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While there is much good music here, there isn't much that adds to Nirvana's legacy, nor is there much that's revelatory.
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Alternative PressThe Nirvana box set isn't the Holy Grail. The Nirvana box set isn't even Incesticide. [Jan 2005, p.105]
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For the fan-atic, WTLO's scrapbooklike discography unveils both a gold mine of (still) unreleased material and the Seattle trio's penchant for dashing off B-sides, tributes, and noise at the smash of a guitar.
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A revelatory, emotional listen from start to finish, "With the Lights Out" crystallizes Cobain's tortured genius.
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BlenderWith 81 chronologically ordered tracks... With the Lights Out can be a slog. But for Nirvana fans, it's also a necessary rite. [Jan/Feb 2005, p.119]
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The three audio discs... are a mixed bag at best.
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One of the band’s finest releases and arguably the most comprehensive statement to date on just where the musicians were coming from, the roads they took to get where they ended up, and even possibly where they were headed.
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It’s the way “With The Lights Out” fleshes out the plot that makes it so compelling.
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This collection is the antithesis of anything Kurt Cobain would have authorized, right down to the shiny metal packaging.
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For hard-core fans, there's a wealth of rare gems here.
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Entertainment WeeklyIt's no surprise that most of it's raw; it is a surprise that most of it's worth hearing. [10 Dec 2004, p.89]
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MojoNot the Holy Grail that was promised... But considering what material is present, the set plays like a fairly compelling musical narrative. [Dec 2004, p.120]
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New Musical Express (NME)If you're after better versions of classic songs, think again. But as a humanising, comprehensive and often heartbreaking document of a man who, in five years, changed the face of music, almost by accident, it's essential. [20 Nov 2004, p.55]
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Manages, despite an excess of throwaway material, to be an appropriately eccentric testament to Cobain’s talent.
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So by all means pick up With the Lights Out, but go ahead and trash the curiously un-Nirvana-like packaging, discard the heat-sensitive (!) box, pitch the liner notes, maybe even throw away the DVD.
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Those hoping for a trove of overlooked gems will be disappointed, as too much of With the Lights Out sounds like nothing so much as a dull-edged instrument lifting flakes of material from the bottom of a barrel. Simply put, there's enough good stuff here for a solid single disc.
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The majority of the material presented here will appeal only to a select group of hardcore fans, music historians and critics.
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Q MagazineAs the set progresses, the trademark Nirvana sound begins to take shape. [Dec 2004, p.152]
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Rolling StoneIf you think you want it, you do. [9 Dec 2004, p.184]
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SpinMostly great. [Jan 2005, p.96]
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There isn’t a doubt in anyone’s mind that this collection plays it way too safe to satisfy the über-devoted.
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The crown jewel for those without the patience or proclivity to wade through sketches of songs better heard in full, the fourth disc is a DVD of live footage from the beginning to the end.
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Nirvana's feat of moulding indie-band attitude, heavy metal, post-industrial noise and classic pop into an intense incandescent eruption has now been analysed to death. To rip away the posthumous repackaging and expose the band's raw nerve-endings is an amazing feat.
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It's a collection of odds and ends, yet the music can be cathartic and it can be achingly intimate. [29 Nov 2004]
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UncutA hardcore fan's wildest dreams fulfilled. [Jan 2005, p.134]
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So, in theory, this big Christmas stocking of demos, B sides, compilation tracks, and curiosities is mostly useful for its historical value, as context. The context, it turns out, rules.
Awards & Rankings
User score distribution:
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Positive: 66 out of 87
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Mixed: 9 out of 87
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Negative: 12 out of 87
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FirstNameLastNameNov 5, 2006The greatest comfort of Nirvana is that the music is so uncomfortable.
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Aug 6, 2022
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Jul 2, 2022This review contains spoilers, click full review link to view.