For 5,513 reviews, this publication has graded:
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49% higher than the average critic
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3% same as the average critic
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48% lower than the average critic
On average, this publication grades 3.2 points lower than other critics.
(0-100 point scale)
Average Music review score: 70
Highest review score: | Post Human: NeX Gen | |
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Lowest review score: | Unpredictable |
Score distribution:
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Positive: 2,972 out of 5513
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Mixed: 2,464 out of 5513
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Negative: 77 out of 5513
5513
music
reviews
- By Date
- By Critic Score
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- Critic Score
Futurology never feels like a pastiche, and sounds unmistakably like the Manic Street Preachers while sounding unlike any other album they've made.- The Guardian
- Posted Jul 3, 2014
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- Critic Score
Aimed squarely at the teenage market, it's shrill exuberance and lyrical mischief all round as songs leap and sometimes creak under the weight of their double entendres.- The Guardian
- Posted Jul 2, 2014
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- The Guardian
- Posted Jul 2, 2014
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- Critic Score
It might all feel a little mechanical, but Trigga does hang together, and has a seductive power that (one presumes) is befitting of the man himself.- The Guardian
- Posted Jul 1, 2014
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- Critic Score
The formula remains the same, with traditional songs reworked with rousing big-band arrangements, and from furious opener Let Her Run to the rock-influenced Greenwood Side, they sound slicker and more confident than ever.- The Guardian
- Posted Jul 1, 2014
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- Critic Score
Songs such as (Invisible) Friends veer towards the anthemic but don't quite ignite.- The Guardian
- Posted Jun 26, 2014
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- Critic Score
Tracks such as Coincidences and Begin to Begin may build into stompers, but the sound palette they are constructed with could have been chosen by Brain Eno or Aphex Twin.- The Guardian
- Posted Jun 26, 2014
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- Critic Score
While Mutineers doesn't totally shatter preconceptions, there's a rare comfort in hearing an artist in pursuit of joy; and unlike the throng of relatively inoffensive twentysomething singer-songwriters littering the charts, Gray's songs have a timeworn quality that's far more charismatic.- The Guardian
- Posted Jun 26, 2014
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It's still one for punk fans only--claims for greater melody and less speed are all relative, and you certainly shouldn't approach Jaded & Faded expecting McBusted--but it's a flash of fun.- The Guardian
- Posted Jun 26, 2014
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There are some extraordinary moments, from the unaccompanied chanting and likembe workout on Thus Spoke the Ancestors to the suitably spooky and edgy title track.- The Guardian
- Posted Jun 25, 2014
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- Critic Score
An album more obviously influenced by urban music than its predecessor, which sees Sheeran gently, but confidently, pushing at the boundaries of what he does.- The Guardian
- Posted Jun 23, 2014
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Not a great deal of sense is made throughout this messy record, but that is hardly the point of Herrema, still a poster girl for disorder and "rad times".- The Guardian
- Posted Jun 23, 2014
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GusGus, Icelandic veterans of artsy techno music, have always enjoyed provoking their audience, and when they do so here, it's exhilarating.... but sadly GusGus can't keep it up.- The Guardian
- Posted Jun 23, 2014
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- Critic Score
The most radical makeovers highlight how great some of these songs are.- The Guardian
- Posted Jun 19, 2014
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- Critic Score
Familiars is no jazz odyssey. And despite the prevalence of mid-paced, piano-led ballads, it never enters Coldplay territory either.- The Guardian
- Posted Jun 19, 2014
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- Critic Score
All brilliant stuff, but a bit more self-indulgence and derring-do wouldn't go amiss next time.- The Guardian
- Posted Jun 19, 2014
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- Critic Score
Though his voice can sound a little insipid, songs such as A Power, Face Again and What You Wanted possess satisfying bass rumbles and earworm hooks.- The Guardian
- Posted Jun 19, 2014
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- Critic Score
Love Frequency lacks a song that really pulls you along with it into those higher planes of emotion that Klaxons obviously inhabit daily.- The Guardian
- Posted Jun 19, 2014
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- Critic Score
For all the air of naffness that hangs over them, they never forget that their purpose is to entertain.- The Guardian
- Posted Jun 19, 2014
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- Critic Score
The a cappella duet between Lisa Jen and Lou Bennett is one of the highlights of this low-key but impressive set.- The Guardian
- Posted Jun 18, 2014
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- Critic Score
It's just as good as Jasmine, and hopefully not a Last Dance for this partnership.- The Guardian
- Posted Jun 17, 2014
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- Critic Score
Happyness switch effortlessly between fuzzy pop and downcast, desolate ballads, alternately thrilling and charming.- The Guardian
- Posted Jun 16, 2014
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- Critic Score
It's a pleasing record, but much like its supposed subject matter, still a bit of a mystery.- The Guardian
- Posted Jun 16, 2014
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- Critic Score
Linkin Park certainly know their audience, and here delicately navigate the gulf between their own aspirations and a fanbase who will celebrate the band's loud return to rocking hard.- The Guardian
- Posted Jun 16, 2014
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- Critic Score
Platinum, her fifth solo album, finds Lambert swaggering righteously like the Partonesque country superstar she is.- The Guardian
- Posted Jun 12, 2014
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It's the group's ability to run the punk gamut that makes Deep Fantasy their most complete album yet.- The Guardian
- Posted Jun 12, 2014
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Overall, the writing feels sharper and stronger. Every chorus clicks, the melodies are uniformly beautiful, and they soar and swoop, the better to demonstrate Del Rey's increased confidence in her voice.- The Guardian
- Posted Jun 12, 2014
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- Critic Score
More displays of his guitar skills would have been welcome, but this is an assured and entertaining set.- The Guardian
- Posted Jun 11, 2014
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Rosenberg's strength is storytelling, and Whispers brims with striking vignettes.- The Guardian
- Posted Jun 9, 2014
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- Critic Score
A darker and more eccentric record than its predecessors, Distant Satellites may not be the album to change all that, but it's still another masterclass in supercharged emotional songwriting and fearless sonic curiosity.- The Guardian
- Posted Jun 9, 2014
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