The Quietus' Scores
- Music
For 2,115 reviews, this publication has graded:
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61% higher than the average critic
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7% same as the average critic
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32% lower than the average critic
On average, this publication grades 3 points higher than other critics.
(0-100 point scale)
Average Music review score: 76
Highest review score: | Gentlemen At 21 [Deluxe Edition] | |
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Lowest review score: | Lulu |
Score distribution:
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Positive: 1,868 out of 2115
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Mixed: 228 out of 2115
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Negative: 19 out of 2115
2115
music
reviews
- By Date
- By Critic Score
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- Critic Score
Multi-Task doesn’t rock the boat too much; if anything it is more streamlined, less abrasive, ready to be swallowed whole.- The Quietus
- Posted Sep 25, 2017
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This album, more than any punk tune, is the sound of the suburbs; rather than being from the suburbs, it sounds like the suburbs. If you think that’s no recommendation, just hear it. There is beauty here, and sadness, and peril, and deep, deep soul.- The Quietus
- Posted Sep 22, 2017
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With The Gradual Progression, one definitely gets the sense that Fox is making an unselfconscious attempt to forge forward with music, an unabashed statement for progression. Though it’s not entirely successful, one has to admire this kind of ambition. He’s made an album that’s hard to describe in both generic and theoretical terms.- The Quietus
- Posted Sep 20, 2017
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Numan's appropriation of Arabic musical patterns, textures and instruments can make for mildly uncomfortable listening at first, but on repeated plays these are the moments that really stand out. His decision to directly incorporate these less familiar (to the western ear) musical mores into his already alien-sounding style pays off.- The Quietus
- Posted Sep 20, 2017
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Remember Terry is deliriously memorable. Most albums of this ilk from the Australian underground will have a couple of standout tracks; this album is full of them.- The Quietus
- Posted Sep 19, 2017
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This time with an added bite of something that is entirely their own. This is a remarkable album, and easily good enough to send them global.- The Quietus
- Posted Sep 18, 2017
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Self-assured and comfortable in his skin, Lee Ranaldo is properly striking out on his own and sounding all the better for it.- The Quietus
- Posted Sep 14, 2017
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Musically, this is Anderson at her most assured: she has synthesised her various musical interests and influences--noise music, metal, grunge, folk and country--into an entirely idiosyncratic musical lexicon.- The Quietus
- Posted Sep 5, 2017
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While perhaps coming up slightly short on the nuanced splendor of Shields and the instantaneous élan of its Veckatimest, Painted Ruins is a special kind of conquest. Be it via the unseen sparks that spring forth from heartbreak or the dizzying urges that stem from one too many late-night wrangling with one’s place in the world, this is music stemming from a place that few artists can access.- The Quietus
- Posted Sep 5, 2017
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She turns experience into art with a painter’s eye and a warrior’s heart, and Music For People In Trouble is a profoundly humanist work: her finest by some distance.- The Quietus
- Posted Sep 5, 2017
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This refinement in Mogwai’s modus operandi suits them well. Where once their revolutionary sound startled, their evolutionary execution now beguiles--and keeps them several steps ahead of the pack.- The Quietus
- Posted Sep 5, 2017
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There’s a passionate, earnest vibe that spills out to fill any cracks in quality, a window into Lavelle’s soul that somehow opens wider whenever someone else takes the microphone.- The Quietus
- Posted Sep 5, 2017
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Circle have reached many great heights over the last two decades, but this new album again attains a new zenith.- The Quietus
- Posted Sep 1, 2017
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Across spheres of contemporary art, experimental music, noise and techno, Pan’s twisting trajectory as an artist is rousing to witness; Lack惊蛰 serves as yet another reminder of her thrill.- The Quietus
- Posted Aug 30, 2017
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There is a shadowy enigma within Esker that verges on the blissful, thanks to its peculiar melodic turns and idiosyncratic use of sonic effects.- The Quietus
- Posted Aug 22, 2017
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Not everything is suddenly revelatory in a positive sense--indeed, often the selections confirm exactly what you might expect, and sometimes songs start to blend into one another, which is inevitable over the course of such an extensive set.- The Quietus
- Posted Aug 22, 2017
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The best part about it is the Oh Sees manages to make this shift while still sounding like themselves, holding true with some killer bursts of distorted guitar and psychedelic reverb throughout.- The Quietus
- Posted Aug 22, 2017
