Los Angeles Times' Scores

For 1,600 reviews, this publication has graded:
  • 62% higher than the average critic
  • 3% same as the average critic
  • 35% lower than the average critic
On average, this publication grades 0 points lower than other critics. (0-100 point scale)
Average Music review score: 73
Highest review score: 100 Chemtrails Over the Country Club
Lowest review score: 25 The New Game
Score distribution:
1600 music reviews
    • 88 Metascore
    • 100 Critic Score
    Dear Science, the third album from the Brooklyn-based art rock band TV on the Radio, is a vivid, angry, sensual soundtrack to the haunted life.
    • 95 Metascore
    • 100 Critic Score
    “Rough and Rowdy Ways” rolls out one marvel after another, with killer playing from the singer’s road band.
    • 79 Metascore
    • 100 Critic Score
    This latest LP is manna for rap purists.
    • 79 Metascore
    • 100 Critic Score
    It's a near-perfect piece of art, a level of accomplishment Harvey achieves with amazing consistency.
    • 80 Metascore
    • 100 Critic Score
    Genre jumping aside, it's the patterns as much as the riffs that are beguiling here.
    • 91 Metascore
    • 100 Critic Score
    With The Guitar Song, he's made an ambitious work that goes down easy. Johnson may masquerade as a throwback but what he really aims for is timelessness, and he usually hits his mark.
    • 79 Metascore
    • 100 Critic Score
    Combined, the result is a dynamic, human album, one that's easy to fall in love with. Highly recommended.
    • 75 Metascore
    • 100 Critic Score
    A complex and fascinating portrait of a young woman's emotional process after enduring abuse.
    • 77 Metascore
    • 100 Critic Score
    If you've ever fallen in love with a Costello record, be prepared for a new obsession.
    • 79 Metascore
    • 100 Critic Score
    The music remains ageless and weird, fueled on chaos and clarity, but these are songs, not sound experiments for their own sake.
    • 81 Metascore
    • 100 Critic Score
    Every song on this exhilarating debut... is almost as good as its first hit, "Crazy." That's saying a lot. [6 May 2006]
    • Los Angeles Times
    • 81 Metascore
    • 100 Critic Score
    The sound is sterling, Richards’ guitar soaring effortlessly over the nimble rhythm section work by bassist Bill Wyman and drummer Charlie Watts.
    • 80 Metascore
    • 100 Critic Score
    As music, it's simply exquisite--more controlled and considered than anything Antony and the Johnsons have done and sure to linger in the minds of listeners for more than a season.
    • 80 Metascore
    • 100 Critic Score
    Here, he and Johns are working with a faultless batch of songs.
    • 65 Metascore
    • 100 Critic Score
    A bluesy, psychedelic witches' brew that feels like one long, complex incantation to keep us safe, to make us see there is indeed some kinda way out of here.
    • 84 Metascore
    • 100 Critic Score
    Bombino and his band have released a killer document not only for fans of North African guitar music; anyone who has ever appreciated a master player make magic on a Fender while a band, which on Nomad is augmented by a few Auerbach’s go-to session men, organizes structures behind him, will find comfort in Bombino’s music.
    • 76 Metascore
    • 100 Critic Score
    Chasing allusions is half the fun of listening to Dylan's music. On Together Through Life, the other half involves plainer pursuits, shaking a tail feather and shouting along.
    • 75 Metascore
    • 100 Critic Score
    The songs zing with the excitement of two music nerds caught up in a game of "Top This!" [16 May 2006]
    • Los Angeles Times
    • 79 Metascore
    • 100 Critic Score
    What makes "The Black Parade" so exciting isn't anything rock is quite used to.... My Chemical Romance expresses the next generation's quest by redrawing the boundaries of reality itself.
    • 83 Metascore
    • 100 Critic Score
    Following a pair of brilliant EPs, Shabazz attacks with Black Up.
    • 84 Metascore
    • 100 Critic Score
    What could have been a random collection of odds and ends--or worse, a nostalgia grab--isn't so much a look at Wilco's alternate-history past as it is a glimpse at ground the band still has to cover.
    • 73 Metascore
    • 100 Critic Score
    This is their third collaboration, but neither the casual, light-bodied "Mutations" nor the intimate "Sea Change" anticipated this kind of flowering. [24 Sep 2006]
    • Los Angeles Times
    • 77 Metascore
    • 100 Critic Score
    Mandatory Fun is a stone cold masterpiece.
    • 73 Metascore
    • 100 Critic Score
    Parks proves an ideal partner for George, who grew up studying Shakespeare and is married to a film director, Jake Kasdan.
    • 79 Metascore
    • 100 Critic Score
    Wringing beauty from her pain, Moorer creates music that illustrates an age-old truism: Without sorrow, there is no joy.
    • 84 Metascore
    • 100 Critic Score
    At 18 songs, “No Holiday” is basically a double album, one that sits somewhere along a continuum of epic works that includes the Clash’s “London Calling” and Liz Phair’s “Exile in Guyville.” The determination, the vision, the energy — it’s real.
    • 73 Metascore
    • 100 Critic Score
    If Bob Dylan has been for years our best guide to exploring the complexities of human experience, Young may be the songwriter who expresses most eloquently the simple ties that bind us all. [18 Sep 2005]
    • Los Angeles Times
    • 95 Metascore
    • 100 Critic Score
    Beyoncé’s ambitions outstrip those of her peers. ... Yes, Homecoming is one of the greatest live albums ever. If nothing else, the intention behind her performance makes it so. ... So much action. So many cues and rhythms, so much narrative momentum. Its melodic and rhythmic quotes need footnotes to fully absorb, and her voice resonates with history. Still, calling it the best live album of all time may be a stretch. ... Hell if I know, but it ranks way, way up there. ... So yeah, it’s fair to say that Beyoncé, and this work, is genius.
    • 70 Metascore
    • 100 Critic Score
    If you're looking for a freaky good time, Art Official is your ticket.... An exquisite Prince R&B album.
    • 81 Metascore
    • 100 Critic Score
    What’s inarguable is that she’s become one of the finest songwriters of her generation, with a lyrical and melodic flair that encourages an emotional investment in her music well beyond whatever it reflects of her real life. On “Chemtrails,” her singing reaches a new peak as well. ... But if the sound is familiar — think of the very sweet spot triangulated by Sandy Denny, k.d. lang and the Velvet Underground’s self-titled third album — the scenarios can still flatten you, as in the gorgeous “Wanderlust.”