For 1,599 reviews, this publication has graded:
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62% higher than the average critic
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3% same as the average critic
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35% lower than the average critic
On average, this publication grades 0 points lower than other critics.
(0-100 point scale)
Average Music review score: 73
Highest review score: | Chemtrails Over the Country Club | |
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Lowest review score: | The New Game |
Score distribution:
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Positive: 1,361 out of 1599
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Mixed: 176 out of 1599
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Negative: 62 out of 1599
1599
music
reviews
- By Date
- By Critic Score
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- Critic Score
With all seven of the songs clocking in at six to 10 minutes each, Bush takes her time, but the songs aren't built of different parts; it's more like mounting meditations on one theme.- Los Angeles Times
- Posted Nov 21, 2011
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- Critic Score
This is no more a perfect album than "Come Away With Me," but its highlights again carry the stamp of a singer whose talent is strong and whose vision is true.- Los Angeles Times
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- Critic Score
Carll is every bit as expressive a singer as he is a writer, drawling his trenchant observations with deceptive ease.- Los Angeles Times
- Posted Feb 18, 2011
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- Critic Score
Long trafficking in a sometimes spare yet intricately drawn sort of Americana that could fit just as comfortably at the turn of the 20th century, their latest delivers the same deceptively simple alchemy of dustily lilting voices, vivid lyrical twists and crisp acoustic flourishes.- Los Angeles Times
- Posted Jun 28, 2011
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- Critic Score
Silver Age is an exclamation point to those [Sugar] reissues, a nod to the past but with clear direction forward.- Los Angeles Times
- Posted Sep 4, 2012
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- Critic Score
Apollo Kids shows that one of rap's company drivers is still on the speedway--zooming slightly slower than before, but with better pacing and control of the wheel.- Los Angeles Times
- Posted Dec 21, 2010
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- Critic Score
Loud, anthemic, joyous and bitter, it's easily the best Foo Fighters album in a decade. [12 Jun 2005]- Los Angeles Times
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- Critic Score
They sound like a seasoned team, an understated unit where nothing dominates and everything contributes to enhancing the moods of Albarn's songs.- Los Angeles Times
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At times, the fumes of ambition are so thick off "The ArchAndroid," it's hard to absorb in one sitting. All the same, it's a star-making debut.- Los Angeles Times
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- Critic Score
Parton's irrepressible personality is the star attraction, and on Better Day it shines.- Los Angeles Times
- Posted Jun 28, 2011
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- Critic Score
Headphone rap of the highest order, tracks on this sequel hum and groove, laced with texture and hidden sonic accents.- Los Angeles Times
- Posted Oct 28, 2014
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The artist has presented an utterly human, mostly nonverbal defense of his aesthetic: atmospheric, occasionally funky and meandering instrumental electronic tones, lovingly crafted, with imaginative internal logics.- Los Angeles Times
- Posted Sep 23, 2014
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Orton's determination to dig deeper into song and vocal expression instead of toying with a stylistic bauble has paid off in her best album since her debut. [7 Feb 2006]- Los Angeles Times
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- Critic Score
Clapton and Bramhall also have pulled off a minor miracle in assembling an ad hoc group that manages to sound like a blues band whose members have been absorbing one another's abilities to the point of musical osmosis.- Los Angeles Times
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Throughout Beat the Champ, Darnielle and his band exude confidence and a sense of purpose.- Los Angeles Times
- Posted Apr 7, 2015
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Throughout, Santigold never stops playing spin-the-globe, and she also never loses sight of her mission to keep listeners moving.- Los Angeles Times
- Posted May 1, 2012
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- Critic Score
"Hypnotize" has some of the circus-is-in-town surrealism that links System to the Frank Zappa avant-rock tradition, but overall it's more of a fundamental rock album. [20 Nov 2005]- Los Angeles Times
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- Critic Score
This suggests that a full focus on inventive musical theater may be where his talents will flourish. [19 Mar 2006]- Los Angeles Times
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The drama chronicled on Somewhere Else isn’t just rowdy, it’s borderline illicit.- Los Angeles Times
- Posted Feb 18, 2014
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It's Em's show, for sure, and being surrounded by a talented, fast-talking crew has made him even more engaging than he is on his own.- Los Angeles Times
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Each of the thousands of individual beats, bumps, dots and dashes on Dedication sound forged with a sculptor's eye for form and shape, crafted and shined until they glisten.- Los Angeles Times
- Posted Jul 12, 2011
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There's little studio sweetening applied to Campbell's boy-next-door voice, a smart move that gives his age and condition the honest respect he's earned in what's been a difficult but brave fight.- Los Angeles Times
- Posted Aug 13, 2013
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If "Nightmare" misses some of the poetry and exhilaration of "Whatever," it has something more important: authenticity and integrity.- Los Angeles Times
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So much exuberance can be overwhelming when digested in a single sitting. Better to let the record seep in over a number of weeks.- Los Angeles Times
- Posted Aug 26, 2014
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- Critic Score
Ever confident of her allure both as a woman and an artist, Furtado on The Spirit Indestructible proves nearly untouchable.- Los Angeles Times
- Posted Sep 18, 2012
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- Critic Score
Cooder’s production is fittingly raw, putting no phony gloss on these songs brimming with heart-on-sleeve honesty.- Los Angeles Times
- Posted Feb 6, 2014
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UGK 4 Life is the rare swan song that manages to be essential for the music alone.- Los Angeles Times
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There is no instant hit of the "Living Dead Girl" variety, but across 11 songs, "Hellbilly Deluxe 2" is Zombie's most consistently tuneful record to date, without sacrificing the noise and industrial beats of the past.- Los Angeles Times
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- Critic Score
As good as much of the new British rock can be, it is experiencing a creeping seriousness these days. "It's a Bit Complicated" is a welcome corrective.- Los Angeles Times
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- Los Angeles Times
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