The Telegraph (UK)'s Scores
- Music
For 1,233 reviews, this publication has graded:
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63% higher than the average critic
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4% same as the average critic
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33% lower than the average critic
On average, this publication grades 4 points higher than other critics.
(0-100 point scale)
Average Music review score: 77
Highest review score: | All Born Screaming | |
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Lowest review score: | Killer Sounds |
Score distribution:
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Positive: 879 out of 1233
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Mixed: 352 out of 1233
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Negative: 2 out of 1233
1233
music
reviews
- By Date
- By Critic Score
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- Critic Score
Variably groovy and often catchy, Hyperdrama represents a marked improvement in Justice’s output. It’s easy to see why the band have had such a hard time topping Cross, however: Generator, the album’s strongest track, proves they’re still at their best when they stick to the sound that put them on the map 17 years ago.- The Telegraph (UK)
- Posted Apr 26, 2024
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If you like Knopfler’s flavour, One Deep River will be a treat. Indeed, if you walked into a bar and caught this outfit in action, you’d surely stop and pay attention, nodding along in gentle pleasure at the veteran musicianship and easy-on-the ear ambience. Yet in the context of his own discography, it lacks the imagination, ambition and stratospheric guitar playing that made Dire Straits one of the most popular bands of all time.- The Telegraph (UK)
- Posted Apr 12, 2024
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This fourth may not reach those heights [of the first two albums], but it’s a solid effort from a band who, above all else, just sound grateful to have survived.- The Telegraph (UK)
- Posted Apr 5, 2024
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Everything I Thought I Was is certainly not the career defining masterwork Timberlake seems to think it is, but nevertheless it’s enough to get him over that mid-life bump.- The Telegraph (UK)
- Posted Mar 15, 2024
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Lopez’s voice is technically fine but has a thinness that doesn’t really suit the exposure of digitally clinical modern production settings. She jettisons all Latin flavouring, which might have been her superpower.- The Telegraph (UK)
- Posted Feb 16, 2024
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Even at its most ambitious, everything is swept up in a blizzard of overcharged guitars and stylised snarling that would have sounded old-fashioned in 1981, let alone 2024.- The Telegraph (UK)
- Posted Jan 19, 2024
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If you simply want to revel in the elemental pleasures of sleek, clever, catchy songs played with rough vigour by a band who love to rock, then the Vaccines deliver their usual payload. .... They lack the boldness of the bands that most influenced their sound (The Ramones, Jesus and the Mary Chain) or the flair and ambition of others still flying the pop-rock flag (The Killers, Arctic Monkeys, The Libertines). On this evidence, The Vaccines are approaching their expiry date.- The Telegraph (UK)
- Posted Jan 12, 2024
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Nine originals interspersed with the overfamiliar classics indicate a songwriter’s fascination with rock form, but only I Want You Back (sung with Steven Tyler) justifies its position nestled between so many inarguable classics.- The Telegraph (UK)
- Posted Nov 17, 2023
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Everybody sounds like they’re having fun, and listeners of a certain vintage probably will too. But it adds little of interest to Morrison’s incredible canon, which from Blowin’ Your Mind in 1967 to Irish Heartbeat in 1988 ranks with the greatest popular music ever made.- The Telegraph (UK)
- Posted Nov 3, 2023
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There are lovely instrumental passages, lustrous strings, and it has all been crafted with love and care, but it doesn’t hit the heights we expect from a great Beatles ballad, ending up sounding like a poor imitation of genius, the kind of soft rock whimsy you’d find on thousands of second-rate Beatle influenced albums in the Seventies.- The Telegraph (UK)
- Posted Nov 2, 2023