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TFCF is undoubtedly a record for recalibrating Andrew's personal and sonic compass but, rather thrillingly, suggests that despite the realignment, great things lie in the future.- The Quietus
- Posted Aug 21, 2017
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This is perhaps Faust's most solid and coherent body of work since their 1990s resurrection. It roars with sadness and anger at a world's squandered opportunities.- The Quietus
- Posted Aug 21, 2017
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This record is snug, unthreatening and comforting, which means anyone looking for rage and catharsis ought to give it a wide berth. But for many of those preoccupied by the kind of concerns that trouble Sam Beam--chiefly thoughts of mortality and fallibility--Beast Epic will be a long, warm, healing embrace.- The Quietus
- Posted Aug 21, 2017
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Sangare sounds energised by the new production context: the new sound becomes her, and as one would expect it is her power, verve and versatility that truly carry the album. [Jun 2017, p.70]- The Quietus
Posted Aug 8, 2017 -
- The Quietus
- Posted Aug 8, 2017
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While not an unqualified success, particularly in its sequencing, the overwhelming majority of Bright Phoebus warrants every ounce of the reputation the record has spawned during its absence from the world at large. Where it sags, it recovers quickly, and where it rises, it rides upon thermal after thermal, scornful of gravity.- The Quietus
- Posted Aug 8, 2017
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The majority of the tracks on the album are put together in such a way as to make you want to dance as well as take you on a journey, and by the third listen in you really begin to find yourself immersed.- The Quietus
- Posted Aug 7, 2017
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The Underside of Power is both the latest chapter in a long-running and universal story that seems to be nearing climax, and solid, sonic proof that Algiers are capable of not just acting with their hearts, but ripping them out and offering them up on record.- The Quietus
- Posted Aug 2, 2017
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- Posted Jul 27, 2017
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There is joy here, beyond the pleasure of wallowing so elegantly and tunefully in ennui.- The Quietus
- Posted Jul 25, 2017
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Laibach seize every opportunity on Also Sprach Zarathustra to bring out the grandiose psychodrama and tension inherent in a founding tract of modern philosophy, rendering what could have been merely bombastic and brutal as spectacular and even sublime. It might not be greatest present that has ever been made to humanity, but it is a resoundingly impressive feat.- The Quietus
- Posted Jul 25, 2017
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Dear could have been the end of the trip. But a quarter of a century in, Boris remain alert at the controls as they pilot their craft into uncharted galaxies, boldly going where no group has gone before.- The Quietus
- Posted Jul 24, 2017
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A Short History Of Decay is raw, honest and painful: listening to its 10 songs feels like intruding on someone’s personal grief.- The Quietus
- Posted Jul 21, 2017
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It is a record that inverts and internalises its inspirations rather than externalising and projecting them. It's delicious. Try it.- The Quietus
- Posted Jul 21, 2017
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Due to Snaith’s decision to make music in situ, FabricLive 93 tends to veer and swerve all over the place in terms of a 'narrative'. ... You can hear that Snaith is clearly having fun letting his instincts take him where he feels the music needs to go. This rubs off on the mix--you do find yourself propelled by the energy, despite the missteps made on the way.- The Quietus
- Posted Jul 19, 2017
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Lifetime of Love is a strange album, where songs with differing emotional foundations, sonic palettes, aural pace and textural aesthetics mesh into a cohesive whole. As Moon Diagrams, Archuleta has created a world where introspection, catharsis and redemption can envelop you and become something porous, to be inhaled and lived in.- The Quietus
- Posted Jul 18, 2017
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The tenacity and productivity of the Melvins is admirable, as is their ability to continue to push music into some of its darkest and most intriguing corners. What would be really interesting, though, is if the Melvins made fewer Melvins records and tried more projects like the one on the second half of A Walk With Love & Death. After 34 years, their output is at times just a little too breathless.- The Quietus
- Posted Jul 18, 2017
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They’re not just a crack musical unit--Kyle Seely and Matt Palmer, especially, have developed into a guitar duo to rival prime Thin Lizzy--the quintet feel like a great band-as-gang for our times. Morally upstanding without being dour or didactic, in control of their own image and destiny and capable of tuning to the key of life.- The Quietus
- Posted Jul 13, 2017
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Japanese Breakfast is turning into an artist with much to adore, unabashedly authentic but creating music that we can still all see a little bit of ourselves in.- The Quietus
- Posted Jul 13, 2017
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This album, then, is a gleeful surprise, and though it is debatable whether it would make the same sense for a listener coming to Perrett cold, for those who already know what to look for it is as gently persuasive as it is shyly moving.- The Quietus
