Absolution - Muse
Metascore
72 out of 100

Generally favorable reviews - based on 16 Critics

Critic score distribution:
  1. Positive: 11 out of 16
  2. Negative: 2 out of 16
  1. Absolution's chaotic choruses feel like the triumphant culmination of some earth-shattering undertaking. [Jul 2004, p.146]
  2. Muse have widened the goalposts and re-established what rock is allowed to stand for. Next to ‘Absolution’, even something as majestic as ‘Elephant’ sounds so painfully small.
  3. The most inventive and exhilarating rock music Britain's producing right now.
  4. 90
    A massive concept album that is so gluttonously huge-sounding that it makes The Wall sound like a Sebadoh record. [#10, p.94]
  5. 'Absolution' is Muse's most accomplished album to date, and kicks their - at the time - excellent debut album 'Showbiz' into the ground.
  6. For sheer bravado and imagination it's something that few bands will top this year. [Oct 2003, p.109]
  7. Like Coldplay on A Rush of Blood to the Head, Muse sound like a band who are at the top of their game. Their confidence carries you through the album's excesses.
  8. Absolution is an emotional, philosophical, sophisticated, poetic, and beautiful piece of rock music.
  9. 70
    A daring and triumphant concoction. [#27, p.140]
  10. Despite the daunting Radiohead-colored cloud that hangs heavy over Muse, the band pushes the limits of its slick, pre-apocalyptic rock with a self-assured strut.
  11. Muse continue to make unrelenting hardcore art rock; Absolution is a tad cheesy, a bit too grandiose in its ambitions, bursting at the seams with too many ideas, and thus exactly what any Muse fan craves.
  12. It's too bad that vocalist Matt Bellamy doesn't bring as much ingenuity to his singing.
  13. Ultimately, the arrangements of more than half the songs are defined by their progressive '70s bombast and pretentiousness.
  14. 30
    Pushes the trio's grandiose delusions onto new levels of interpretative-dancing, mirror-cracking excess. [Oct 2003, p.107]
  15. Muse write... the same way Metallica write, i.e. just compiling bits of ‘music’ then sticking them together, except they’re more impressed with their fragments (though they’re simpler and duller and even more remarkably similar to each other than Metallica’s), so they make them go on longer and repeat them more times.
User Score

Universal acclaim- based on 183 Ratings

User score distribution:
  1. Negative: 5 out of 113
  1. 10
    Another masterpiece by Muse, following the amazing Origin of Symmetry. Every song on the album is great, with the top 3 being Hysteria, Butterflies & Hurricanes, and Stockholm Syndrome. Full Review »
  2. valenb
    10
    A worthy successor to their excellent second album Origin of Symmetry. These are three very talented guys who will leave you breathless on your stereo as well as on a stage. Sure, there may be some Radiohead, Queen, and even Rage Against the Machine similarities, but isn't the best music supposed to draw on the things that came before it? Whatever they've taken, they've made their own. Full Review »
  3. While Absolution is not a bad record by any means, it exemplifies the 'rage against the machine' meets 'radiohead' criticisms. The album features plenty of good songs, but fails to find a footing and sounds disjointed at times. Still a solid effort with some great, climactic songs. Full Review »