For 1,598 reviews, this publication has graded:
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62% higher than the average critic
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3% same as the average critic
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35% lower than the average critic
On average, this publication grades 0 points lower than other critics.
(0-100 point scale)
Average Music review score: 73
Highest review score: | Dear Science, | |
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Lowest review score: | The New Game |
Score distribution:
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Positive: 1,360 out of 1598
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Mixed: 176 out of 1598
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Negative: 62 out of 1598
1598
music
reviews
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- Critic Score
“Evermore,” in a first for Swift, simply repeats its predecessor’s trick, which means the new album’s tunes must stand on their own. And not all of them are up to the standard she set on “Folklore.” There are some incredible songs here. ... Yet too many of the remaining songs on “Evermore” feel like leftovers from “Folklore.” with recycled vocal cadences and melodic phrases or lyrical scenarios that seem unfinished. ... For most pop stars, that might be enough. Not for Swift.- Los Angeles Times
- Posted Dec 10, 2020
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- Critic Score
Though long and featuring a bounty of ideas, The Electric Lady is surprisingly slight.- Los Angeles Times
- Posted Sep 10, 2013
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- Critic Score
The most significant change is in Swift’s singing voice, a once-brittle instrument that of course has gotten deeper, huskier and more flexible since the late ’00s. But she only really takes advantage of that shift a couple of times. ... As for the lightweight bonus material, which she cut in the studio with her “Folklore” and “Evermore” collaborators Aaron Dessner and Jack Antonoff, none of it argues that it deserved a place on “Fearless,” though “Mr. Perfectly Fine” comes close.- Los Angeles Times
- Posted Apr 9, 2021
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The Lips' catalog is exhaustingly long, but Arabia Mountain is a fine reassertion that its talents extend far beyond running from venue security.- Los Angeles Times
- Posted Jun 7, 2011
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AC/DC’s legendary stylistic consistency is on display across these 12 tracks. ... But with a group as locked on a signature sound as this one, the quality of the individual songs is paramount, and too many of those on “Power Up” — from the hookless “System Down” to the blandly bluesy “No Man’s Land” — are forgettable even after half a dozen spins.- Los Angeles Times
- Posted Nov 12, 2020
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- Critic Score
Occasionally, as in “The Sound,” Jepsen musters enough feeling in her high, slightly raspy voice that you can understand why her fans view her with a kind of protectiveness; only Robyn does crying-in-the-club more vividly. ... But too much of “Dedicated” blurs together in a mix of lovelorn confessions and throwback grooves you’d have to listen to obsessively to differentiate. For some, that’s just the invitation they crave.- Los Angeles Times
- Posted May 17, 2019
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- Critic Score
“Star-Crossed” is actually a less emotional experience than the blissed-out “Golden Hour,” which practically vibrated with feeling. ... Musgraves’ writing on “Star-Crossed” is squishier and more prone to cliché than on “Golden Hour” or her earlier albums.- Los Angeles Times
- Posted Sep 21, 2021
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- Critic Score
She's clearly capable of belting a worthy song out of the park, but once again she's hampered by bloop singles and the infrequent double.- Los Angeles Times
- Posted Jul 12, 2011
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In his determination to establish his own lane, though, James has let his once-strong songwriting sag.- Los Angeles Times
- Posted Jun 10, 2014
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- Critic Score
As a set of songs, though, Divine Fits' debut feels pretty process-oriented, more workbook than showpiece.- Los Angeles Times
- Posted Aug 28, 2012
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- Critic Score
The King Is Dead clings so closely to formula that it doesn't sound like homage or even truth; it sounds like the studious but unconvincing work of an extremely gifted mimic.- Los Angeles Times
- Posted Jan 18, 2011
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- Critic Score
If the style is intact, though, the songs here seem a bit lackluster; only the relatively jangly "Harmony Around My Table" and the Velvet Underground-ish "Peanuts" (think of O'Hara in Moe Tucker's role) really stand out from the tasteful mid-tempo blur.- Los Angeles Times
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1989 is a deeply catchy, sleekly-produced pop record with the slightly juiceless quality of an authorized biography, a would-be tell-all bleached of the detailed insight she’s trained us to expect from her.- Los Angeles Times
- Posted Oct 27, 2014
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- Critic Score
There are exceptions, but most of "Talkie Walkie" is static and not fleshed out, like a perfectly produced series of unfinished demos.- Los Angeles Times
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The album's polished, middle-of-the-road approach isn't exactly for everyone, but its agreeable heart doesn't hit any sour notes, either.- Los Angeles Times
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There's no denying that, three albums in, the winning novelty of Art Brut's tightly defined project is beginning to wear off.- Los Angeles Times
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Acoustic guitars replace glistening synths, bittersweet steel guitars slide in to provide the patina of rural rootsiness, yet Richie still never really steps away from the polished sheen that characterized his musical heyday.- Los Angeles Times
- Posted Mar 27, 2012
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- Critic Score
Suck It and See (English slang for "give it a try"), slows the pace but ultimately feels even more detached.- Los Angeles Times
- Posted Jun 7, 2011
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- Critic Score
By the time the band rumbles into album-closer “Glendale Junkyard,” its engine may be glowing and the radiator overheating, but somehow the wreckage has stayed intact, no worse for the wear.- Los Angeles Times
- Posted Jul 5, 2016
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- Critic Score
As impressively specific as those sonic ideas are, though, Deschanel's songwriting here is less distinctive than it was on "Volume One." Too many of the tracks bleed together in a well-appointed mush of major-minor melodies and hand-me-down lyrics about the inevitability of heartbreak.- Los Angeles Times
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- Los Angeles Times
- Posted Jun 11, 2013
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- Critic Score
Where Does This Door Go feels like a once-promising OK Cupid date that's gone off the rails.- Los Angeles Times
- Posted Jul 16, 2013
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Yet for an album that promises revelation, Meaning of Life is full of generalities.- Los Angeles Times
- Posted Oct 27, 2017
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- Critic Score
The sounds are largely tepid arrangements that fail to generate much excitement.- Los Angeles Times
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And musically, at least, that journey paid off. ... Martin can be awfully simplistic in these songs — a problem in any context but especially on an album otherwise marked by some of his most nuanced words.- Los Angeles Times
- Posted Dec 11, 2019
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Freeway's penchant for ham-handed hooks and emotionally flat attempts at introspection ('I Cry') and romance ('Take It to the Top') reveal, over the course of these 14 songs, an ultimate two-dimensionality.- Los Angeles Times
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- Critic Score
It seldom gathers enough momentum, and doesn't feel the least bit cohesive.- Los Angeles Times
- Posted Jun 26, 2012
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- Critic Score
The cussing, the horror, the anger, the disappointment, the alienation, the frustration, while real and scary and sad, gets tiresome. That's a lot of Tyler, and so much ego-maniacal nihilism, while fascinating and at times revolutionary, wears thin very quickly.- Los Angeles Times
- Posted May 10, 2011
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- Critic Score
In his quest to impress, Big Boi short-changes the street-level swagger that always kept his partner Andre 3000 here on Earth.- Los Angeles Times
- Posted Dec 11, 2012
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- Critic Score
Yet for all the sleek settings and the vocal firepower Ledisi deploys, Turn Me Loose doesn't really present an artistic persona any more memorable than the earnest traditionalist from "Lost & Found."- Los Angeles Times
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