- Posted Jul 12, 2017
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These 12 tracks serve as a bombastic backdrop for Svenonius’ treatises on living the life of an anti-capitalist svengali; they're a guerrilla garage rock manifesto imbued with fever, fervour and soul.- The Quietus
- Posted Jul 10, 2017
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While its episodic narrative veers off into realms of absurdity akin to standalone send-ups, it proves--especially after a repeated listen--a fun, texturally dense celebration of the possible, a showcase of real daring that has been the payoff of countless prog odysseys of yore, the perfectly bonkers lineage of which it so clearly stems.- The Quietus
- Posted Jul 10, 2017
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Ultimately, though, as a collection that welcomes the near misses and the questionable latter-era caricaturing, The Singles is real and admirable testament to the full Can story.- The Quietus
- Posted Jul 5, 2017
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Compassion is slightly less impenetrable and esoteric than Barnes' other albums, its emotions slightly more telegraphed. But it loses none of his power to enthral, disturb and enthuse.- The Quietus
- Posted Jul 5, 2017
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- Posted Jul 5, 2017
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It’s an album that abounds with details but feels perfectly homogenous, and one can only wonder where Laurel Halo goes from here. It could be very interesting indeed.- The Quietus
- Posted Jun 29, 2017
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- Posted Jun 28, 2017
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Vince Staples doesn’t care for being labelled a rapper, perhaps, but in just "being himself” he has created one of the finest exponents of the genre this year. Hip hop is punk, it’s poetry, but also it’s party music--Big Fish Theory is an outstanding album that potently shows all of these exquisite possibilities. What’s more is, Staples makes it seem like the easiest thing in the world.- The Quietus
- Posted Jun 28, 2017
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What this amounts to is a collection that’s a good way in to the work of a songwriter whose output is three decades strong and a welcome addition to Tweedy’s discography in its own right.- The Quietus
- Posted Jun 27, 2017
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On Samba he has returned to uphold the majestic grace that made his father’s music so compelling. Within the traditions of the music he is playing Touré continues to develop his own sound world.- The Quietus
- Posted Jun 14, 2017
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Nadav Eisenman of Herrema’s post-Trux bands RTX and Black Bananas does a commendable job without distilling any of the band’s indomitable spirit or underlying power. ... The careful sequencing of the album, with the vinyl pressing clearly in mind, reminds me of the potent placing of tracks on Raw Power by Iggy & The Stooges.- The Quietus
- Posted Jun 14, 2017
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Going Blank Again was the sound of Ride discovering the sort of band they wanted to be, turning on the afterburners and leaving their contemporaries behind. Weather Diaries picks up the story from there. The forecast is bright--expect sunshine and the odd hurricane.- The Quietus
- Posted Jun 12, 2017
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By rights no group should be peaking after 30 years of making music together, yet that is the situation in which Oxbow find themselves. Will they ever transcend Thin Black Duke? Such are the ideas and attention to detail on this record, only a fool would bet against them.- The Quietus
- Posted Jun 7, 2017
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There is nothing new here, nothing especially innovative either. It’s just an album that consistently hits its target in a magnetic, mesmerizing way, and one that if you let it will swallow you whole.- The Quietus
- Posted Jun 7, 2017
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- Posted Jun 1, 2017
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- Posted May 31, 2017
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Demen's debut album is worth listening to in its own right, regardless of any nostalgia for the 4AD sound. She takes a studied-sounding array of influences from contemporary ambient and drone, infusing them with a more operatic, vocalised melancholy.- The Quietus
- Posted May 30, 2017
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While there is the odd lapse into grisly power-riffing, the overall mood is sedate if haunted. It has the same effect as dormant memories or lingering dreams, seemingly placid and harmless but then suddenly coiling itself around you.- The Quietus
- Posted May 26, 2017
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What makes Jane Weaver and Modern Kosmology such a joy is that it comes as sharp and welcome relief to so many of the serious and po-faced purveyors of cynically cosmic vibes. This is music that simultaneously celebrates and explores, that takes pop as its foundation and then builds a multi-layered space on it that welcomes one and all.- The Quietus
- Posted May 26, 2017
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The raw and at times, ferocious navigation of the album soars in its earnest delivery and marks a career-defining release for (Sandy) Alex G.- The Quietus
- Posted May 26, 2017
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The 24-piece choir which accompanies most of the pieces here are a lightwave beam keeping the listener afloat, yet it's Coltrane's own vocals which resonate the most deeply.- The Quietus