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She hits the mark with stripped-back Room Service, but the more mainstream, hook-laden numbers Antichrist and Into Your Room don’t measure up to her earlier anthems Scarlett and The Wall is Way Too Thin.- The Telegraph (UK)
- Posted Oct 13, 2023
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There are a few tracks that could be spicier (Envy the Leaves, At Your Worst), but overall, Silence Between Songs seems like the album Beer has been wanting – and waiting – to make for a long, long time.- The Telegraph (UK)
- Posted Sep 15, 2023
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Unfortunately, most of Guts sounds like a simple continuation of Sour – there is little musical growth or thematic change, with Making the Bed and Pretty Isn’t Pretty seeming like mere overhangs from her debut- The Telegraph (UK)
- Posted Sep 8, 2023
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Hardcore fans should be satisfied, but Road recycles outdated myths of rock machismo from a pantomime villain determined to go out in a blaze of clichés.- The Telegraph (UK)
- Posted Aug 25, 2023
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Soft strings and Rapp’s silky vocals prevent it from being too jarringly TikTok-ready (though one imagines her record label will be hoping for just that). Overall, Snow Angel is a confident, accomplished debut.- The Telegraph (UK)
- Posted Aug 18, 2023
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While You & I doesn’t break any new ground, it’s a spirited and smartly produced – if brief – album.- The Telegraph (UK)
- Posted Jul 17, 2023
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This is smart, relatable break-up music for Gen Z listeners. But a more moot question, and one to which this reviewer suspects he knows the answer, is whether we need our own Taylor Swift when the real one seems to be doing a pretty good job as things are.- The Telegraph (UK)
- Posted Jun 23, 2023
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Horan’s sound of choice is much more understated, typically revolving around folky, acoustic strings and soft vocals. The Show, his third solo offering, is more of the same.- The Telegraph (UK)
- Posted Jun 9, 2023
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There are many absolutely gorgeous moments, including a reconfiguring of Pachelbel’s Canon in D Major as a ballad of gender fluid love, melancholy dance song Tears Are Soft, the lovely piano ballad Flowery Days and delicate electropop True Love (featuring 070 Shake). But the overwhelming mood is oppressive as it proceeds at a relentlessly mid tempo pace like a kind of stately march towards ecstatic sexual release.- The Telegraph (UK)
- Posted Jun 9, 2023
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On the whole, My Soft Machine lacks the clarity of Parks’s exceptional debut, and can veer too often into repetition; there’s a lack of journey in the individual songs, meaning you end in much the same place as you started. Her lyrics are, as ever, expertly crafted, but they deserve much more musical supporting oomph.- The Telegraph (UK)
- Posted May 26, 2023
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His overdue follow up is absolutely stuffed to the rafters with another round of big, weepie ballads about how miserable his love life is.- The Telegraph (UK)
- Posted May 19, 2023
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While the tricksy chord changes upon which most tracks are founded may be clever, or possibly ground-breaking, these recordings seriously lack oomph.- The Telegraph (UK)
- Posted Apr 21, 2023
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With the jolly, moreish melodies in other songs including Danae there is much to enjoy in Mythologies. But it’s also a 23-track album that commands attention, sonically speaking, for only a fraction of its duration. A seat at the ballet itself is needed to best marry the music, stories and movement.- The Telegraph (UK)
- Posted Apr 14, 2023
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A confident, interesting and accomplished album. But Marten is operating in a crowded field. Weyes Blood, Nina Nastasia, Lana Del Rey and Marling all plough similar furrows.- The Telegraph (UK)
- Posted Apr 7, 2023
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When Fall Out Boy are in top gear, they’re timeless: if only this whole album had cut some of the filler, it could have been a stellar return to form.- The Telegraph (UK)
- Posted Mar 24, 2023
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It is either the sound of someone who has begun to believe her own publicity, or who has stopped caring what anyone else thinks and is determined to follow her muse wherever it wanders. There’s a fine album lurking amidst the indulgence but listeners have their work cut out trying to locate it.- The Telegraph (UK)
