Consequence's Scores

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For 4,038 reviews, this publication has graded:
  • 44% higher than the average critic
  • 4% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average Music review score: 69
Highest review score: 100 Channel Orange
Lowest review score: 0 Revival
Score distribution:
  1. Positive: 2,752 out of 4038
  2. Mixed: 1,215 out of 4038
  3. Negative: 71 out of 4038
4038 music reviews
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    • 56 Metascore
    • 70 Critic Score
    Whatever's On Your Mind
    Nothing stands out too much, though, and that's a trait it shares with the rest of the band's ouvre. Nonetheless, this is another good effort from a great band who are coming close to veteran status.
    • 56 Metascore
    • 67 Critic Score
    Let the Bad Times Roll
    If The Offspring want to stay in their comfort zone, there are plenty of fans who won’t object, but it won’t keep them relevant. On the plus side, Let the Bad Times Roll offers hints of creative tangents that could revitalize the band next time around – if they’re willing to challenge themselves.
    • 55 Metascore
    • 67 Critic Score
    Man of the Woods
    Man of the Woods, a funky, country-laced experiment that’s not nearly as bad as its already damned reputation suggests. Though the lyrics might be.
    • 55 Metascore
    • 70 Critic Score
    @Reverend_Makers
    All in all this is a refreshing, infectious, and unpretentious album that’s big on sound.
    • 55 Metascore
    • 67 Critic Score
    Until the Horror Goes
    Until the Horror Goes could probably use a little more of this resignation.
    • 54 Metascore
    • 67 Critic Score
    Wilder Mind
    While first single “Believe” seems to mimic the worst qualities of a Coldplay deep cut, the album’s remaining 11 tracks adhere more to The National’s tightly wound brooding, and with good reason.
    • 54 Metascore
    • 70 Critic Score
    Feat
    The album takes The Hood Internet to the next level, and it proves they have the chops to work with more than just already beloved songs.
    • 54 Metascore
    • 70 Critic Score
    Music From Another Dimension!
    Dimension delivers because of Joe Perry.
    • 53 Metascore
    • 67 Critic Score
    HitNRun: Phase One
    While some of that experimentation and ornamentation is thrilling, some is unneeded. Phase One works better when excess is lopped off.
    • 53 Metascore
    • 75 Critic Score
    Donda
    Donda is Kanye West’s best album since 2013’s Yeezus. Those who stuck with him through thick and thin will love it, while the rest of us can safely dip our toes back in the water.
    • 52 Metascore
    • 70 Critic Score
    Remembrance of Things To Come
    The swirling pallet does drone a bit, but the band has certainly carved out their own unique sound that should impress synth-heads and orchestral pop fans alike.
    • 47 Metascore
    • 70 Critic Score
    In a Perfect World
    With time, greater individuality will come. Right now, this is an accomplished and emotive statement of intent, cinematic in scope and able to raise goose bumps at will.
    • 45 Metascore
    • 70 Critic Score
    Generic Treasure
    It’s always a good reminder that everyone wonders what’s wrong with them, especially when its done so honestly, plainly, and engagingly as this.
    • tbd Metascore
    • 70 Critic Score
    Wild One
    Wild One is a deeply personal tale of coming into adulthood from a band that certainly has some promising growth ahead.
    • tbd Metascore
    • 67 Critic Score
    Driver
    With all these lovely and understated moments, Driver is a worthy and rewarding sophomore effort, even if it’s not the most dynamic.
    • tbd Metascore
    • 91 Critic Score
    Dream Widow EP
    Dream Widow could’ve easily been a charming but disposable bit of marketing for Studio 666, or a throwaway pastiche of several legendary death and thrash metal groups. Fortunately, it transcends both of those possibilities to be a genuinely great record. The musicianship is expectedly superb, but what’s most commendable is Grohl’s ability to shift his voice from familiar grittiness to full guttural hegemony.
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