- Posted May 26, 2017
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With Play What They Like Colpitts and Man Forever have crafted something truly unique: a spiritual jazz album for agnostics.- The Quietus
- Posted May 26, 2017
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It’s wonderful stuff, centred on Ayisoba’s signature instrument, a two-stringed lute-type contraption called a kologo. Obviously limited in its sonic scope, our dude provides rhythm and melody lines alike to hypnotic and strangely groovy effect.- The Quietus
- Posted May 23, 2017
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So while the production isn’t as in-your-face as before, the flourishes that characterised those releases are here deployed to subtle effect on an album that’s only too happy to explore a variety of stylistic routes including blues, jazz, deep house and dub elements to make a surprisingly coherent and cohesive statement.- The Quietus
- Posted May 19, 2017
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Dark Energy was already a significant left turn for footwork and Black Origami is a leap into the future from that, with probably only ‘1%’ (featuring Holly Herndon) from Black Origami sounding like anything on her first album.- The Quietus
- Posted May 19, 2017
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A mélange of harum scarum garage-psych, unabashed homage and carefully-crafted pop reprieve, it finds Black Lips at their most daring, exploratory and downright vital.- The Quietus
- Posted May 11, 2017
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Jim Jones And The Righteous Mind play it straight and with a total conviction from a lineage that includes The Bad Seeds, Tom Waits, The Stooges and all the way back to those primal urges that fuelled that first generation of rock & rollers as much as they did the seekers of hidden knowledge.- The Quietus
- Posted May 10, 2017
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IV, doesn't really vary the template. They have nothing to prove; from the onset the record is a guided tour into the myriad depths of aural destruction. ... As always it’s the plodders, the pounders, the punishers that stand head and shoulders above the rest.- The Quietus
- Posted Apr 28, 2017
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The church's natural reverb provides a chilling reverse-incubation to her trembling vibrato, and at times, her breath too itself is transformed into a fluttering instrument, frantically encompassing all angles of the space.- The Quietus
- Posted Apr 26, 2017
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The album rolls at a constant low boil, the agitation poking and prodding under the skin, not unlike the lingering, uncertain love. The Far Field isn’t explosive in its emotion, nor is it wallowing; it’s just constantly rolling forward, the wheels propelling Future Islands onward to the horizon.- The Quietus
- Posted Apr 25, 2017
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It's so lean and spare sonically that it feels like a dash of cold water to the face after the cacophonous, dense To Pimp A Butterfly; it's so light on its feet that it makes Good Kid, M.A.A.D City feel ponderous in comparison. It does this while also staking its claim to being Kendrick's most philosophically profound album to date.- The Quietus
- Posted Apr 21, 2017
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Keenly political, anti-fascist, and pro-immigrant, British Sea Power mine the past to give us what we need now.- The Quietus
- Posted Apr 13, 2017
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The daring, innovative breadth of his artistic imagination is given full licence in the sense of expansive space each track so effortlessly conjures--no doubt helped by his previous soundtrack work.- The Quietus
- Posted Apr 11, 2017
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The challenge of making something so immediate and inviting is obviously one everyone involved has taken to with gusto, and as both a musical work and their most daring experiment to date, the record is a resounding success.- The Quietus
- Posted Apr 6, 2017
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In The Same Room gives us more intimately friendly insight into the beguiling world of Julia Holter, seen here as thoughtfully poised and careful not to intimidate the listener, making this breezy recording a good entry point for novices in Holter's catalogue.- The Quietus
- Posted Apr 5, 2017
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Silver/Lead is an exhibition in restraint whose brilliant corners and burrowing phrases reward both the keen ear and repeated listen.- The Quietus
- Posted Mar 31, 2017
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All The Way is particularly strong, however, for both the production of Galás' piano and its melodies--there is an added, foreboding subtlety which comes through with more clarity here.- The Quietus
- Posted Mar 30, 2017
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Pangs is full of warmth and charm, one that is welcoming instead of being difficult.- The Quietus
- Posted Mar 29, 2017
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On Undertow there’s less of the upfront ferocity of previous years but it’s not as if they’re toning anything down, just prolonging the hallucinatory qualities and the twisted, anomalous ardency of their vision.- The Quietus
- Posted Mar 29, 2017
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The songs feel bigger, better, more expansive and fresher, while their collective deportment has something of a swagger about it.- The Quietus
- Posted Mar 24, 2017
