This is music that needs to be heard in as long a form as possible, so nothing breaks the immersive hallucinatory effect, and you can lose all sense of time direction and place. [Mar 2023, p.93]

An electrifying exercise in first thought as best thought, ... One Day is thrillingly direct. [Feb 2023, p.83]

Furling expands the sonic palette, bringing in piano, percussion, harp, vibraphone and more. The results bring new dimensions to her psychedelic folk. [Feb 2023, p.92]

While Idles boast similar reserves of adrenalin and attitude, Italia 90 better deploy groove. [Feb 2023, p.84]

Despite the occasional maudlin drift, The Bad ends meet rapturous ends when they rally against impending darkness. [Feb 2023, p.85]

The flittering hooks of Whitty's first solo outing impact with tender grace. [Feb 2023, p.90]

It initially feels fragile, but Carvings is hard to shake off. [Feb 2023, p.84]

Are these essentially live recordings of a visceral, in the moment experience? Of course they are. You can’t fake that vital spark. ... Live And Dangerous still stands as the band’s finest hour; the crystallisation of all that made them so irresistible, so brilliantly volatile. [Feb 2023, p.94]

Not the pinnacle of his varied career, maybe, but not a low, either [Feb 2023, p.82]

Another Day To heal opens encouragingly. ... Midway through, La La Land derails, as Queen Of Spaces errs into forlorn folky picking, while Slowly On The Wheel opens with one-finger piano and voice. The Chugging Face Eraser and Baba O'Riley-ish Pockets pulls things together. [Feb 2023, p.84]

Gigi's Recovery fully achieves TMC's transformative purpose, its lyrics of unflinching self-scrutiny leading to side two's exhilarating Only Good Things and the thrillingly airborne climactic title track. [Feb 2023, p.82]

Time's Arrow is Ladytron's equivalent of Simple Minds' early-'80s heyday, where burnished synth-pop meets the hyperreality of travel. [Feb 2023, p.87]

The lack of solidity can make Mercy nebulous like any spirit photo, it sometimes takes work to find the shape, fill in detail. Yet slowly, its unfamiliarity coalesces into a cold beauty, memory acting as a spur, not a comfort blanket. [Feb 2023, p.85]

Repeat plays lay bare a record of rare ambition and thematic complexity. [Feb 2023, p.84]

The result is brooding, often humorous musing on life, joy, occasionally death. ... But it's tender love song Mary, with its meandering sax, that stops you. [Feb 2023, p.92]

While Long Live The Strange turns the outsiderism of Supergrass's Strange Ones into an anthem, with bonus chorale. The rest is more soul-searching, but with instrumental structuring and melodic grace of satisfying excellence. [Feb 2023, p.82]

The narrative lines are fractured, the satire removed; these songs play out like stress responses, fight-or-flight impulses, each one a little panic room. ... There’s not a lot of feeling OK on CACTI, but for once, it feels like exactly the right place for Billy Nomates. She’s brought herself, entirely. [Feb 2023, p.86]

The six lengthy meditations here refine the formula. [Jan 2023, p.84]

The finale to an exemplary act of curation. [Jan 2023, p.102]

It's Plain's elusive ruminations and off-balance poetics that resonate in ever more artful, affecting ways. [Feb 2023, p.88]

Muted, syncopated beats, ghostly pedal steel and icy Solina string machine conspire to create the effect of a slow-motion scene: unwanted debris blowing away in the wind, with our stronger and more resolved singer standing at the centre of the wreckage. Even amid the ashes of her past, it seems, Margo Price keeps burning ever more brightly. [Feb 2023, p.80]

Heaps more respect's due for the full-bloodedness of rippers like Frenzy, Modern Day Rip Iff and Neo Punk. ... Four-letter lyricism and dumb-ass riffing, however, leave you craving the substance of '16's Homme-guided Post Pop Depression. [Feb 2023, p.85]

The group demonstrate their vocal prowess on Hamba, a relentless dance groove featuring plaintive a cappella harmonies. [Dec 2022, p.89]

Songs decay, disappear, swell, mutate, Dalt's seductive, lonesome voice investing them with a sinuous, alien romanticism. [Feb 2023, p.87]

The sheer relentlessness dilutes that thrill factor, but there are shades, notably on the stately opener 2022 and the closing Sleep Cult. [Feb 2023, p.91]

She has found a new confidence in her sound. [Feb 2023, p.92]

Strings offers one of his most vulnerable vocal takes yet on John Deere Tractor, a tender note home to a country mom from a son stuck in and troubled by a city; it feels like a letter from the road, hungover and threadbare. And the playing is flawless and charged, from Cleveland’s steam-engine fiddle during Way Downtown to Rob McCoury’s edgy delicacy during Frosty Morn. [Jan 2023, p.85]

Her torch-song voice is often exposed by spare arrangements - a solemn piano or glowing embers of electric guitar - but songs also burst into euphoric life, like exorcisms. [Jan 2023, p.91]