-dimensional fans over the years. If the music just doesn't fit with your taste, fine, but don't pin the fault on HDA for not slipping into a NIN sound. That's f**cking stupid. HDA would have no reason for existing if they were just going to sound like NIN anyways.
I'm disappointed in NIN fans: you guys get a 1/10
HDA, keep up the fantastic work! 10/10
Favorite songs (not including bonus tracks from their first EP): The Wake-Up, Keep It Together, And the Sky Began to Scream, Welcome Oblivion, Ice Age, On the Wing, Too Late, All Gone, How Long?, Strings and Attractors, We Fade Away, Recursive Self-Improvement, The Loop Closes, Hallowed Ground.
The included EP is unbelievable, as well. I welcome all future projects from this group of geniuses.… Expand