- Posted Mar 24, 2023
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Like Paramore Lite, the first half of this album bubbles and fizzes in a pleasing sugar-hit without delivering true satiety. ... If only the band had dared to follow this direction more consistently and thoroughly, it could have been stellar.- The Telegraph (UK)
- Posted Mar 17, 2023
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100 gecs can also be (perhaps willfully) irritating. ... At their strongest, though – as on punky standout Doritos And Fritos – 10,000 gecs is a wonderful exercise in letting creativity run amok with no rules at all and carefully catching the resultant gold.- The Telegraph (UK)
- Posted Mar 17, 2023
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Her vocals remain powerful: from soaring operatic drama to persuasive pop melody and an ominous snarl; it doesn’t sound like she’ll take “nein” for an answer on the spacey synths of Gib Mir Deine Liebe. On the English-language tracks, her lyrics sometimes sound gauche, but the sentiments ring true, and her guest-list is enjoyably far-ranging.- The Telegraph (UK)
- Posted Mar 14, 2023
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All 12 tracks are undeniably well-made and catchy songs, but it veers into all-too predictable territory in places.- The Telegraph (UK)
- Posted Mar 3, 2023
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There’s nothing wrong with these songs, exactly – innocuous fare that’s catchier than you want it to be – but they’re a far cry from Pink’s attitude-laden early hits: misfit anthems about depression and divorce that elbowed her a place in the mainstream.- The Telegraph (UK)
- Posted Feb 17, 2023
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An over eagerness to keep up to date has resulted in making Twain sound less mature than her successor. On Queen of Me, Twain comes across as Swift’s over eager auntie, charging onto the dancefloor, determined to prove she still has the moves to cut it with the kids.- The Telegraph (UK)
- Posted Feb 3, 2023
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Sutherland has absolutely earned the right to celebrate his success. It’s just a shame that, with 17 tracks to play with, Great is He doesn’t go a little deeper.- The Telegraph (UK)
- Posted Jan 27, 2023
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Full of safe risks, Gigi’s Recovery is very much a transitional album as The Murder Capital look to evolve without alienating their fanbase. Doors are left wide open for subsequent reinventions but for now, the five-piece are comfortable sticking close-by what they know.- The Telegraph (UK)
- Posted Jan 20, 2023
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Whilst it is purposefully lacking in intention, the experimental album has its moments of whimsy but feels noticeably devoid of humour, surprising for a musician known for his zaniness. Still a cohesive affair, it’s an apt depiction of transience and Mac DeMarco is taking us all along for the ride.- The Telegraph (UK)
- Posted Jan 20, 2023
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A brew of sinister synth waves nearly stagnates where we want it to cascade, and harmonies twine around one another where we want them to soar into anthems. In short, a potential blaze delivers a fizzle.- The Telegraph (UK)
- Posted Jan 20, 2023
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Mercy is not an easy listen, but it is nevertheless inspiring to hear an octogenarian artist declining the comforts of nostalgia, still forging his own wayward path, opening byways for others to explore at their leisure.- The Telegraph (UK)
- Posted Jan 20, 2023
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Upon the first few listens, it’s a confusing album: there’s plenty of their usual sing-song melodies and musings on modern dissatisfaction, such as on When We Were Very Young. ... But it’s the synth-laden, poptastic I Don’t Know What You See In Me that seems glaringly out of place.- The Telegraph (UK)
- Posted Jan 13, 2023
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Most of the songs here do somewhat merge into one, long, party soundtrack that is enjoyable to listen to and yet entirely forgettable.- The Telegraph (UK)
- Posted Dec 13, 2022
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Their tenth studio album kicks off in fine form with the first single, San Quentin. ... If only the whole album was like this, but instead listeners will get whiplash from all the genre changes, which spans American rock, country and frat-boy pop.- The Telegraph (UK)
