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- Critic score
- Publication
- By date
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Apr 11, 2017Her boiled up fury and velvety voice pair together to make something special, resulting in the album that Del Rey would kill to make.
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Apr 24, 2017An impressive debut from a very promising songwriter, hopefully with more to come.
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Apr 7, 2017Dry wit and effortless elegance run throughout, which makes cinematic, poetic wonderment out of eye rolls and humongous sighs.
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MojoApr 6, 2017Shimmering, lounge-pop gives a velvet backdrop to fluent, Dylan-ish vernacular sung with flawless mitteleuropa cool. [May 2017, p.98]
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Apr 19, 2017Her voice and affectations are so guided by the heavy hands of Turner and Ford that Belladonna of Sadness is largely indistinguishable from their work: At best, Savior is a muse for her own introduction; at worst, she’s a conduit who’s yet to prove that she can hold her own with the company she keeps.
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Apr 10, 2017Turner’s retro snap, crackle and pop and Ford’s studio shimmer polish Savior too much out of the picture, leaving her sounding like an imitation, rather than the real thing.
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Q MagazineApr 6, 2017While not all the songs manage to really sink their teeth in, the overall smoky, neon-lit atmosphere is an intoxicating one. [May 2017, p.111]
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UncutApr 6, 2017Without notable emotional heft, however, the identikit cool and sub-Lana Del Rey poses prove wearisome, the cloying artifice insubstantial. [May 2017, p.39]
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Apr 6, 2017Savior seems suffocated by the very strict parameters that have been drawn for her, by herself and others.
User score distribution:
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Positive: 23 out of 25
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Mixed: 1 out of 25
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Negative: 1 out of 25
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May 18, 2018
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Jan 5, 2022Great album from begining to end. She is a great artist and I'm waiting for more music by her