Consequence's Scores

For 4,038 reviews, this publication has graded:
  • 44% higher than the average critic
  • 4% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average Music review score: 69
Highest review score: 100 Channel Orange
Lowest review score: 0 Revival
Score distribution:
4038 music reviews
    • 84 Metascore
    • 91 Critic Score
    What Sawayama has successfully captured with Hold the Girl is the healing power of pop music, and the catharsis that can come just as easily with an arena-ready banger as it can with a feral scream.
    • 84 Metascore
    • 75 Critic Score
    Goofy stretches like those [on “Today More Than Any Other Day”: “Today, more than any other day, I am prepared to make the decision between two percent and whole milk”] make it easier to digest, and even relate to, the anxiety that informs More Than Any Other Day more and more as the album marches forward.
    • 84 Metascore
    • 83 Critic Score
    Ty Segall has never made a truly bad record, and that remains true with Freedom’s Goblin, which explores and innovates enough to qualify as incremental (but confident) progress for one of rock’s most consistent voices.
    • 84 Metascore
    • 70 Critic Score
    The contents of Early Fragments display exactly what the cover promises: a beautiful set of songs that don’t quite fit together, more variations on a theme than a unified album.
    • 84 Metascore
    • 83 Critic Score
    Considering that Project Regeneration Vol. 1 was pieced together from demos, it really is a commendable effort. What could seem like a cash grab is far from it. The album is a fully fleshed collection that properly cements Wayne’s legacy.
    • 83 Metascore
    • 91 Critic Score
    Where the freewheeling Benji painted lyrical autobiographies in painstaking detail and Are We There dove headfirst into dark and sometimes overpowering emotions about toxic relationships, HEAL is a mixture of the two, a cleansing document that’s ultimately more hopeful.
    • 83 Metascore
    • 80 Critic Score
    The band have created an effort that digs its way into the listener's ears through an honest approach.
    • 83 Metascore
    • 83 Critic Score
    Williams sounds here like she’s singing about something else, something more her own. The assorted focuses of these songs sound like they’re being relayed less as rallying cries and more as personal thoughts and confessions to a close friend or a lover. The result is a fitting solo debut, a solid album full of friction and honesty.
    • 83 Metascore
    • 80 Critic Score
    There isn't a whole lot of blood in Slaughterhouse, but it is a thrill ride, and an exhausting one at that.
    • 83 Metascore
    • 83 Critic Score
    Soft Sounds… isn’t quite as playfully subversive as Zauner’s big-rig guitar solo on “Everybody Wants to Love You”, but her work as Japanese Breakfast continues to draw its energy from transgressing both the expectations of herself and her audience.
    • 83 Metascore
    • 91 Critic Score
    The more valid question is whether Senjutsu is worthy of Iron Maiden’s illustrious catalog, and the answer is an emphatic yes. The LP stands out among the second Dickinson-era albums for its symphonic touches, memorable songs/riffs, and airtight mid-tempos.
    • 83 Metascore
    • 75 Critic Score
    Kvelertak are able to traverse across sub-genres and pull from dozens of influences within four minutes and still maintain purpose and direction confidently.
    • 83 Metascore
    • 75 Critic Score
    Tribulation has found a fine balance, setting the primordial muck of their blackened roots up into a much soupier pool of influences and musical ideas.
    • 83 Metascore
    • 83 Critic Score
    By pushing far outside of his comfort zone, he has imbued his sound with a fresh life that adds another compelling chapter to the chronicle of his rich career.
    • 83 Metascore
    • 70 Critic Score
    Often very pretty, just as often very strange, Holter has crafted an album that reflects her unique vision, though it fails to captivate the whole way through.
    • 83 Metascore
    • 90 Critic Score
    Where Post-Nothing melts into a hazy dream, Celebration Rock does exactly what it claims to do-it burns on and on like the best sort of party.
    • 83 Metascore
    • 100 Critic Score
    It’s clear that these five musicians have learned the rules and are actively breaking them, and their unpredictability from moment to moment is powerful, fun, and enigmatic. ... If Projector is any indication, Geese will be breaking conventions for years to come.
    • 83 Metascore
    • 75 Critic Score
    Sheer Mag is a band that’s unafraid to feel, whether it’s desperation, rage, or overwhelming love. Over the course of an urgent debut, they let their guard down and embrace their emotions, showing the rest of us that we could all afford to as well.
    • 83 Metascore
    • 70 Critic Score
    Brimming with joyful bombast, Harmonicraft warrants re-listens.
    • 83 Metascore
    • 83 Critic Score
    While some edits could have crafted a more concise record, this grand, indulgent piece finds Holter at the height of her ability. Even the quiet periods are always entrancing.
    • 83 Metascore
    • 90 Critic Score
    Stripped of vocal harmonies and electric guitars, the unadorned, raw songs feel unguarded and painstakingly earnest. The sound quality is impeccable on every single track, and Young’s voice has never been more emotionally charged.
    • 83 Metascore
    • 80 Critic Score
    The duo's debut, self-titled EP may only span five tracks, but after repetitive listens, replacing your amps, and multiple refreshment breaks, be prepared for it to take up an afternoon.
    • 83 Metascore
    • 75 Critic Score
    In this latest chapter of his career, Mould has turned his music into a personal reflecting pool, a watery blank canvas into which he expertly casts the stones of his regrets and longings. Just don’t plan on booking your birthday party there.
    • 83 Metascore
    • 91 Critic Score
    Turn Out the Lights is a rich, moving work that creates a communion of sorts, an acknowledgement that the little victories are worth embracing even if salvation seems utterly out of reach.
    • 83 Metascore
    • 83 Critic Score
    Woods’ brilliance, a voice (both literal and figurative) whose strength is compounded by her many facets. On her debut full-length, HEAVN, Woods lets each of those facets shine, without letting any of them get lost in the glow.
    • 83 Metascore
    • 75 Critic Score
    July might be Nadler’s most cohesive and focused record yet.
    • 83 Metascore
    • 75 Critic Score
    While other artists struggle to translate personal development into their music, Brown does it with ease, navigating growth in a way that’s not only deeply personal but also extremely honest.
    • 83 Metascore
    • 91 Critic Score
    The most fun PUP have ever sounded. ... For a band who claim to be “too old for teen angst, too young to be washed,” PUP have successfully found that balance.
    • 83 Metascore
    • 70 Critic Score
    On the whole, Looping State of Mind is carefully thought out, beautiful in its lofty ambitions, and a refreshing return without any unnecessary sheen and gloss--minimalism that moves.
    • 83 Metascore
    • 80 Critic Score
    Indie rock albums with this uniquely developed a voice don't come around often, especially not when it's this much fun.