- Posted Nov 30, 2022
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It's sexy, restless, and perfectly suited for creatures of the night to writhe their glittery, glossed-up, bejewelled bodies to for all the ungodly hours.- The Telegraph (UK)
- Posted Nov 21, 2022
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There are glimmers of his facility for earworm melodies and nimble grooves, but they tend to be overwhelmed by an air of bombastic stridency.- The Telegraph (UK)
- Posted Nov 12, 2022
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City Planning certainly conjures the feeling of a commute into a sprawling metropolis, while Die Cuts is a supple collage of contrasting voices. But, sadly, neither will have you wishing you could listen to everything again.- The Telegraph (UK)
- Posted Nov 7, 2022
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More of this crooned gothic gospel, like a Nick Cave/PJ Harvey murder ballad, would be welcome in an album that can dip too often into cheesy, handclapping sentimentality. First Aid Kit have the dynamic songwriting and performance mettle to deliver more nuanced, exploratory terrain than Palomino offers.- The Telegraph (UK)
- Posted Nov 4, 2022
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The new version certainly sounds fuller, brighter and deeper, but unless you are a committed audiophile with studio standard hi-fi, most listeners could achieve a similar experience by turning up the volume, or perhaps investing in a pair of decent headphones. All interest therefore lies in extra tracks, which are not so much outtakes as works in progress – as the Beatles settled on arrangements, they would continually build on their chosen version. ... The truth is that the Beatles released everything they considered worthy whilst they were together, leaving nothing of outstanding quality in the vault.- The Telegraph (UK)
- Posted Oct 28, 2022
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- The Telegraph (UK)
- Posted Oct 21, 2022
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As you’d expect from one of Britain’s most cerebral and celebrated sonic adventurers, this isn’t the kind of music you can hum in the bath. It’s challenging, other-worldly and thought-provoking.- The Telegraph (UK)
- Posted Oct 14, 2022
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Mildly soulful, rarely unpalatable, the Chili Peppers keep delivering American fast-food for the ears, even as they enter their sixties.- The Telegraph (UK)
- Posted Oct 14, 2022
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On the pulsing, electronic slither of Vendetta X, on which Astbury speaks menacingly of “sucking on a dirty blade”, it’s closer to his work with Unkle than stadium rock. In these moments, and on the glorious, closing title-track, Under The Midnight Sun is brilliant. For much of its second half, however, its magic doesn’t catch quite so well.- The Telegraph (UK)
- Posted Oct 7, 2022
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On Out of Heart, Flohio deserves credit for bridging the worlds of rap and electronica, but you’re still left wondering: who is the human being behind this aesthetic? If she’s to truly level up artistically, Flohio needs to give us a clearer idea of what the reflection in the mirror looks like.- The Telegraph (UK)
- Posted Oct 7, 2022
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N.K-Pop will be a treat for Heaton’s fans. But it could probably use a little K-Pop power if he harbours any desire to reach and preach to the unconverted.- The Telegraph (UK)
- Posted Oct 7, 2022
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It remains a fairly relentless listen and at least a couple of tracks too long. Yet the album’s tale of survival against the odds has powerful personal relevance beyond its often clumsy social commentary.- The Telegraph (UK)
- Posted Oct 7, 2022
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Unfortunately, this time around, the lyrics tend to be too opaque to pack quite the same punch. ... That said, there are plenty of songs sure to please diehard Sports Team fans.- The Telegraph (UK)
- Posted Sep 23, 2022
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Creative but by no means cohesive, Crossan has clearly enjoyed himself with this album.- The Telegraph (UK)
- Posted Sep 16, 2022
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There are songs where it feels like there’s been a huge step-change in Nesbitt’s writing, as on When You Lose Someone. ... Some songs, however, fall right back into the clumsy patterns of Nesbitt’s earlier work- The Telegraph (UK)
- Posted Sep 6, 2022
