All Roads Lead Home holds together surprisingly well. [May 2023, p.86]

Devoid of da funk it may be, but the scale and scope here are impressive. [May 2023, p.86]

Her most beautiful [music] in decades. [May 2023, p.87]

An often challenging, always thrilling triumph that rewards deep listening and re-listening. [May 2023, p.92]

Roberts' dying-Jacobite vocals remain thrillingly feeble, and Nic Jones-ly fingerpicking on Wonderful Grey Horse and Young Airly may draw in waverers. [May 2023, p.89]

Much warmer and more inviting [than 2017's Pleasure]. [May 2023, p.88]

John's piano at the Festival Hall brought a stentorian new dimension to a sped-up Rocket Man (I Think It’s Going To Be A Long, Long Time) and the demos offer the sense of a band working out how to get the best from John's freewheeling melodies. In the end, they turned out to be just what was required. [May 2023, p.101]

Allowing Talk Talk, The Chameleons and David Sylvian to swell the ranks of recognisable names and the odd mystifying entry too - on what planet is The Wake's English rain ethereal, dream pop or showgaze? [May 2023, p.98]

Strong Stones in the '80s vibes set the tone. [May 2023, p.95]

Now 25 and treading Nirvana/Hole-influenced terrain better suited to the bleed and luster of these uncensored songs of self-empowerment, she has found her perfect skin. [May 2023, p.94]

Has much nuance to gild its inimitable energy. [May 2023, p.88]

An ecstatic update on classic techno. [Apr 2023, p.86]

His most satisfying outing in decades. [Apr 2023, p.85]

While it lacks the hostility of its role model or its strident central voice, there's intrigue aplenty. [May 2023, p.84]

This is a still-hungry group flexing their creative muscles. [May 2023, p.86]

Sundown is both a bigger sounding LP than Pleasure, Joy And Happiness but also a deeper one. [May 2023, p.91]

Melusine retains the intellectual curiosity of Salvant's jittery, questing catalogue. [May 2023, p.86]

The Record is beautifully integrated, each song feeling like an ongoing conversation, a harmonious thread they can pick up any time. It’s very much worth getting to know it. [Jun 2023, p.85]

An excursion into invention, forsaking preparation for nuggets of inspiration and a degree of rootless wander. [May 2023, p.89]

There are ravishing moments and startling lines, but these 10 tracks collectively plod, the band's early sugar-rush sophistication never returning to grace this deliberate growth. [May 2023, p.88]

An exquisite collection of R&B message songs that have subtly been reframed with a jazz twist to reflect dystopian developments in contemporary American life. [May 2023, p.84]

The Art Of Forgetting swings between joy and darkness with a boldness and coherence that is a marvel. [May 2023, p.84]

A strangely bloodless album heavy on technical perfection rather than the visceral emotion at the core of the best roots music. [May 2023, p.91]

Polizze's bubblegum melodies cut through the fuzz (Out The Door is a cracker), while Baby ups those '80s bona fides by echoing Pixies' Wave Of Mutilation. [Apr 2023, p.89]

If modern folk music needs its own OK Computer, its own The Dark Side Of The Moon, or indeed its own F#A#∞, this may well be it. [Apr 2023, p.80]

Bob Mould's been hereabouts before, of course, but The Tubs' tightly-wound songs are good enough to transcend the concept. [May 2023, p.95]

It's a seduction in halves. [May 2023, p.93]

The tracklisting may be a bit route one, but the music is far from it. [May 2023, p.86]