The Wire's Scores

  • Music
For 2,618 reviews, this publication has graded:
  • 51% higher than the average critic
  • 7% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Music review score: 73
Highest review score: 100 Spiderland [Box Set]
Lowest review score: 10 Amazing Grace
Score distribution:
2618 music reviews
    • 76 Metascore
    • 70 Critic Score
    Ripatti employs a panoply of dynamic breaks and styles without sticking to anything for too long. The results are both claustrophobic and entertaining. [Aug 2022, p.48]
    • The Wire
    • 80 Metascore
    • 70 Critic Score
    The Invisible Way has Wilco's Jeff Tweedy behind the faders, and he superbly captures the concentrated simplicity of Low's aesthetic. But sometimes the restricted palettes can be a little cloying,[Mar 2013, p.56]
    • The Wire
    • 86 Metascore
    • 70 Critic Score
    It's far from perfect record--the guests are phoned in, the beats sometime out-cheese pre-breakdown Kanye at his cheesiest--but it has more than a few perfect moments. [Jul 2013, p.68]
    • The Wire
    • 80 Metascore
    • 70 Critic Score
    Donaldson’s lyrics tend towards the observational, and are often delivered with a wry turn of phrase that can be laugh out loud funny. ... The Town That Cursed Your Name juggles pathos and bathos throughout. [Apr 2023, p.58]
    • The Wire
    • 73 Metascore
    • 70 Critic Score
    Sifting through these hermetic songs is like coming across a cobwebby box of photographs in an empty home. Tiny fragments of narrative emerge, only to be drowned by ambiguity and absence. [Oct 2018, p.58]
    • The Wire
    • 78 Metascore
    • 70 Critic Score
    Toure's tone is richly sonorous, his vocal strength such that he actually buttresses and strengthens the tracks... It's a great shame that the sound quality falters on the later tracks. [Jul 2015, p.58]
    • The Wire
    • 77 Metascore
    • 70 Critic Score
    His voice is better suited to confiding, but it's slapped on top rather than properly featured, and this seems symptomatic of the muddy arranging, But the aim is to swagger and excite, and the group's ragged fervour is not in doubt. [Jun 2015, p.50]
    • The Wire
    • 76 Metascore
    • 70 Critic Score
    It's seven tracks whip by in a 35 minute blur, with only a dew isolated moments sticking out. [Aug 2013, p.57]
    • The Wire
    • 84 Metascore
    • 70 Critic Score
    Belief is one of his more structurally conventional turns. [Mar 2018, p.58]
    • The Wire
    • 71 Metascore
    • 70 Critic Score
    Butler offers seven tracks whose energy swings between chaotic and cool. [Nov 2023, p.62]
    • The Wire
    • 80 Metascore
    • 70 Critic Score
    Sauna Youth are a tight unit, their constituent parts meshing into a formidable wall of sound, but it might be an idea to lose a member or two, subtract an element and make space for uncertainty. [Jun 2015, p.52]
    • The Wire
    • 75 Metascore
    • 70 Critic Score
    Where the vocals are murky, the synthesizers have a queasy over-clarity, poised somewhere between the repellent and the sublime. [Aug 2011, p.58]
    • The Wire
    • 70 Metascore
    • 70 Critic Score
    The record slips easily into a catalogue that is consistent with the familiar John Maus aesthetic, which will no doubt satiate a voracious fan’s appetite for music that exists outside of time, always and at once. [Jun 2018, p.62]
    • The Wire
    • 79 Metascore
    • 70 Critic Score
    The bold accessibility and nostalgic tone of Bermuda Drain is a surprise. [Jul 2011, p.60]
    • The Wire
    • 80 Metascore
    • 70 Critic Score
    How literally Allen wants us to take his nod towards Herman Melville’s whale is left tantalisingly openended, although this tapestry of ghoulishly misremembered tales has an obvious parallel with Melville’s patchwork of story and allusion. [Apr 2020, p.49]
    • The Wire
    • 80 Metascore
    • 70 Critic Score
    Rising Down's most immediate qualities are the raw aesthetic and the burning importance of its message. [July 2008, p.66]
    • The Wire
    • 76 Metascore
    • 70 Critic Score
    It's fair to say that not much new ground is broken here, but it's remarkable how endearing their blend of chugging underground pop and frail ragas still sounds. [#210, p.66]
    • The Wire
    • 81 Metascore
    • 70 Critic Score
    “Stir The Sea” coasts on a choice yowly blues metal riff, but teased out slow jams like “Arcurlarius – Burke” are equally their forte. The vocal resemblance of Brian Markham and Meat Puppets’ Curt Kirkwood helps crystallise a bubbling under comparison with the latter, although Dommengang aren’t in The Puppets’ league when it comes to ingenuity or, frankly, personality. [Aug 2019, p.64]
    • The Wire
    • 81 Metascore
    • 70 Critic Score
    All told, there are some beautiful moments on this record, as well as a sense that the gap between what Fennelly wants his music to be and what he is able to accomplish is gradually narrowing. [Jun 2018, p.62]
    • The Wire
    • 77 Metascore
    • 70 Critic Score
    Will depend on how indulgent you personally feel towards the Parliamentary legacy. The smart thing to do would be to purchase tracks selectively and sequence your own version of Medicaid Fraud Dogg. In other words: be wise and sample before you buy. [Jul 2018, p.55]
    • The Wire
    • 81 Metascore
    • 70 Critic Score
    Bachman probably spent more of Almanac Behind’s production time processing sounds than strumming strings. [Jan 2023, p.61]
    • The Wire