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This is a cautious yet dignified return that allows the Reids and their associates to spend even more time together than they’d have expected to create something positive rather than engaging in an orgy of self-destruction.- The Quietus
- Posted Mar 22, 2017
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- Posted Mar 20, 2017
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Their cover of Ryuichi Sakamoto’s ‘Merry Christmas Mr Lawrence’ feels superfluous and unnecessary. But that aside, this album sees Sherwood and Pinch take a big evolutionary step in their partnership in terms of keeping their inventiveness and the slabs of bass fresh while managing to ditching much of stodge.- The Quietus
- Posted Mar 17, 2017
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Rarely have a band so perfectly captured the nonchalant thrill of being beautifully stuck in their groove.- The Quietus
- Posted Mar 16, 2017
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Where some calls for more variety amongst the virtuosity here aren’t entirely without merit, the finesse of Dutch Uncles uniquely emboldened pop craft is arguably without comparison at present.- The Quietus
- Posted Mar 14, 2017
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Sleeping Through The War is a slow burning experience but once that fire is lit then there’s no putting it out.- The Quietus
- Posted Mar 9, 2017
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This is no retro throwback, Power Trip have poured their genuine, obsessive love of early thrash, but also Cro-Mags, Prong and Black Flag to create a boiling pot of modern metal mastery.- The Quietus
- Posted Mar 8, 2017
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A physical and spiritual journey unravels in the 37 minutes of the record.- The Quietus
- Posted Mar 7, 2017
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It's the slickest, spaciest project he's released since Honest (which was always underrated), and sits far left of the trap rigor mortis of the self-titled record.- The Quietus
- Posted Mar 7, 2017
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Some of the tracks in the album are some of the best that Moiré has made to date.- The Quietus
- Posted Feb 28, 2017
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It takes a while for these disparate facets to show themselves fully, but the resultant experience is a trawl into an underworld totally removed from collective consciousness views of tradition, fate and religiosity. It’s a dark path, but one well worth taking, provided you have something to ease the headache when you come back.- The Quietus
- Posted Feb 28, 2017
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It may be too early for most to declare it a classic, but only a few hours after its launch, it seems fair to describe Gang Signs & Prayer as a towering triumph.- The Quietus
- Posted Feb 27, 2017
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Dirty Projectors is not quite that good [Primal Scream’s Screamadelica]--few records are--but it certainly drives a stake into the ground as to what guitar bands could deliver in 2017 if they would only open their ears and minds up a little.- The Quietus
- Posted Feb 21, 2017
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Why Love Now may be their second album on Sub Pop, but there has been no cleaning up or pulling punches. Pissed Jeans are as soiled, sordid and scintillating as ever.- The Quietus
- Posted Feb 16, 2017
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It has been worth the wait. It’s not as if music’s timeline moves in anything but circles today, so the delay doesn’t present an issue. This is the music of yesternow.- The Quietus
- Posted Feb 15, 2017
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As well as command of the overall mood, Lipstate always demonstrates a steely command of her influences. But these mini homages don't swamp her sound--quite the reverse.- The Quietus
- Posted Feb 13, 2017
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- Posted Feb 13, 2017
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It’s been widely noted that Levi is the first woman in twenty years to be nominated for Best Score, but that she should win has nothing to do with gender, and everything to do with the off-modern freshness of her approach in a field dogged by generic bombast and minimalism-by-numbers.- The Quietus
- Posted Feb 10, 2017
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As it stands, Wake In Fright is a misanthropic social/personal/political blank cheque as bleak in outlook as it is righteously harrowing in sound. It’s 2017, and life’s a chasm. Uniform are staring right in.- The Quietus
- Posted Feb 10, 2017
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Despite the similarities, for the first time, Moon Duo seems less like a side project from Johnson’s other band Wooden Shjips and more like an entity in its own right.- The Quietus
- Posted Feb 9, 2017
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Something political and socially aware, but rather than aid it stands adrift, documenting the prostrate torment that tears through most bereft of power and consumes by the traumatic fallout, all delivered in a sensory wave, something that absorbs and immerses, envelops, is inescapable, yet never lectures.- The Quietus
- Posted Feb 9, 2017
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Avec Le Soleil Sortant De Sa Bouche have produced a record which is at once ambitiously progressive, admirably methodical and unassumingly joyous.- The Quietus
- Posted Jan 25, 2017
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Feed The Rats is gloriously over the top, tipping towards the precipice of ridiculousness, yet the sheer brutality of it is what steadies the ship here.- The Quietus
- Posted Jan 23, 2017
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