Nude As The News' Scores

  • Music
For 140 reviews, this publication has graded:
  • 51% higher than the average critic
  • 5% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 0.8 points higher than other critics. (0-100 point scale)
Average Music review score: 74
Highest review score: 100 The Violet Hour
Lowest review score: 25 The History of Rock
Score distribution:
  1. Negative: 4 out of 140
140 music reviews
    • 68 Metascore
    • 45 Critic Score
    Belle & Sebastian's formula is beginning to see some wear.
    • 67 Metascore
    • 80 Critic Score
    It almost sounds like Pirner is born again, and as anyone who's heard some of Soul Asylum's earlier records -- especially Hangtime and And The Horse They Rode In On -- knows, that's a good thing.
    • 67 Metascore
    • 35 Critic Score
    In relation to what the Dave Matthews Band is capable of -- or even what they've recorded previously -- it's dreadful.
    • 67 Metascore
    • 60 Critic Score
    He wastes half of the ideas for lack of a good singer, and can't resist some counterproductive musical doodling in the arrangements.
    • 66 Metascore
    • 55 Critic Score
    The big downside is the lyrics.
    • 66 Metascore
    • 75 Critic Score
    Once again defiantly demonstrates Ween's talent and versatility.
    • 65 Metascore
    • 50 Critic Score
    For the first time in a long time, one can actually listen to David Gahan's lyrics. Indeed, on Exciter, he has rarely sounded less moronic.
    • 64 Metascore
    • 70 Critic Score
    Thanks to fresh melodies, a surprisingly effective voice, ever powerful rhythms, and burning guitar/bass workouts, Jason Loewenstein has coined a voice of his own.
    • 64 Metascore
    • 25 Critic Score
    Is The History Of Rock the worst album of all time? In a word: Probably. I suppose I can’t say for sure, as I haven’t heard Kid Rock’s other records.
    • 62 Metascore
    • 80 Critic Score
    In the end, Porcelain pulls off a rare feat: able to appeal to hardcore/emo lovers as well as fans of good, old-fashioned guitar rock.
    • 62 Metascore
    • 90 Critic Score
    The album leaps between influences of Hawaiian music, classic indie rock, '70s-era orchestration, and country -- all very very delicately, as is Aden's way.
    • 61 Metascore
    • 60 Critic Score
    Although the whole thing begins to make more sense after (many) repeat listens, the overall results are at best uneven, and at worst, absolutely baffling.
    • 60 Metascore
    • 70 Critic Score
    BLD is arguably Black's most straightforward rock album; his sound is becoming more and more "classic rock" with each passing record.
    • 60 Metascore
    • 80 Critic Score
    Devil's Workshop is the most compact realization of the group's aesthetic, and it contributes 11 solid songs to Frank's ever-expanding canon.
    • 60 Metascore
    • 65 Critic Score
    The majority of the new songs are keepers.
    • 59 Metascore
    • 65 Critic Score
    A rather haphazard collection of dialogue snippets, instrumental vignettes, and the occasional proper Belle song.
    • 56 Metascore
    • 60 Critic Score
    Sounds more like a toss-off by a drunk band in the studio.
    • 54 Metascore
    • 45 Critic Score
    The catchy songwriting doesn't sit well next to Neil's crunchy soul, and the performances feel so stiff it makes for an unusually uncomfortable listen.
    • 52 Metascore
    • 60 Critic Score
    By turns alluring, obnoxious, and laugh-out-loud-funny.
    • 43 Metascore
    • 45 Critic Score
    Little more than infuriatingly lame collaborations.