Consequence's Scores

For 4,038 reviews, this publication has graded:
  • 44% higher than the average critic
  • 4% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average Music review score: 69
Highest review score: 100 Channel Orange
Lowest review score: 0 Revival
Score distribution:
4038 music reviews
    • 74 Metascore
    • 60 Critic Score
    Despite the various moments of divergence on True, there is a musical uniformity that makes the album sound like a 45-minute multi-part song, a significant departure from Amoral, their disjointed but adventurous debut.
    • 76 Metascore
    • 60 Critic Score
    Whether anyone outside Wainwright's devoted fanbase will take notice of the album is hard to say, but the world could use more pretty voices with smart ideas.
    • 67 Metascore
    • 60 Critic Score
    Just as In Love With Oblivion helped them gain a better perspective on what their strengths are, the Radiant Door EP is a fitting in-between to hold listeners over until they reveal what's in store for album three.
    • 78 Metascore
    • 60 Critic Score
    What we're left with sounds an awful lot like someone trying to recapture the manner in which to express frustration and rage. She's not quite able to set the angst burners to full, but should she need to?
    • 70 Metascore
    • 60 Critic Score
    The 13 tracks lack some focus and cohesion, weakening what should be a limitless, quasi-spiritual slice of rock and roll transcendence.
    • 70 Metascore
    • 60 Critic Score
    Like some of rock 'n' roll's most revered performers, Wasser likes to evoke a little bit of danger and grit.
    • 59 Metascore
    • 60 Critic Score
    On their fourth LP, Lightning, the lovebirds have made songwriting a priority; but, as is the case with their high-energy, perpetually happy, DIY, song-along anthems, the lyrics alternate between the profound and the overwrought.
    • 54 Metascore
    • 60 Critic Score
    Wonderland may have worked better as a series of EPs, but as is the album fails to be more than the sum of its parts, possibly even hindered by poor arrangement of tracks and the odd inclusion of "The Kids Will Have Their Say."
    • 72 Metascore
    • 60 Critic Score
    Flowers serves as a pleasant showcase of ornate, lightweight pop songs, but doesn’t quite raise the stakes beyond what we’ve seen from Sin Fang in the past.
    • 60 Metascore
    • 60 Critic Score
    While half of the album succeeds in combining a slew of genres and sonic elements into a cohesive mix, the experiments don't always work so well.
    • 67 Metascore
    • 60 Critic Score
    There are a lot of innovative ideas, some strong moments, but also a good amount of filler. If you give it a spin, though, you'll probably find some hidden treasures in these songs as well.
    • 64 Metascore
    • 60 Critic Score
    It's wise and at times gorgeous but ultimately still processing the past and not ready to take risks.
    • 79 Metascore
    • 60 Critic Score
    Uzu
    The newly expanded outfit leans more heavily on their prog rock influences, losing some of the distinctions and dichotomies that made their debut so powerful.
    • 70 Metascore
    • 60 Critic Score
    In the end, Warm Blanket offers proof that sometimes it’s good to stick to what you know.
    • 64 Metascore
    • 60 Critic Score
    Even when the remixes don't come up with anything particularly groundbreaking to say, it's interesting to hear Gloss Drop through new ears.
    • 55 Metascore
    • 60 Critic Score
    Her syntax can look clumsy on paper, almost like she's trying too hard to express sentiments than make statements, but on record her words seem to flow and fit the music perfectly.
    • 61 Metascore
    • 60 Critic Score
    Ruins succeeds a little more often than it fails, and one should look no further for a new playlist to accompany a late study session or classy dinner with some hip friends.
    • 71 Metascore
    • 60 Critic Score
    Too many things happen here, from the Brick Squad-type rave-ups to Ocean's R&B laments, for it to ever sound like a truly unified, full-length group project.
    • 68 Metascore
    • 60 Critic Score
    While Into the Future, like Build a Nation before it, harkens back to the Brains' golden age, it's not the ROIR Sessions. The band couldn't recreate that sort of spitfire aggression today if they tried, and it would be almost unfair to expect them to. But it's close.
    • 72 Metascore
    • 60 Critic Score
    Dormarion [is] his most mature album yet, and proves Lerner to be one of the more talented young indie pop acts out there today.
    • 55 Metascore
    • 60 Critic Score
    The classic Jane's rough edges have been smoothed out and coated in electronic confections, but there is a darker, grinding groove beneath that sonic sheen.
    • 68 Metascore
    • 60 Critic Score
    Many of the tracks are sparse, relying more on the vocals of brothers Jon and Jason Sunde than anything else.
    • 67 Metascore
    • 60 Critic Score
    As it stands today, they're just another band doing a very familiar thing--at least they're doing it really well.
    • 64 Metascore
    • 60 Critic Score
    Although only an industry standard 12 tracks in length, Conditions of My Parole feels slightly overlong with its high points noticeably spread apart, resulting in a familiarity that detracts from its ability to unnerve.
    • 76 Metascore
    • 60 Critic Score
    We're given a playful, fun, but ultimately unrewarding compilation for anyone other than completionists.
    • 69 Metascore
    • 60 Critic Score
    One key note on Nanobots then, given its general lack of new things to take note of, is in the surface stats: 25 tracks crammed into 45 minutes, including nine delightfully incomplete ideas under a minute long.
    • tbd Metascore
    • 60 Critic Score
    Although the variety of supporters helps, Searching is at least eight songs too long; the concept and Shatner's style often wear out their welcome.
    • 68 Metascore
    • 60 Critic Score
    The inclusion of larger singles-moving, profit-generating artists leads to mixed results on Free The Universe.
    • 64 Metascore
    • 60 Critic Score
    It's amicable, it's friendly for the shoes, but it's like watching a mud-covered wild horse frantically kick at the locked barn doors.
    • 61 Metascore
    • 60 Critic Score
    nd. Yes, the band tugs a little too hard at its roots at points, but it’s still a fun listen, and it’s hard not to dive in as they play in the dirt.