Consequence's Scores

For 4,040 reviews, this publication has graded:
  • 44% higher than the average critic
  • 4% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average Music review score: 69
Highest review score: 100 Channel Orange
Lowest review score: 0 Revival
Score distribution:
4040 music reviews
    • 67 Metascore
    • 83 Critic Score
    It’s a welcome addition to a genre that has become so occupied with spacey, bare-bones operations and overly simplistic results.
    • 67 Metascore
    • 67 Critic Score
    Those who aren’t giving Williams the time of day are missing out on some of the richest, most tasteful pop of a generation. And G I R L, his first solo album since 2006’s In My Mind, is 47 more minutes to back that up.
    • 67 Metascore
    • 67 Critic Score
    It would help if more of the album were idiosyncratic that way, but as is, Starboy is still the sound of Tesfaye knowing he has what it takes to be a major figure in pop music for a very long time.
    • 67 Metascore
    • 70 Critic Score
    While Deschanel’s songwriting is classically strong, the performances spot-on, and the arrangements undeniably impressive, She and Him don’t offer much of an update to this classic sound.
    • 67 Metascore
    • 70 Critic Score
    Likely prompted by Ultra Records, The Remixes Vol. 1 is much more of a marketing tool for the imprint than a career highlight for Araab.
    • 67 Metascore
    • 75 Critic Score
    What the album lacks in singularity, it makes up for with a stronger sense of urgency. It’s louder, it’s heavier, and it’s jammier.
    • 67 Metascore
    • 80 Critic Score
    OM delivers transcendental moments on Advaitic Songs, entrancing washes of mystic depth.
    • 67 Metascore
    • 67 Critic Score
    I Decided. is a fresh statement that proves Big Sean is continuing to evolve.
    • 67 Metascore
    • 75 Critic Score
    It’s a safe-sounding, classy album.
    • 67 Metascore
    • 75 Critic Score
    The four remain honest with their work, and the work rises to the challenge as a result.
    • 67 Metascore
    • 70 Critic Score
    As a whole, Life Sux reinforces Williams' preternatural fusion of pop punk, surf rock, and now grunge. And that's what he should stick with.
    • 67 Metascore
    • 75 Critic Score
    The result is a work that may not close any circles, but instead start the pattern of a new shape: something weird, but compelling, and largely authentic.
    • 67 Metascore
    • 75 Critic Score
    When all is said and done, this album will be looked at as a turning point for the trio: the moment they went legit.
    • 67 Metascore
    • 70 Critic Score
    Iradelphic is a deceptively ambitious album, and while its revelations might get a bit lost, it could be one of the most interesting releases this year.
    • 67 Metascore
    • 67 Critic Score
    These tracks have enough originality to further Araab’s run as a progressive producer and a consummate artist in his own right.
    • 67 Metascore
    • 70 Critic Score
    All in all, Friends for Now is an impressively strong debut that exceeds even the vast expectations of those fans primed on the band's introductory singles and releases.
    • 67 Metascore
    • 70 Critic Score
    [A] precise and neatly packaged 12-song collection.
    • 67 Metascore
    • 70 Critic Score
    While the album is again principally focused on Eddie Argos, it's not exactly the same Argos. He has his quieter moments, his darker moments, even a rare, purely happy one. It's not a huge difference, not one that makes this seem like it's somebody else's album, but it's a difference nonetheless.
    • 67 Metascore
    • 67 Critic Score
    Although the surplus of features is at times overwhelming, The World Is Yours 2, is an extremely strong sophomore album.
    • 67 Metascore
    • 67 Critic Score
    There’s an unmistakable feeling of sameness that runs through I Sell the Circus, which isn’t to say that it sounds tired--anything but.
    • 67 Metascore
    • 70 Critic Score
    It's engaging, and, in pulling the best elements from her past two efforts, Spears and her production crew built a purely blissful account of currently-trending tunes.
    • 67 Metascore
    • 70 Critic Score
    Vol. 3 isn't as intimate as previous installments, instead relying on a metaphorical outward exertion of sweat, blood, and terror; the alt-rock blues numbers are on a long leash with a short time to bask.
    • 67 Metascore
    • 75 Critic Score
    While NehruvianDOOM is solid on its own, he’s [Bishop's] still working toward his destination.
    • 67 Metascore
    • 70 Critic Score
    For a record that never tries to be anything more than a fun rock 'n' roll adventure, Love Sign strolls out unscathed.
    • 67 Metascore
    • 67 Critic Score
    Less concerned with fictional romance than with virtual reality, it’s an anxious record from a band that should be settling comfortably into old age. It’s also a powerful argument for why the Buzzcocks remain relevant in spite of their increasingly troubled take on modernity.
    • 67 Metascore
    • 70 Critic Score
    The delicate frost patterns that encrusted Pt. 2 haven’t melted here, but this time, stronger muscles squirm underneath.
    • 67 Metascore
    • 70 Critic Score
    Still, the nostalgic, ethereal quality of the music makes everything more refreshing and exciting than someone merely dabbling.
    • 67 Metascore
    • 67 Critic Score
    At only nine tracks, Methyl Ethel has no time for filler, so they make a statement whenever they can. During the first listen, you may pick up on some of their faults, but multiple visits can expose you to all their hidden treasures.
    • 67 Metascore
    • 70 Critic Score
    Friley's crooning is the consistent attraction throughout Paddywhack, creating a warbled daydream for listeners to fall into.
    • 67 Metascore
    • 70 Critic Score
    Summer needs a wistful, nostalgic soundtrack, and Player Piano has stepped in.