Consequence's Scores

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For 4,038 reviews, this publication has graded:
  • 44% higher than the average critic
  • 4% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average Music review score: 69
Highest review score: 100 Channel Orange
Lowest review score: 0 Revival
Score distribution:
  1. Positive: 2,752 out of 4038
  2. Mixed: 1,215 out of 4038
  3. Negative: 71 out of 4038
4038 music reviews
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    • 70 Metascore
    • 40 Critic Score
    Tomorrowland
    Mostly, though, Tomorrowland doesn't grate as much as it excludes.
    • 74 Metascore
    • 40 Critic Score
    Only in Dreams
    There are some songs to love, but you can only take so many variations of the same theme.
    • 64 Metascore
    • 40 Critic Score
    MDNA
    It's a retread of almost everything she's said before in the past 30 years, and though ultimately catchy, it lacks any subtlety or nuance to make you feel this is doing anything but reaching.
    • 49 Metascore
    • 40 Critic Score
    Curve
    Curve finds the band rehashing other artists' creative moments in the sun but never making anything their own.
    • 63 Metascore
    • 40 Critic Score
    Gardens & Villa
    There are two stellar songs on Gardens & Villa, songs that show a ton of promise, but also make the rest of the uninspired filler on the album pale in comparison.
    • 67 Metascore
    • 40 Critic Score
    Old World Romance
    The result is a fine collection of Coldplay B-sides.
    • 77 Metascore
    • 40 Critic Score
    Serpents Unleashed
    On Serpents Unleashed, Ohio quintet Skeletonwitch’s own blend of European melodic death metal, thrash, and black metal falls prey to flat production, which further stacks the deck against the band’s already ill-defined sound.
    • 54 Metascore
    • 40 Critic Score
    Christopher
    Christopher's hyper-saturated synths sound less like a reverent throwback and more like Twin Shadow in an irradiated snow globe.
    • 57 Metascore
    • 40 Critic Score
    YOKOKIMTHURSTON
    With more focus and restraint, there's no reason to think Moore, Gordon, and Ono couldn't have really run with their collaboration and made something great. Instead, YOKOKIMTHURSTON feels like an overly conceptual exercise. Maybe that's by design, but a little melody would have gone miles here.
    • 50 Metascore
    • 40 Critic Score
    Jack Sells the Cow
    It's impossible for any Pollard release, solo or otherwise, to go too long without delivering something memorable, but he comes close to blowing it here.
    • 64 Metascore
    • 40 Critic Score
    Give the Drummer Some
    A whole album of subtly punk drummer-laced singles, compiled for his posterity, and lacking a hefty amount of rhyme skills or dramatic effect.
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