Metascore
69

Generally favorable reviews - based on 11 Critics

Critic score distribution:
  1. Positive: 9 out of 11
  2. Negative: 0 out of 11
  1. It is Amon Tobin's richest work, and incredibly aurally pleasing.
  2. In the end, it doesn't really matter that it's the soundtrack to a video game that I'll never play. It's a new Amon Tobin album (and a good one at that), and that's all I need.
  3. This isn't a revolutionary album for Tobin but it's a lot of fun, and works surprisingly well on its own, given the stringent requirements it had to meet.
  4. Spins a web of eerie jazz-junglist percussion. [22 Jan 2005, p.51]
  5. 70
    Tobin delivers fiercely programmed, seriously dark material. [Mar 2005, p.104]
  6. As the accompaniment to game play, Chaos Theory is a standout in its field; just don't expect it to be as memorable as the typical Amon Tobin effort.
  7. Chaos Theory is fiendishly dense and darkly evocative.
  8. There’s little doubt that Chaos Theory does what it's meant to do: provide solid background noise to special-ops, night vision-wearing virtual stealth warriors. Compared to the rest of Tobin’s catalog, however, it’s merely a mildly engaging diversionary maneuver.
  9. If all you’re looking for is more Tobin material, then you’ve come to the right place. If you’re expecting anything more, you’d best look elsewhere.
  10. 40
    It's clever and interesting, but it's hard to escape the feeling that an opportunity to expand and mutate his sound even more went partially wasted. [Apr 2005, p.104]
User Score
7.9

Generally favorable reviews- based on 24 Ratings

User score distribution:
  1. Positive: 12 out of 15
  2. Mixed: 0 out of 15
  3. Negative: 3 out of 15
  1. Nov 17, 2012
    9
    Without this soundtrack, the game wouldn't have been the same thing, It's nerve-racking, exciting, and intense. Every time i listen to one of the songs i imagine myself infiltrating in a bank, Amon Tobin totally nailed it. Full Review »
  2. Mar 25, 2011
    9
    I've only listened to a little of Tobin's music, but I wasn't particularly fond of. However, I adored Splinter Cell: Chaos Theory's soundtrack. This album is great, but it's major flaw is that it doesn't include all of the music found in the game, and Jesper Kyd's contribution is no where to be found. What's more, each track is a condensed mixture of the three versions associated with each level of alertness (standard, suspicious, and detected). Despite this, it still makes for a good standalone album and an even more fantastic soundtrack to be heard whilst playing a magnificent stealth game. Full Review »