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Throughout, the arrangements are as relentlessly upbeat and playfully retro as the album’s Alan Fears-designed artwork, stuffed with vocoders, peacocking basslines and laser-beam synth sounds. They’re also wildly referential, and largely fail to add anything either fresh or memorable to the conversation.- The Telegraph (UK)
- Posted Sep 2, 2022
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The songs are catchy, the emotions are sincere, and it is all driven by an intense desire to connect. But somehow Yungblud always sounds as if he’s trying too hard.- The Telegraph (UK)
- Posted Sep 2, 2022
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Mascara Streakz may not reinvent the wheel, but it does stand confidently among their greatest hits while making a compelling case for having that fifth shot of tequila.- The Telegraph (UK)
- Posted Aug 26, 2022
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A fun, enjoyable vessel that spotlights a magnetic talent. The music might not entirely be Panic! at the Disco’s own – but like fellow Vegas bigwig Elvis, that’s clearly no barrier.- The Telegraph (UK)
- Posted Aug 19, 2022
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Holy Fvck sounds like a genuine attempt to deal with a troubled adulthood and leave the past behind.- The Telegraph (UK)
- Posted Aug 19, 2022
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For the Wu-Tang purists, twitchy for a return to the raw Only Built 4 Cuban Linx sonics, the music here isn’t exactly going to quench your thirst. But it’s further proof that what the RZA truly savours is stepping outside of his comfort zone, and it's a relief to once again hear a little weirdness in rap.- The Telegraph (UK)
- Posted Aug 17, 2022
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Unwanted calls to mind a Jacqueline Wilson novel transposed into an LP format, its 12 songs relentlessly circling over ‘difficult emotions’ – awkwardness, rejection, and, yes, it’s okay to express your anger. And these, of course, are well-worn teen-pop topics already.- The Telegraph (UK)
- Posted Aug 12, 2022
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A hazy collection of groove-driven vocal tracks featuring singers and rappers.- The Telegraph (UK)
- Posted Aug 5, 2022
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- The Telegraph (UK)
- Posted Aug 5, 2022
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The album feels longer than its 12 tracks, and frequently verges on overblown. But perhaps that’s the point. Surrender leans so hungrily into its sonic vision of maximal catharsis that the album soon embodies its title – and propels you into doing the same.- The Telegraph (UK)
- Posted Jul 29, 2022
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Give Or Take presents Giveon as an undeniable talent who isn’t inclined to go deeper than his comfort zone for now; he coasts quite sweetly, between heartache and humblebrag.- The Telegraph (UK)
- Posted Jul 26, 2022
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- The Telegraph (UK)
- Posted Jul 19, 2022
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The Other Side of Make Believe scarcely risks driving away disciples. Nor does it cravenly go after fresh converts.- The Telegraph (UK)
- Posted Jul 15, 2022
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While still manic in its tempo-changing lunacy, Hellfire is more approachable and organised, as the production by sometime Björk engineer Marta Salogni asserts a certain order amid the vari-speed chaos.- The Telegraph (UK)
- Posted Jul 15, 2022
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Ballads like Ripples and Lovesong barely make a dent, although the bossa nova lilt of The Perfect Pair and pop beat of Tinkerbell Is Overrated fare better. Matty Healy of prominent labelmates The 1975 co-writes a couple of tracks, but his influence overwhelms the album’s delicate palette.- The Telegraph (UK)
- Posted Jul 15, 2022
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On Gemini Rights, his second solo album proper, Lacy returns to a familiar well of sexy debauchery and smooth licks, while unpicking the emotional aftermath of a recent break-up.- The Telegraph (UK)
- Posted Jul 15, 2022
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Shackled by its own turgid competency, Dear Scott fizzes with all the life of a demo tape recorded in a local community hall double-booked with a bingo night. No matter how loud you turn up the volume, it still sounds quiet. It sounds uncomfortably naked, too.- The Telegraph (UK)
- Posted Jun 3, 2022
