Welcome To Mali - Amadou & Mariam
Welcome To Mali Image
Metascore

Universal acclaim - based on 21 Critics What's this?

User Score

Universal acclaim- based on 54 Ratings

  • Summary: The African duo met at a school for the blind and have since written a song for the 2006 World Cup and their latest album features production by Damon Albarn.
Score distribution:
  1. Positive: 20 out of 21
  2. Negative: 0 out of 21
  1. 100
    Where Manu Chao might have smoothed off some of the rough edges during his spell as co-producer, this album positively celebrates those grungier moments.
  2. 80
    But if this is not a problem for you (there’s hardly a word of English), then you’ll enjoy the warm dialogue and glacial crooning of an ancient tongue presented over a psychedelic mix of some of the dark continents finest.
  3. 80
    Welcome to Mali celebrates its artificiality, flaunts its illegitimacy and waggles its infidelities in your face. Amadou & Mariam have just damned authenticite to an eternity in caducite. [Dec 2008, p.98]
  4. If the album is frustratingly uneven--if, despite moments of exuberance, it can also feel like a mundane grind--well, I suspect that also mirrors life in Mali. And almost everywhere else, too.

See all 21 Critic Reviews

Score distribution:
  1. Positive: 14 out of 19
  2. Negative: 4 out of 19
  1. JohnP.
    10
    Some do just what they can, others shoot for the stars. This album is a stunning masterpiece, and what some people can't seem to understand, is the fact that this album was created in attempt of perfecting the balance of complexity and simplicity. Neither is the perfect route to success, though like a political party, many subscribe to a pole rather than a balance of the two. This album travels great distance in an attempt to blend a wide variety of musical backgrounds, exposing what the "dull" lyrics as described below stretch to yell, that there is much more to Africa than tribal rhythms and chants. Amadou and Mariam reach there mark, and then some. Expand
  2. Johno
    8
    Doesn't quite hit the peaks of their last album, but is a refreshingly optimistic fusion of rock, blues, funk and soul that Stevie Wonder did so well 30 years ago. It's easy to accuse these guys of recreating music that was invented years ago, but why should that dilute the enthusiasm, joy and fine musicianship they have? It's just upsetting that fellow folk that share this appreciation have been labelled "uneducated" by people that clearly have a chip on their shoulder about music that reaches the masses. The term "world music" references anything that falls outside the common genres of mainly (though not always) American and British music. It helps record shops and review magazines organise their music, simple as that. Even though I've been guilty of it myself, It's not "cool" to dislike the mainstream and just quote obscure artists. Everyone knows that. If we don't like an album, or an artist, and insist on sharing that with the world, then let's give intelligent reasons and not criticise those that are in awe. Expand
  3. Liamd
    7
    After all the hype this album got, and after Dimanche a Bamako (their last album) which is one of my favourite albums of the last few years, I can't help feelling just a little disappointed. It's a great album, no mistake, but it's very similar to the last album, and the last album had better tunes (Sabali aside, which is a stonking track). If you've never heard of these two before and are wondering which album to get to give them a try, go for Dimanche a Bamako. Expand
  4. SergeyP
    1
    Absolutely agree with user comment: this CD is only for "uneducated people who like to think themselves as curious and open minded."

See all 19 User Reviews

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