Fetch The Bolt Cutters isn’t the easiest album to listen to – and in these claustrophobic lockdown times, some may baulk at spending 51 minutes with an album of this intensity. Yet while it’s certainly not an album for background listening, those who are willing to invest some time in it will be rewarded by one of the most remarkable records released this year.

It is an album that both looks back and innovates.

Yes, it can be painful, but there’s a beautiful catharsis contained within Ghosteen that makes it one of the most essential records of recent times – a lifejacket for anyone surfing that dreadful wave of grief.

Bob Ludwig's remastering punches up the drums and adds clarity and volume to the mix without overblowing it or excessively altering the overall sound, and the result is that these two albums sound incredibly modern, relevant, and invigourated.... Siamese Dream includes exceptional demos for U.S.A. and U.S.S.R., as well as Moleasskiss from the much sought after Mashed Potatoes bootlegs.

These singles show that Manic Street Preachers have stayed true to one at least one of their ideals – which is to write the best songs they possibly could.

It is, quite simply, a staggeringly good record for an artist at this late stage of what has been a remarkable career, entirely made up of original compositions and worthy in its own way to stand alongside the masterpieces of its creator’s mid-’60s and mid-’70s halcyon periods.

This is a fantastic box that will occupy fans for the next few weeks and months, but it’s also a superb gateway into the world of Tom Petty for those who like both pretty things and great music (and have a few bob to spare).

As from an unspeakable event a remarkable record has come. One that sits amongst Nick Cave & The Bad Seeds’ best. Skeleton Tree is full of grief, but full of heart too.

The Promise is what got left behind, and the quality of these 21 songs serves to remind the listener how brilliant Darkness On The Edge Of Town really was, and how discerning its craftsmen must have been to leave so much in the dust.

Musically, My Beautiful Dark Twisted Fantasy is a nice blend of Kanye's older and newer styles.

He has been launched into the UK jazz marketplace fully formed, capable of extraordinary flights of dexterity and rhythmic trickery, yet also with a strong sense of fundamental musical language and compositional flair.

Prioritise Pleasure is a richly compelling album. It’s also a big, glorious pop record, the sort that Taylor hinted at back in the days of her former band Slow Club’s Complete Surrender. ... It’s the album of Rebecca Taylor’s career, and surely quite comfortably the best record that will be released in 2021.

With all matters of the heart explored in extremely intimate detail it sees Beyoncé back on top of the pop world ready to slay like only she can.

Throughout Ants From Up There, they seem to revel in the creation of different atmospheres rather than the laying down of hooks or choruses.

Although Pull Up Some Dust... delves deep into both North and South American musical history and moves rapidly from style to style, there is scant scope for quibbling over Cooder's honesty or authenticity.

Sunbather is an emotionally overwhelming but truly absorbing listen. But best of all, it’s cleansing.

The 16 tracks here aren't just duplicate recordings--with sudden new depth we are able to complete an emotive, triumphant musical triptych.

What follows maintains both the high standard and the mixture of shades and textures.

It feels like the most human of his late works, with acoustic instrumentation carefully balanced alongside drum programming and vintage keyboards.

Channel Orange hasn't so much been crafted into being as grown from the passion of one man, an extension of the Frank Ocean psyche into audible form.

It’s the album that disproves the myth of the ‘Mercury Prize Curse’ and also consolidates Dave’s reputation as one of this country’s most important and impressive young artists.

With Carnage, Cave and Ellis have successfully balanced introspection and self reflection with the tumult and confusion of the wider world. It’s a hugely powerful statement.

Melodrama delivers everything pop music should, but yet it manages to find more. As an album it is unlikely to be bettered in 2017.

A career-best work that serves both as a tribute to and means of overcoming a life sadly gone.

While it’s impossible to fault Cowboy Carter’s ambition, it’s sometimes a bit too sprawling for its own good. Eighty minutes is a long runtime for an album, and some tracks inevitably sag a bit, especially in the middle section.

What Perfume Genius started with Too Bright was strengthened and solidified on No Shape and has been brought into full focus here, and nurtured to full bloom.

The wry humour on display even extends to the setlist, with 'I Tried To Leave You' being the first song of the encore. It's little touches like that which make Live In London both the perfect souvenir for those who were there on the night and also a handy introduction to one of the true living legends of the music industry.

His major label debut good kid m.A.A.d city solidifies his burgeoning reputation and stands out as a landmark contemporary hip-hop album.