ShakingThrough.net's Scores

  • Music
For 491 reviews, this publication has graded:
  • 51% higher than the average critic
  • 6% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 0.7 points higher than other critics. (0-100 point scale)
Average Music review score: 74
Highest review score: 100 Orphans: Brawlers, Bawlers & Bastards
Lowest review score: 32 Something To Be
Score distribution:
  1. Negative: 5 out of 491
491 music reviews
    • 69 Metascore
    • 80 Critic Score
    Folds has mastered his material to the point that he no longer relies on a smartass punch line to deliver the goods.
    • 81 Metascore
    • 68 Critic Score
    It's as if, having played the crowd-pleasing rock card, Springsteen feels the need to validate himself as a "serious" artist, but has mistaken a certain affected intimacy of approach for thoughtfulness and dramatic substance.
    • 83 Metascore
    • 82 Critic Score
    Sunset Tree is Darnielle’s finest hour.
    • 80 Metascore
    • 82 Critic Score
    Awfully Deep is another strong release for Smith, and while it doesn’t sport the effortless flow of his debut or the rich variety of Run Come Save Me, its considered assessment of where he’s been and where he might be heading helps the album more than live up to its title.
    • 69 Metascore
    • 74 Critic Score
    Untilted lives up to its title, finding Booth and Brown unbowed in their belief that clinical repetition and street-smart hip-hop beats can coexist in the universe. But it’s a big universe, and there are times when locking onto the exact coordinates Autechre’s transmitting from can be a long, cold and lonely chore.
    • 57 Metascore
    • 32 Critic Score
    As long as he continues to believe those who trumpet his vices as virtues, no amount of musical exploration or pretentiously titled solo albums will set him free of the straitjacket he's written himself into.
    • 72 Metascore
    • 76 Critic Score
    Stylistically, In Case We Die is like a Jackson Pollock drip painting, chaotic and bustling.
    • 80 Metascore
    • 76 Critic Score
    The second half lacks the spirited kick of the first.
    • 80 Metascore
    • 76 Critic Score
    Imagining an all-acoustic version of Martha Wainwright hints at the true potential lurking beneath the strings and high-calorie programmatic flourishes that, while undeniably pretty, detract unnecessarily from the eponymous focal point.
    • 76 Metascore
    • 60 Critic Score
    Despite obvious talent and wit, it fails to leave more than a marginal impression.
    • 84 Metascore
    • 84 Critic Score
    Lost and Safe is an expression of two artists who are neither lost nor playing it safe.
    • 74 Metascore
    • 76 Critic Score
    Another solid addition to Jurado’s commendable catalog.
    • 86 Metascore
    • 60 Critic Score
    Black Sheep Boy has bold ambitions, but Okkervil River hasn’t quite reached the point where polished execution equals or surpasses preliminary concept.
    • 78 Metascore
    • 68 Critic Score
    Guero is all over the map but the majority of its detours simply aren’t worth the trip.
    • 85 Metascore
    • 80 Critic Score
    The overall feel is of an academic exercise in hip-hop cultural anthropology.
    • 88 Metascore
    • 76 Critic Score
    Arular is an impressive first outing, even if it does suffer from repetitive drill syndrome... and too often favors a smart hook over offering anything politically relevant to say.
    • 79 Metascore
    • 70 Critic Score
    Doesn’t sport as many memorable tunes as 2002’s Lapalco.
    • 82 Metascore
    • 68 Critic Score
    Bloc Party will almost certainly find success. Based on Silent Alarm, however, it won't be as innovators or firebrands, but as purveyors of familiar hooks, passionately delivered and smartly promoted.
    • 52 Metascore
    • 74 Critic Score
    This is just well-executed, fun rock 'n' roll.
    • 81 Metascore
    • 90 Critic Score
    Picaresque features some of Meloy’s most assured songwriting... What makes Picaresque a great album, however, is the snug synthesis between the rest of the bandmates playing in relation to Meloy’s verbose lyrics.
    • 47 Metascore
    • 74 Critic Score
    It's certainly not the most bracing thing he's ever done, but it's hardly disposable pop dreck.
    • 78 Metascore
    • 80 Critic Score
    It's the magnetic push and pull of its different sonic layers and shifting moods that really defines the record (for better and worse), and rewards repeated listens.
    • 75 Metascore
    • 74 Critic Score
    While two discs might have been more effective, the sheer overkill of this collection is par for the course for Cave and his supporting players.
    • 80 Metascore
    • 66 Critic Score
    Akron/Family has definite talent, but less forced naturalness, tighter song structures and greater emphasis on appealing harmonies could only help the group in its quest to conquer the known musical universe, or, at the very least, the corner organic foods mart.
    • 69 Metascore
    • 70 Critic Score
    Yr Atal Genhedlaeth sounds like a one-off; a palette cleanser for the Furries’ frontman. It doesn’t rise to the level of Rhys’ work with his day job, but then again, it isn’t meant to.
    • 57 Metascore
    • 60 Critic Score
    It’s official: The robots have won.
    • 75 Metascore
    • 76 Critic Score
    Blue Eyed in the Red Room doesn’t quite congeal, primarily because Hollon’s two collaborative efforts are the most impressive moments. Reverse the 8:2 ratio of instrumental to vocal cuts, and we might be talking a long-striding keeper.
    • 76 Metascore
    • 80 Critic Score
    No matter what vehicle Hersh utilizes as an outlet, it’s obvious her creative wave has yet to crest.
    • 78 Metascore
    • 70 Critic Score
    It’s one thing to strive for the primal truth of a particular sound; it’s another to vainly bludgeon a thoroughly pulverized style in search of unsullied beats.
    • 81 Metascore
    • 70 Critic Score
    Fusing elements of Human League’s sophisticated new romantic aesthetic and Belle & Sebastian’s unapologetically arty preciousness, Montreal-based Stars deliver their most consistent effort with Set Yourself on Fire.