- Critic score
- Publication
- By date
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They have chosen to opt for the standard formula: it's elegiac, mid-tempo, stadium-friendly ballads all the way.
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Your level of interest in their music probably correlates with your willingness to be bored.
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A surprising number of songs here just never take flight.
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X&Y is far from experimental, but it nonetheless showcases a band demonstrating distinctive signs of evolution.
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Too much here sounds like Coldplay-by-numbers, and the lyrics lack the deeper meaning the album seems desperate to provide.
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Only three songs really, truly deliver.
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MojoX&Y is awash with cliches, non-sequiturs, and cheap existentialism; at times it all becomes nigh on unbearable. [Jul 2005, p.97]
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X&Y is well crafted and enjoyable, but it’s bloodless and distant. It feels manufactured, a piece of product in the march to become the Biggest Band in the World.
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At least 45 of X&Y’s 63 minutes finds Coldplay overdosing on pointless synthesizers in the name of “expanding their sound” while forgetting to write anything reflecting a decent hook.
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There is no doubt [Martin] has talent, but there are just too many retreads, too many regurgitated ideas, and no fire, no raw anger, no big hairy bollocks.
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Like Coldplay's two previous albums, only more so, X&Y is bland but never offensive, listenable but not memorable.
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Not great, a few catchy moments, certainly not god-awful, but just bland enough that after three listens, all life is drained from it.
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X & Y is uninspired adult pop that drops jaws only in its capacity to elicit yawns.
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Under The RadarMonochromatic and underwhelming. [#10, p.109]
Awards & Rankings
User score distribution:
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Positive: 574 out of 711
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Mixed: 75 out of 711
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Negative: 62 out of 711
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Aug 4, 2014
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Dec 15, 2012
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Dec 9, 2015