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McRae is primed for success, though, and while her songs can verge on self-indulgence – there’s a fair amount of navel-gazing at play – they’ll surely speak to a teenage audience. This is well-made, ear-wormy pop music, guaranteed to hit a nerve.- The Telegraph (UK)
- Posted May 27, 2022
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This is the Stones’ 12th live album. Do we need another one? Not really. Live at the El Mocambo is one for dedicated fans and completists, but it’s a fascinating snapshot of a band in transition – and great fun.- The Telegraph (UK)
- Posted May 13, 2022
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The album retains the competent aura of Sigrid’s debut, if not always its punch. Her unrelentingly talented vocal performances on tracks like piano ballad Last To Know strip her back to the artist before the fame, the artist at her piano at home in Norway. But high-octane pop remains the place where she really shines.- The Telegraph (UK)
- Posted May 6, 2022
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Alpha Games should please their established fanbase, but Bloc Party still sound strangely ambivalent, trapped between the visceral thrill of lean, modern guitar music and their doubts about its form and function.- The Telegraph (UK)
- Posted Apr 29, 2022
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SERPENTINA isn’t a coherent whole but rather a doggerel and ill-considered mishmash of disparate parts.- The Telegraph (UK)
- Posted Apr 8, 2022
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Mainstream Sellout portrays MGK as a victim of success; it gleams like a fancy ornament on an industry merry-go-round – then the music hits you, not with a roar, but a very loud meh.- The Telegraph (UK)
- Posted Mar 25, 2022
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The songs themselves may not be complex but the simple and sincere emotions expressed on anthems such as the chiming indie epic Forever, the rip-roaring AC/DC-style rocker Running Round My Brain and the Rod-Stewart-flavoured piano ballad Every Dog Has Its Day carry a potent weight of feeling and offer euphoric release.- The Telegraph (UK)
- Posted Mar 18, 2022
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As always with Mehldau ambition often tips over into pretentiousness, but one forgives him because there’s a real musical sensibility at work.- The Telegraph (UK)
- Posted Mar 18, 2022
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The most disappointing thing is how thin much of Donda 2 sounds, how messy and badly structured the songs are, how few pop hooks or memorable melodies it conjures, and how weak and repetitive West’s rhymes often are.- The Telegraph (UK)
- Posted Feb 28, 2022
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The don’t-bore-us, get-to-the-chorus model followed by the top half of Night Call works fine when taken in pieces, or as the beat-driven soundtrack to a gym workout. But it frustrates and alienates in its album sequence. Yet, Night Call delivers in affirming Olly Alexander as an artist capable of connecting with a varied, multi-generational audience.- The Telegraph (UK)
- Posted Jan 21, 2022
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When the harmonies blend and Andersson’s piano rings out, it sounds enough like Abba to have hardcore fans tossing their feather boas in the air. But the dancing queens have lost the spring in their step, and the result is out-of-time rather than timeless.- The Telegraph (UK)
- Posted Nov 4, 2021
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Everything on this flashy, melodramatic album punches its weight. If it had come out in 1985, it would have ruled the world.- The Telegraph (UK)
- Posted Oct 22, 2021
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There have been many great sci-fi concept albums before, but Coldplay’s offering is not so much about exploring the outer limits as continued world domination. It's Zippy Starburst and the Earworms from Marketing.- The Telegraph (UK)
- Posted Oct 14, 2021
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This appealing set of 12 short, sweet, heartfelt songs rattles along with gorgeous vocals, silvery guitar lines and perky bass and drum rhythms, stirring a jaunty singalong spirit of friends on a mission. But if the Lathums truly aspire to be the indie voice of a new generation, they are going to have to sharpen their quills or invest in a rhyming dictionary.- The Telegraph (UK)
- Posted Sep 24, 2021
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He is, it is true, a singular talent and his inner monologues crackle with an undeniable dark alchemy. And yet, like a sermon that goes on too long, Kanye’s stream-of-conscience observations on Jesus, Kim Kardashian and the importance of being Kanye suffer for an absence of breathing space. Full of sound and fury it may be – but West’s latest ultimately lacks direction.- The Telegraph (UK)
