• Record Label: Merge
  • Release Date: Jan 26, 2024
Metascore
75

Generally favorable reviews - based on 14 Critic Reviews

Critic score distribution:
  1. Positive: 12 out of 14
  2. Negative: 0 out of 14
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  1. Jan 30, 2024
    80
    Despite its reserved, dry, soft, and tranquil harmonies, What an Enormous Room sounds even more poppy and self-confident than its predecessors, with its multilayered, luscious-yet-intimate arrangements and a lot of ringing void.
  2. Jan 29, 2024
    80
    ‘What an enormous room’ is an amalgamation of its title: an expansive collection of tracks, difficult to define, but somehow remains undeniably TORRES.
  3. 80
    The praise and adoration of 2021’s album Thirstier perhaps acts like a precursor to this newfound confidence and it genuinely feels like now is TORRES time after a decade of musically searching for this exact point in time.
  4. Jan 26, 2024
    80
    Thirstier's anthems of devotion might be more immediately gratifying, but the eloquent expressions of love's uncomfortable and uncertain parts that fill What an Enormous Room are a testament to Torres' insatiable need to seek out emotional truths.
  5. Jan 25, 2024
    80
    Scott hasn’t quite broken out of cult stardom like Mitski has, but there’s no reason to think What An Enormous Room couldn’t be the album that introduces her to a whole new audience.
  6. Jan 23, 2024
    80
    On her sixth studio album, What an Enormous Room, she pulls back on the eccentric, stadium-ready rock of 2021’s Thirstier in favor the kind of introspective dirges that characterized her early work. As a result, the album offers slightly less in the way of hooks but homes in further on themes of anxious attachment and personal growth.
  7. Feb 1, 2024
    78
    What an enormous room strikes as a means for Scott to prove to no one but herself that she can build her temple from scratch, embracing her inner non-conformist with steadfast spirit. Even within the sound of settling, Torres has plenty of charming things to say.
  8. Jan 26, 2024
    71
    What an enormous room’s production reaches the same high watermark as prior efforts like Three Futures and Silver Tongue, but struggles to land with the same impact.
  9. Feb 14, 2024
    70
    If Thirstier was a declaration of love from the rooftops, What an Enormous Room is the relief of a serene evening in her partner’s arms.
  10. Jan 31, 2024
    70
    Continuing from Thirstier, Scott has traded the cynicism of her earlier work for sincerity, but that doesn’t mean she’s losing her edge.
  11. Jan 30, 2024
    70
    This rejection (of prettiness, of palatability) is part of her mission statement, although moments from her catalogue where she allows herself to abandon it ever so slightly — "Don't Go Putting Wishes in My Head" from 2021's Thirstier — feel like the true window into the boundlessness of her artistry.
  12. Uncut
    Jan 23, 2024
    70
    What An Enormous Room takes her eclecticism to fresh heights, each of these songs exploring different emotional moods while influences range from The Breeders to Goldfrapp. [Jan 2024, p.36]
  13. Mojo
    Jan 23, 2024
    60
    There's no doubt Mackenzie Scott never stops moving here, switching between gothic sway, grungy stomp and electro-pop gyration, but it can make it hard to catch her eye in a meaningful way. [Mar 2024, p.86]
  14. Jan 23, 2024
    60
    What An Enormous Room doesn’t yet fulfil Torres’s stadium-sized promises, but form and ambition align on album highlight I Got the Fear.

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