Consequence's Scores

For 4,039 reviews, this publication has graded:
  • 44% higher than the average critic
  • 4% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average Music review score: 69
Highest review score: 100 Channel Orange
Lowest review score: 0 Revival
Score distribution:
4039 music reviews
    • 70 Metascore
    • 60 Critic Score
    While all of these versions differ wildly from their originals, they also lose a withering amount of weight due to arrangements that are generally sparser and slowed down.... The other half of FOUR‘s tracks are original, and although they veer more on the foreboding side, they also end before Harvey can establish any kind of differing mood.
    • 65 Metascore
    • 60 Critic Score
    Throughout the album, it seems that Tankian is preparing the listener for something bigger, something serious.
    • 81 Metascore
    • 60 Critic Score
    While it's still a worthy comeback for a band way past its prime, Researching the Blues is similarly only a few solid tracks away from greatness.
    • 71 Metascore
    • 60 Critic Score
    Despite its flaws, Flux Outside is an album filled to the brim with energy, sincerity, and fearlessness of a music world overrun by genre conventions.
    • 72 Metascore
    • 60 Critic Score
    All this underlying pathos ultimately makes for a sad and honest chapter in Tyler's career - his young, ground-breaking, fascinating, magnetic career that's only like, three years old. He'll get off that couch of his soon enough.
    • 69 Metascore
    • 60 Critic Score
    It's something bigger, wilder, and less pop structured.
    • 67 Metascore
    • 60 Critic Score
    13.0.0.0.0 is a solid album with beautiful moments, but in the end, it lacks the grit that could push TTNG higher.
    • 66 Metascore
    • 60 Critic Score
    A lot of them work; and some fall short. But even with that being said, for a debut, it's a fun, promising effort from a band who has already established themselves as a live show mainstay in the indie realm.
    • 78 Metascore
    • 60 Critic Score
    The EP's major aesthetic shifts do lead to one issue: the lack of a core or soul to How to destroy angels_, a shortcoming which will hopefully be resolved on the outfit's forthcoming long-player.
    • 70 Metascore
    • 60 Critic Score
    There are plenty of catchy guitar riffs and just enough lyrics that stick, leaving the band to shine in a good way.
    • 60 Metascore
    • 60 Critic Score
    It’s an easy album to love, but hard to love it more than anything else.
    • 73 Metascore
    • 60 Critic Score
    Ultimately, though, he [Edwin Congreave] knew exactly what his audience would enjoy, and he delivered accordingly.
    • 58 Metascore
    • 60 Critic Score
    At first glance, it's easy to brush off Laborintus II as half an hour of experimental drivel, but those that stick with it and let it soak will be rewarded.
    • 78 Metascore
    • 60 Critic Score
    It seems Family of the Year's fun-drenched formula is working just fine.
    • 73 Metascore
    • 60 Critic Score
    Where other releases traded in musical complexities, Joan of Arc strips the process down only to affirm Kinsella's forceful narrative intricacy.
    • 69 Metascore
    • 60 Critic Score
    This fourth LP once again comes close to making that leap [from second-tier to A-list], but ultimately it falls just short of the mark.
    • 57 Metascore
    • 60 Critic Score
    Even though Native To is a pleasant introduction, there's nothing urgent here.
    • 67 Metascore
    • 60 Critic Score
    Enjoy the Company isn't here to tell you anything you haven't already heard, but if you're looking for some hopscotch rock just to keep you company, it can do the job.
    • 50 Metascore
    • 60 Critic Score
    This Machine is not the result of the Dandys turning a corner or shifting direction, but rather taking the best of where they've been and applying it to where they're going.
    • 71 Metascore
    • 60 Critic Score
    Handwritten houses some of Fallon's strongest compositions to date, and while it ain't punk, neither is The Gaslight Anthem.
    • 68 Metascore
    • 60 Critic Score
    It's ambient electronica that exudes shoegaze impressionism that is also as effective as ever.
    • 66 Metascore
    • 60 Critic Score
    It's not his most cohesive batch of songs.... But for a man who creates songs of which he says, "To me, they're for everybody to play," there's no reason not to include a little bit of this and a little bit of that.
    • 68 Metascore
    • 60 Critic Score
    As it stands, Talent is a decent album content with being at that level, not fighting to rise or fall any notches.
    • 67 Metascore
    • 60 Critic Score
    Danzig In The Moonlight is as much exploratory as comforting, and Stringfellow flashes muscle as arranger and producer throughout.
    • 68 Metascore
    • 60 Critic Score
    While [pitch dark, occult-inspired music] might sound a bit novelty or even kitschy at first, it makes more sense once the initial discord wears off.
    • 74 Metascore
    • 60 Critic Score
    51
    He sounds confident and comfortable, doling out that trademark weird.
    • 71 Metascore
    • 60 Critic Score
    The album's understated bleakness could be less uniform and more dynamic, but it's still a pleasant listening experience.
    • 79 Metascore
    • 60 Critic Score
    Solange delivers an EP stocked with promising parts slightly dashed by a burgeoning identity crisis.
    • 75 Metascore
    • 60 Critic Score
    Kudos shows a lot of potential. Songs like "Yazuka Park" reveal that they're capable of switching things up. They just need to balance it out, instead of riding steadily on the same distortion-heavy waves.
    • 72 Metascore
    • 60 Critic Score
    A coherent yet varied album.