For 5,511 reviews, this publication has graded:
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49% higher than the average critic
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3% same as the average critic
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48% lower than the average critic
On average, this publication grades 3.2 points lower than other critics.
(0-100 point scale)
Average Music review score: 70
Highest review score: | Lives Outgrown | |
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Lowest review score: | Unpredictable |
Score distribution:
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Positive: 2,970 out of 5511
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Mixed: 2,464 out of 5511
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Negative: 77 out of 5511
5511
music
reviews
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- Critic Score
Their sixth album finds them back on track. Circuital combines their experience with a rediscovered youthful zest, a theme Jim James visits in the lyrics.- The Guardian
- Posted Jun 2, 2011
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- The Guardian
- Posted Aug 8, 2014
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- Critic Score
It stands on its own, too: as with all of their creations, the gentle dusting of a hi-hat and the nervous wobble of a xylophone undulate and entwine as if the instruments are in conversation.- The Guardian
- Posted Jul 23, 2015
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- Critic Score
While this is a more philosophical, even tender Turner than we're used to, everything is crafted with his usual love and care, and delivered with fire and conviction.- The Guardian
- Posted Apr 18, 2013
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- Critic Score
The result is a fresh, autumnal album that's unashamedly mature yet impressively free.- The Guardian
- Posted Sep 27, 2012
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- The Guardian
- Posted Aug 2, 2019
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- Critic Score
If you wanted to pick holes, The Tortured Poets Department is a shade too long.- The Guardian
- Posted Apr 18, 2024
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- Critic Score
Long-time fans may miss the old eerie melancholia, but it's hard to quibble with Beam's most assured set of tunes to date.- The Guardian
- Posted Apr 11, 2013
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- Critic Score
The first seven tracks are nearly flawless, and the occasional wobble thereafter doesn't mar one of the year's most scintillating debuts.- The Guardian
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For an album that veers between the hallmarks of happy hardcore and ghostly choral incantations, Queen of Golden Dogs makes a surprisingly satisfying whole. That’s largely thanks to Gainsborough’s efforts to maintain the balance between entertainingly jarring and modernity-evoking erraticism and a gratifying sense of beauty and peace that feels age-old.- The Guardian
- Posted Nov 26, 2018
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Fay is now in his 70s, and his beautifully hymnal fourth studio album contains sublime, heartfelt ruminations on nature and the world from someone who knows his time is running out.- The Guardian
- Posted Apr 27, 2015
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- Critic Score
These ELO/10cc-style mid-tempo rockers step up to the crease with the languid confidence of a suitably refreshed Australian batsman ready to hit the ball out of the ground.- The Guardian
- Posted Jun 27, 2013
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- Critic Score
No great surprises, maybe, but it's good to find he can still deliver.- The Guardian
- Posted Jan 27, 2011
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It’s impossible not to repeatedly turn Ocean Child off, and instead seek out the originality and uniqueness of the genuine article. Presumably, it’s what Gibbard would want.- The Guardian
- Posted Feb 18, 2022
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The most surprising thing about Tinsel and Lights might not be that it's a Christmas album by Tracey Thorn, but that it manages to transcend its genre and the season it's intended to soundtrack, perhaps because it forsakes any of the usual musical signifiers.- The Guardian
- Posted Oct 29, 2012
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A big moment is the ethereal R&B pastiche Constant Conversations, with Swedish a cappella trio Erato, but there are virtually no duds here.- The Guardian
- Posted Jul 19, 2012
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- The Guardian
- Posted Aug 1, 2014
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- The Guardian
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If Watch the Throne's musical direction seems like West's work, it's worth noting that Jay-Z has the better lyrics.- The Guardian
- Posted Aug 11, 2011
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Her emotion-rich songs have become tender affirmations, such as the hope-sprinkled 'Honor My Wishes.' And the needling guitar, soulful brass and gothic piano of her "punk rock R&B" are more evocative than ever.- The Guardian
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For someone whose main project has been criticised for operating inside very limited parameters, this album proves he’s at ease outside his comfort zone.- The Guardian
- Posted Sep 3, 2015
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[Broadcast] have managed to find a halfway house between this always engaging but fussed-at sound and the resonant, muscular psychedelia of their spectacular live shows.- The Guardian
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The really striking thing about 1989 is how completely Taylor Swift dominates the album: Martin, Kurstin et al make umpteen highly polished pop records every year, but they’re seldom as clever or as sharp or as perfectly attuned as this, which suggests those qualities were brought to the project by the woman whose name is on the cover.- The Guardian
- Posted Oct 23, 2014
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- Critic Score
He is in fine, easy-going voice on most of the songs, and his multi-instrumental work on guitar, banjo, fiddle and autoharp is still remarkable.- The Guardian
- Posted Jul 18, 2012
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- The Guardian
- Posted Aug 6, 2013
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- Critic Score
This one is softer in its address, more introspective, yet the sound is so much bolder, the music taking thrilling leaps in character and complexity.- The Guardian
- Posted Mar 19, 2015
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- The Guardian
- Posted Mar 26, 2015
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The result is an album that sounds as if it was a blast to make and one that’s immensely enjoyable to listen to.- The Guardian
- Posted Aug 3, 2017
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Her debut is a great, carefree soundtrack to dancing through the struggle.- The Guardian
- Posted Jul 25, 2022
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- The Guardian
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