- Posted Aug 29, 2021
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It sounds utterly gorgeous, and perhaps this laid-back, stripped-down folksy bent is part of a generational pop shift, echoing the intimate minimalism of Billie Eilish – but I have my doubts. ... Lorde’s lyrics are still acute, her singing superb, her songs beguiling, but her perspective has shifted from every-girl outsider to over-privileged solipsist. Solar Power is underpowered and unlikely to set the world on fire.- The Telegraph (UK)
- Posted Aug 19, 2021
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The overall impression is of a super-slick exercise in generic, glossy, team-built, uber-commercial RnB-pop. Still, Anne-Marie has the kind of voice and presence that could make anybody’s day better.- The Telegraph (UK)
- Posted Jul 26, 2021
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The infuriating thing is that there is a great album lurking here, one that a disciplined editor and more sonically adventurous producer might have uncorked.- The Telegraph (UK)
- Posted May 6, 2021
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Her crisis of faith provides a sharp edge to Evanescence’s formulaic grandstanding.- The Telegraph (UK)
- Posted Mar 25, 2021
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The problem with Justice is that Bieber thinks his music is more powerful than it actually is.- The Telegraph (UK)
- Posted Mar 19, 2021
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There are 11 songs on When You See Yourself, filled with pretty words and lovely tunes, but I would struggle to tell you what any of them are about. Although blessed with a raw, raspy tone that could make a shopping list sound sexy, Followill’s vocals are buried in a bass-heavy mix.- The Telegraph (UK)
- Posted Mar 4, 2021
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There are striking contributions from an eclectic range of guests, including veteran British rapper Skepta, sound wizard James Blake and singer-songwriter Deb Never, and it all sounds intriguingly modern, with a pleasingly discombobulating bent. Yet, when stripped of political context, it exposes the emptiness of Slowthai’s wordplay, all sound and fury, signifying nothing much at all.- The Telegraph (UK)
- Posted Feb 11, 2021
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Though the materials accompanying Nobody is Listening insist that it’s Zayn’s most personal record to date, and the one over which he’s had the most personal control, it’s hard to find much trace of him here.- The Telegraph (UK)
- Posted Jan 15, 2021
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Pick-n-mixing sounds and being savvy about who they work with has paid off beyond trying to maintain quality from track one to track 13. So take it for what it is: a collection of songs that happen to be next to each other, some of which are glorious (most of the singles) and some of which are a bit cringe (Gloves Up, A Mess).- The Telegraph (UK)
- Posted Nov 6, 2020
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Disco offers a set of familiar grooves. ... Her comfort zone is effervescence and escapism, in the pursuit of which Disco stays light on its feet and easy on the ear. We’ve heard it all before, but Kylie has the floor, and, honestly, she sounds like she’s having a (glitter)ball.- The Telegraph (UK)
- Posted Nov 5, 2020
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Positions is not as immediate as the work Grande is known for, though it will find many fans. There are no tentpole hits, no obvious hooks and far too many words crammed into 14 relatively short and sometimes samey songs. But it explores new territory for the singer: new relationships, a new sound, a new sense of self.- The Telegraph (UK)
- Posted Oct 30, 2020
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Its 14 overloaded songs jostle awkwardly together in a cornucopia of conflicting impulses, shifting from beatboxing punk to beatnik poetry, ambient moodiness to sophisticated showtunes, peppered with snappy couplets and gilded with gorgeous melodies.- The Telegraph (UK)
- Posted Oct 29, 2020
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Rap has been around for four decades now, and you might have hoped it would have evolved beyond this kind of backwards, deeply misogynist, abusively macho, greed- and status-obsessed posturing.- The Telegraph (UK)
- Posted Sep 9, 2020
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