For 4,039 reviews, this publication has graded:
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44% higher than the average critic
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4% same as the average critic
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52% lower than the average critic
On average, this publication grades 4 points lower than other critics.
(0-100 point scale)
Average Music review score: 69
Highest review score: | Channel Orange | |
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Lowest review score: | Revival |
Score distribution:
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Positive: 2,753 out of 4039
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Mixed: 1,215 out of 4039
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Negative: 71 out of 4039
4039
music
reviews
- By Date
- By Critic Score
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- Critic Score
While all of these versions differ wildly from their originals, they also lose a withering amount of weight due to arrangements that are generally sparser and slowed down.... The other half of FOUR‘s tracks are original, and although they veer more on the foreboding side, they also end before Harvey can establish any kind of differing mood.- Consequence
- Posted May 22, 2013
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- Critic Score
Throughout the album, it seems that Tankian is preparing the listener for something bigger, something serious.- Consequence
- Posted Jul 10, 2012
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- Critic Score
While it's still a worthy comeback for a band way past its prime, Researching the Blues is similarly only a few solid tracks away from greatness.- Consequence
- Posted Aug 9, 2012
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- Critic Score
Despite its flaws, Flux Outside is an album filled to the brim with energy, sincerity, and fearlessness of a music world overrun by genre conventions.- Consequence
- Posted Apr 15, 2011
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- Critic Score
All this underlying pathos ultimately makes for a sad and honest chapter in Tyler's career - his young, ground-breaking, fascinating, magnetic career that's only like, three years old. He'll get off that couch of his soon enough.- Consequence
- Posted May 13, 2011
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- Consequence
- Posted Oct 10, 2011
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- Critic Score
13.0.0.0.0 is a solid album with beautiful moments, but in the end, it lacks the grit that could push TTNG higher.- Consequence
- Posted Jan 24, 2013
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- Critic Score
A lot of them work; and some fall short. But even with that being said, for a debut, it's a fun, promising effort from a band who has already established themselves as a live show mainstay in the indie realm.- Consequence
- Posted Sep 8, 2011
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- Critic Score
The EP's major aesthetic shifts do lead to one issue: the lack of a core or soul to How to destroy angels_, a shortcoming which will hopefully be resolved on the outfit's forthcoming long-player.- Consequence
- Posted Nov 15, 2012
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- Critic Score
There are plenty of catchy guitar riffs and just enough lyrics that stick, leaving the band to shine in a good way.- Consequence
- Posted Oct 10, 2011
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- Critic Score
It’s an easy album to love, but hard to love it more than anything else.- Consequence
- Posted Apr 24, 2013
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- Critic Score
Ultimately, though, he [Edwin Congreave] knew exactly what his audience would enjoy, and he delivered accordingly.- Consequence
- Posted Jul 25, 2012
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At first glance, it's easy to brush off Laborintus II as half an hour of experimental drivel, but those that stick with it and let it soak will be rewarded.- Consequence
- Posted Jul 10, 2012
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- Consequence
- Posted Jul 31, 2012
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- Critic Score
Where other releases traded in musical complexities, Joan of Arc strips the process down only to affirm Kinsella's forceful narrative intricacy.- Consequence
- Posted Dec 13, 2012
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- Critic Score
This fourth LP once again comes close to making that leap [from second-tier to A-list], but ultimately it falls just short of the mark.- Consequence
- Posted Apr 18, 2012
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- Critic Score
Even though Native To is a pleasant introduction, there's nothing urgent here.- Consequence
- Posted Oct 24, 2011
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Enjoy the Company isn't here to tell you anything you haven't already heard, but if you're looking for some hopscotch rock just to keep you company, it can do the job.- Consequence
- Posted Nov 26, 2012
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This Machine is not the result of the Dandys turning a corner or shifting direction, but rather taking the best of where they've been and applying it to where they're going.- Consequence
- Posted Apr 25, 2012
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Handwritten houses some of Fallon's strongest compositions to date, and while it ain't punk, neither is The Gaslight Anthem.- Consequence
- Posted Jul 25, 2012
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- Critic Score
It's ambient electronica that exudes shoegaze impressionism that is also as effective as ever.- Consequence
- Posted Feb 24, 2012
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- Critic Score
It's not his most cohesive batch of songs.... But for a man who creates songs of which he says, "To me, they're for everybody to play," there's no reason not to include a little bit of this and a little bit of that.- Consequence
- Posted Oct 18, 2012
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- Critic Score
As it stands, Talent is a decent album content with being at that level, not fighting to rise or fall any notches.- Consequence
- Posted Aug 20, 2012
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- Critic Score
Danzig In The Moonlight is as much exploratory as comforting, and Stringfellow flashes muscle as arranger and producer throughout.- Consequence
- Posted Oct 24, 2012
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- Critic Score
While [pitch dark, occult-inspired music] might sound a bit novelty or even kitschy at first, it makes more sense once the initial discord wears off.- Consequence
- Posted Oct 31, 2012
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- Consequence
- Posted Jun 29, 2012
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The album's understated bleakness could be less uniform and more dynamic, but it's still a pleasant listening experience.- Consequence
- Posted Jan 30, 2012
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- Critic Score
Solange delivers an EP stocked with promising parts slightly dashed by a burgeoning identity crisis.- Consequence
- Posted Nov 27, 2012
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- Critic Score
Kudos shows a lot of potential. Songs like "Yazuka Park" reveal that they're capable of switching things up. They just need to balance it out, instead of riding steadily on the same distortion-heavy waves.- Consequence
- Posted Feb 7, 2011
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- Consequence
- Posted Jul 19, 2012
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