musicOMH.com's Scores

  • Music
For 5,883 reviews, this publication has graded:
  • 60% higher than the average critic
  • 4% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Music review score: 73
Highest review score: 100 Everything's The Rush
Lowest review score: 0 Fortune
Score distribution:
5883 music reviews
    • 85 Metascore
    • 100 Critic Score
    This compilation may primarily be valuable for illustrating the full length and breadth of Sylvian's musical progression.
    • 75 Metascore
    • 100 Critic Score
    Walking a fine line between being leftfield and hook-laden, Jaga Jazzist have delivered another selection of epic, psychedelic sojourns through electronics, brass and beats that consistently engage and excite.
    • 61 Metascore
    • 100 Critic Score
    A monumental, spectacular achievement.
    • 84 Metascore
    • 100 Critic Score
    Takk does what Agaetis Byrjun did by burrowing into the consciousness and snuggling down to bed there, purring. Each listen brings out another mood, another thought. It's gorgeous.
    • 87 Metascore
    • 100 Critic Score
    Ten Love Songs is an enormously creative, endlessly surprising album.
    • 89 Metascore
    • 100 Critic Score
    It’s an album that confirms the sound of an artist continuing to push forward, a unified expression of joy that is never anything but bold, playful and fun.
    • 95 Metascore
    • 100 Critic Score
    As from an unspeakable event a remarkable record has come. One that sits amongst Nick Cave & The Bad Seeds’ best. Skeleton Tree is full of grief, but full of heart too.
    • 72 Metascore
    • 100 Critic Score
    Heavy it most certainly is, but Daughter succeed simply by creating phenomenally beautiful music and heart-rending songs.
    • 81 Metascore
    • 100 Critic Score
    The release of The Next Day would have been one of the biggest stories of the year no matter what its quality--the fact that it also happens to be one of the best records of Bowie’s career to date just makes the comeback that much more triumphant.
    • 91 Metascore
    • 100 Critic Score
    This is a fantastic album. It may be the best of an already-excellent run of albums produced by – and it really does bear repeating – the greatest rock band in the world.
    • 86 Metascore
    • 100 Critic Score
    Taken end to end, Sound Of Silver is a thrilling, exhilarating ride on a fast machine.
    • 72 Metascore
    • 100 Critic Score
    With Idlewild you get a sumptuous surface that constantly excites, but reveals its secret charms with repeated listenings.
    • 79 Metascore
    • 100 Critic Score
    This is a spectacular, rich and luscious album made up of a variety of sounds that many listeners will have etched into their minds and hearts forever.
    • 84 Metascore
    • 100 Critic Score
    Like low hanging fruit plucked fresh from the vine, the bacchanalian temptations Daniel and collaborators such as Angel Deradoorian, husband MC Schmidt and John Wiese offer are a scrumptious treat in which to indulge.
    • 63 Metascore
    • 100 Critic Score
    Simply put, his music seems alive, and utterly modern – despite its clear and obvious debt to The Beatles. ... This is a staggering work, a monumental achievement – and easily eclipses any of Jones’ acting to date.
    • 79 Metascore
    • 100 Critic Score
    The quality of Toledo’s songs is gobsmacking; the lyrics are enthralling, the melodies are to die for, the musicianship is raw yet brilliant.
    • 71 Metascore
    • 100 Critic Score
    So, from bed-bound broken foot casualty to creator of the finest debut album of the year in just over a year.
    • 81 Metascore
    • 100 Critic Score
    With the third in his Essex trilogy Darren Hayman has surpassed himself, creating an album that is intelligent, heartfelt, and musically stunning.
    • 78 Metascore
    • 100 Critic Score
    The sound on Welfare Jazz may be more of the same glam-phetamine trash disko bomp that made the first record so distinctive – a ramshackle wad of low-end guitars that spit and burn like chip pan fires and boisterous oft intoxicated vocals with a surplus of undulating sax – but there’s something else that’s been added to their arsenal, something that was hiding in plain sight all along. The protagonist of these songs may not be all that apologetic as he pontificates of his transgressions, but he is at least man enough to put his grubby hands up and forewarn friends and lovers that he’s a little damaged. It’s a good start.
    • 82 Metascore
    • 100 Critic Score
    This is an intelligent and deeply human album and it would be no exaggeration to say that it’s already a modern classic.
    • 82 Metascore
    • 100 Critic Score
    A sensational album of varying degrees of pleasure and pain. ... Ultimate Success Today is their most cathartic statement to date.
    • 87 Metascore
    • 100 Critic Score
    The album could have been a niche critical favourite that marked them out as just curious oddities. Instead every preconception has been firmly smashed. Firmly on track to become the biggest band in the country, Wet Leg are here to shake the post pandemic culture out of its slumber.
    • 87 Metascore
    • 100 Critic Score
    This is a magical, magnificent album – one of the best of Sufjan Stevens’ career.
    • 82 Metascore
    • 100 Critic Score
    Allo Darlin' have achieved their aim of not producing a carefree record again, and then some--instead, they've created one of considerable, admirable depth and nous, though it retains the warm, personal nature of its predecessor.
    • 60 Metascore
    • 100 Critic Score
    A statement for all of the limp new rave pretenders to pack up and fuck off, a return to form rarely sounded or felt so exciting.
    • 84 Metascore
    • 100 Critic Score
    Hadestown may have gained her success through her successful harnessing of external inspiration but by turning attention inwards on this occasion she’s delivered one of the quietly outstanding albums of the year.
    • 89 Metascore
    • 100 Critic Score
    Olsen, her arrangers and producer (The Paper Chase‘s John Congleton) have created an album that simply bulges with perfection and timeless songs.
    • 77 Metascore
    • 100 Critic Score
    WU LYF are a band to celebrate, a DIY tour de force, and their first album deserves a place of reverence in the modern indie-rock canon.
    • 71 Metascore
    • 100 Critic Score
    One of the best albums in North America last year and surely one of the best of 2006 for us; Live It Out is sinister, intelligent music for sinister, intelligent people.
    • 82 Metascore
    • 100 Critic Score
    A neat album of only 10 tracks. We find her in life-admin mode, clearing out any dispensable trash that she no longer has time or the inclination for. ... Sublime.