Consequence's Scores

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For 4,039 reviews, this publication has graded:
  • 44% higher than the average critic
  • 4% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average Music review score: 69
Highest review score: 100 Channel Orange
Lowest review score: 0 Revival
Score distribution:
  1. Positive: 2,753 out of 4039
  2. Mixed: 1,215 out of 4039
  3. Negative: 71 out of 4039
4039 music reviews
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    • 57 Metascore
    • 60 Critic Score
    If You Have Ghost [EP]
    The Ghouls of Ghost B.C. are, first and foremost, putting on a show (as evidenced by the bombastic live show recorded here), and the winking song selections and dramatic musical choices of If You Have Ghost continue that grand stage performance.
    • 72 Metascore
    • 60 Critic Score
    Hell: The Sequel EP
    On a major label debut, there is very little room to mess around and get experimental, but that's precisely what he's done. It's not a great effort from either end of the duo, and it frankly leaves one wondering what could have been for such a promising pair.
    • 73 Metascore
    • 60 Critic Score
    The Light of the Sun
    At 14 tracks, The Light of the Sun would have fared better if cut by three or four numbers. But that's why god invented the skip button.
    • 74 Metascore
    • 60 Critic Score
    Dreams in the Rat House
    It’s Shaw’s seemingly uncontrollable voice that steals the show, finding powerful moments even in stale formats.
    • 79 Metascore
    • 60 Critic Score
    Natives
    Natives is an effort of exquisite pop.
    • 53 Metascore
    • 60 Critic Score
    Gold Cobra
    Gold Cobra props itself up as the best thing we've seen from our most hated band since even 1997, and the two albums following that had enough singles to fill a greatest hits compilation one record ahead of schedule.
    • 61 Metascore
    • 60 Critic Score
    Andy and His Grandmother
    It’s a rare glimpse into Kaufman’s methodology--one that will make uninitiated listeners wonder, “Aren’t comedy albums supposed to be funny?”
    • 62 Metascore
    • 60 Critic Score
    Mumps, Etc.
    If Alopecia was the perfect fit sonically and thematically for Wolf's verbal diarrhea, then Mumps comes off more like a scattered greatest hits record than an album with a preconceived vision.
    • 69 Metascore
    • 60 Critic Score
    Love and Regret
    At times, the music is playing it a little too safe under the reverb. More dynamics or a bit more vastness in the sound might've elevated tracks like "New Dawn" and "Violent Cries".
    • 58 Metascore
    • 60 Critic Score
    For Professional Use Only [Mixtape]
    The album may have its shortcomings, but in the end it is a solid statement on his appreciation for varying forms of production and his intent to further embed these during his live sets and upcoming studio albums.
    • 62 Metascore
    • 60 Critic Score
    Here
    If Up From Below was a crazy dance festival, Here is the smooth joint smoked in the shade afterwards.
    • 70 Metascore
    • 60 Critic Score
    Warm Pulse [EP]
    An eerie dose of deep electronics, Warm Pulse is another step in the right direction for two producers building their own audience.
    • 62 Metascore
    • 60 Critic Score
    Radioactive
    The peaks overshadow the valleys here, leaving an adequate showing from a guy who deserves to be taken more seriously than his looks and background might warrant.
    • 62 Metascore
    • 60 Critic Score
    Language
    For a band that spent a year in solitude writing and recording Language, Zulu Winter sound an awful lot like everyone else out there.
    • 66 Metascore
    • 60 Critic Score
    Exhibitionists
    Superhumanoids have the talent to breach their simple formula, but they often cut their best ideas too short.
    • 60 Metascore
    • 60 Critic Score
    Tha Carter IV
    Overall, by the end of the album it feels like Wayne maybe pushed Tha Carter series one installment too far.
    • 69 Metascore
    • 60 Critic Score
    Dreams and Nightmares
    If Meek wants to maximize his potential, he'll have to step out from his boss' (er, bawse's) shadow and further develop his own identity.
    • 72 Metascore
    • 60 Critic Score
    The Swamps [EP]
    The EP’s six tracks waft through speakers like the haze that envelopes South Florida during the controlled burns of the Everglades each fall.
    • 65 Metascore
    • 60 Critic Score
    Amoral
    There are some great moments in New Wave revisionism. But, in the end, it isn't all that memorable, just something fun to toss on every once in a while.
    • 62 Metascore
    • 60 Critic Score
    Do Things
    As a whole, the album treads the fine line of genre fetishism and reinvention.
    • 65 Metascore
    • 60 Critic Score
    Always [EP]
    The duo has shed a lot of the excess sunshine, but the aspects of Condale that made it so irresistible,the knack for melody and the earnest tales of young love, still find a home on Always.
    • 63 Metascore
    • 60 Critic Score
    Maybach Music Group Presents: Self Made, Vol. 3
    This album is comprehensive, but not exactly cohesive.
    • 72 Metascore
    • 60 Critic Score
    Zeros
    Not quite accessible to the unsuspecting ears, Zeros appeals in that inexplicable, morose way, propelled by a certain pleasure entwined with the chaos of the uncertain.
    • 70 Metascore
    • 60 Critic Score
    One Track Mind
    Psychic Ills continue to produce music that succeeds by repetition, a trick that can’t hold up for everyone or in every situation.
    • 68 Metascore
    • 60 Critic Score
    Ice on the Dune
    It’s neither better nor worse than Dream, but for all that talk of “pushing through four dimensions” (“Surround Sound”), the album remains planted in its comfort zone.
    • 75 Metascore
    • 60 Critic Score
    Silencio
    Silencio is Sadier's most politically charged album yet, and it creeps out its message with a familiar-but-refreshed style.
    • 72 Metascore
    • 60 Critic Score
    Herein Wild
    Frankie Rose still has great instincts of where her music should be going. She just has to trust them more.
    • 73 Metascore
    • 60 Critic Score
    Paracosm
    Elsewhere, he mistakes AOR-ready sentimentality and banal lyrics for perfect summer-album material, which seems like a misdirected pursuit--Within and Without already was a near-perfect summer album.
    • 70 Metascore
    • 60 Critic Score
    Interiors
    With the new focus on body-moving sounds, Interiors feels like Mesirow’s desire to appease crowds like those at FYF, without leaving behind those infatuated by the lusciousness of her first LP.
    • 68 Metascore
    • 60 Critic Score
    Lysandre
    Too often, it just doesn't seem like he was as ambitious with the craft of this one as he was with past efforts, however natural they may have sounded.
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