For 1,599 reviews, this publication has graded:
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62% higher than the average critic
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3% same as the average critic
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35% lower than the average critic
On average, this publication grades 0.1 points lower than other critics.
(0-100 point scale)
Average Music review score: 73
Highest review score: | Chemtrails Over the Country Club | |
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Lowest review score: | The New Game |
Score distribution:
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Positive: 1,361 out of 1599
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Mixed: 176 out of 1599
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Negative: 62 out of 1599
1599
music
reviews
- By Date
- By Critic Score
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- Critic Score
While the new Rihanna record may be at times sonically exciting, what resides beneath the new bass-heavy, Skrillex-inspired music is still a fast-food burger, one with a lot of extra sauce and some very disturbing ingredients.- Los Angeles Times
- Posted Nov 20, 2012
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- Critic Score
Music From Another Dimension delivers riffs, clichés, solos, yowls and a virtual banquet of the same one-dimensional tropes Aerosmith has been offering for years. Mixed in, however, are a few gems.- Los Angeles Times
- Posted Nov 6, 2012
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- Critic Score
What the album leaves you with is the image of a little lion man, rattling his ever-expanding cage.- Los Angeles Times
- Posted Sep 25, 2012
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- Critic Score
As a set of songs, though, Divine Fits' debut feels pretty process-oriented, more workbook than showpiece.- Los Angeles Times
- Posted Aug 28, 2012
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- Los Angeles Times
- Posted Jul 3, 2012
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- Critic Score
It seldom gathers enough momentum, and doesn't feel the least bit cohesive.- Los Angeles Times
- Posted Jun 26, 2012
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- Critic Score
But extracting a narrative from these delicate sounds can feel like more trouble than they're worth--even if you haven't half as much happening as Albarn does.- Los Angeles Times
- Posted May 8, 2012
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- Critic Score
Mostly, though, Blown Away finds her using her remarkable voice to deliver feel-good bromides.- Los Angeles Times
- Posted May 1, 2012
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- Critic Score
A slickly produced collection of largely generic, meandering songs about self-affirmation in the wake of heartache and romantic disillusionment.- Los Angeles Times
- Posted Apr 10, 2012
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- Critic Score
The result is a disjointed, artistically confused release that's not only way too long but also doesn't really ring true as an "album" at all, at least if your definition is a collection of new songs with a central premise or statement that one listens to from start to finish.- Los Angeles Times
- Posted Apr 2, 2012
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Acoustic guitars replace glistening synths, bittersweet steel guitars slide in to provide the patina of rural rootsiness, yet Richie still never really steps away from the polished sheen that characterized his musical heyday.- Los Angeles Times
- Posted Mar 27, 2012
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- Critic Score
The album offers evidence that the singer has fallen behind, that she is no longer setting the conversation in a genre she essentially invented - blending Top 40 pop with club music.- Los Angeles Times
- Posted Mar 26, 2012
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- Critic Score
Home may be where the heart is, but Bentley was a lot more compelling when he was poking around up on the ridge.- Los Angeles Times
- Posted Feb 7, 2012
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- Critic Score
Gentle on the ears and soft on the heart, Kisses might be of no greater or lesser consequence than an easygoing golf outing among friends or a weekend spent digging a garden near the back fence, but its pleasures, though small and sleepy, can be gratifying.- Los Angeles Times
- Posted Feb 6, 2012
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- Critic Score
It's obvious Aoki is a better tastemaker and label boss than producer, but then, didn't we all dream so big in 2005?- Los Angeles Times
- Posted Jan 26, 2012
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- Critic Score
Emotional Traffic isn't dramatically better, worse or all that different from what he's been doing since the beginning.- Los Angeles Times
- Posted Jan 24, 2012
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Snoop and Wiz make a sweet couple, but this lightweight trifle is unlikely to cement a committed relationship.- Los Angeles Times
- Posted Dec 13, 2011
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For all the innuendo and introspection, Talk That Talk contains little sweat, slobber or fluids and a lot of plasticized, inflatable insinuation.- Los Angeles Times
- Posted Nov 21, 2011
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- Critic Score
As with all of the installments, half are good, half aren't--all depending on your mood and tolerance for soft rock.- Los Angeles Times
- Posted Nov 9, 2011
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- Critic Score
While the interplay remains incendiary, the textures freshly incandescent, there isn't much in the way of memorable choruses or hooks.- Los Angeles Times
- Posted Oct 18, 2011
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- Critic Score
the atypical sincerity of La Liberacion suggests that something--whether the burdens of relentless sexiness or beating pop music at its own game too soon--still does.- Los Angeles Times
- Posted Aug 30, 2011
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- Critic Score
The result, surprisingly, is Stone's most conventional record yet: handsome soul singing, sturdy blues-rock arrangements, lyrics about refusing to cry oneself to sleep.- Los Angeles Times
- Posted Jul 26, 2011
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- Critic Score
She's clearly capable of belting a worthy song out of the park, but once again she's hampered by bloop singles and the infrequent double.- Los Angeles Times
- Posted Jul 12, 2011
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The duo's taller half, Ronnie Dunn, was long regarded as the more distinctive singer, and on his solo debut, there's no more sharing of the spotlight to hold him back. That's about the only difference between a Brooks & Dunn record and this similarly hit-and-miss collection of odes to blue-collar empathy, patriotism and the transformative power of love.- Los Angeles Times
- Posted Jun 10, 2011
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Suck It and See (English slang for "give it a try"), slows the pace but ultimately feels even more detached.- Los Angeles Times
- Posted Jun 7, 2011
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- Critic Score
The Lips' catalog is exhaustingly long, but Arabia Mountain is a fine reassertion that its talents extend far beyond running from venue security.- Los Angeles Times
- Posted Jun 7, 2011
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- Critic Score
If Gaga had only spent as much time on pushing musical boundaries as she has social ones, Born This Way would have been a lot more successful.- Los Angeles Times
- Posted Jun 2, 2011
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- Critic Score
All the songs are encased behind such stylish glass that it's hard to feel much of anything while listening to Destroyed, much less identification with the plight of the nomadic musician.- Los Angeles Times
- Posted May 17, 2011
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The cussing, the horror, the anger, the disappointment, the alienation, the frustration, while real and scary and sad, gets tiresome. That's a lot of Tyler, and so much ego-maniacal nihilism, while fascinating and at times revolutionary, wears thin very quickly.- Los Angeles Times
- Posted May 10, 2011
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The characteristically festive result is generous to a fault: Collins triggers warm memories but leaves us with only a shallow sense of how precisely his four decades in the business have affected him as a man.- Los Angeles Times
- Posted Apr 26, 2011
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