• Record Label: 4AD
  • Release Date: Apr 28, 2023
Metascore
79

Generally favorable reviews - based on 21 Critic Reviews

Critic score distribution:
  1. Positive: 18 out of 21
  2. Negative: 0 out of 21
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  1. 100
    This is The National back from their brink and at their absolute best.
  2. Apr 27, 2023
    85
    It’s a taut, focused collection that reins in the sprawl of the group’s 2019 release I Am Easy to Find and re-centers the band on their most emotionally complete effort since Boxer.
  3. Apr 28, 2023
    83
    First Two Pages of Frankenstein is by no means subversive – but it’s worth at least keeping on the bookshelf for whenever you, too, feel lost.
  4. Jun 1, 2023
    80
    After dancing through all these keys of fear, loss, and distress, the record ends with “Send for Me,” a simple and moving pledge to come pick you up, whatever happens. The slow bloom of warmth feels hard won, but not even remotely fragile.
  5. May 15, 2023
    80
    Even without the backstory or an understanding of how difficult this record was to make, …Frankenstein is a skilful portrait of what it means to feel disconnected from the joy and urgency of life.
  6. May 3, 2023
    80
    There are hints of the band's more dynamic past on Eucalyptus, Tropic Morning News and Grease In Your Hair. But on the whole, First Two Pages of Frankenstein is an excellent exploration into recovery from depression, passion and addiction and is one of the finest records The National have released in quite some time.
  7. May 2, 2023
    80
    First Two Pages of Frankenstein is still obviously the National’s work and sound, but it wants to reach out more than they ever have.
  8. Apr 28, 2023
    80
    First Two Pages of Frankenstein is up there with Boxer, the band’s 2007 album on which they thrillingly found their musical feet. This is the sound of a band who’ve honed their sound to such an extent that they’re now towing a whole new generation in their wake.
  9. Apr 27, 2023
    80
    Nothing here sounds precisely new -- this is the aesthetic that gelled around the time of High Violet, yet the skill in the craft is married to a brightness in outlook that lets First Two Pages of Frankenstein operate on two parallel paths: it can serve as moody atmosphere or reward close listening.
  10. 80
    It’s realistic, reassuring, and rather soporific.
  11. 80
    First Two Pages of Frankenstein is yet another dose to remind you why – and how – the band have managed to carve their own special place out in the cultural landscape.
  12. Apr 27, 2023
    80
    First Two Pages of Frankenstein feels like a return to The National we fell in love with 20-plus years ago while still being creatively ambitious and providing new context to a band who never fears away from putting themselves out there.
  13. Apr 26, 2023
    80
    A remarkable reassertion of the band’s potency. ... Nine albums deep, the National find new energy by conjuring not just a great, suffocating fog but also the far light that guides the way out.
  14. Apr 26, 2023
    80
    A carefully sculpted project, a level of fluidity and richness stitched together with the highest calibre of performance, production and songwriting. Like Frankenstein and his monster, the commitment to the design and blueprint of this record is incredible; every minute detail, sound, glitch, has been selected with the utmost care by The National.
  15. Apr 26, 2023
    70
    Occasionally, such stylings verge on the generically anthemic on First Two Pages of Frankenstein. ... The songs here are otherwise richly stacked with detail and sonic shadings.
  16. Apr 26, 2023
    70
    A little change of pace and a tad more sonic variety admittedly wouldn’t have gone amiss, but nevertheless, ‘…Frankenstein’ is a solid addition to The National’s canon.
  17. May 2, 2023
    69
    They’ve built up enough good will at this point that they’re able to maintain a massive fanbase by coasting through comfortable records – and they could probably continue to do that for a few more years at least. But, if Berninger and co really want to rediscover purpose in their lives and work, perhaps it’s time to push themselves somewhere a little riskier.
  18. Apr 27, 2023
    66
    The chaos comes on the very next track, “Grease in Your Hair,” one of a couple songs that performs the National’s old sleight of hand: working the anxiety around until they pull an anthem out of thin air. As a way to address one of the primary tensions in their catalog—writing songs about dissatisfaction in spite of great conventional success—it’s a great bit. But as Frankenstein moves from wrestling to reckoning, the swells are tamer.
User Score
8.4

Universal acclaim- based on 37 Ratings

User score distribution:
  1. Positive: 29 out of 37
  2. Negative: 0 out of 37
  1. Apr 28, 2023
    6
    Meh. I don't get the love. I also don't get why people say this is a comeback. Sleep Well and I Am Easy to Find were better, even great,.Meh. I don't get the love. I also don't get why people say this is a comeback. Sleep Well and I Am Easy to Find were better, even great,. Well, really good. This is just blah. Honestly, their worst since Sad Songs. Full Review »
  2. Apr 28, 2023
    5
    A collection of songs that would be gems on a post-career retrospective box set of outtakes and unreleased songs, maybe, but as a currentA collection of songs that would be gems on a post-career retrospective box set of outtakes and unreleased songs, maybe, but as a current album it's "meh." It's more thought out and better written than their last effort, mind you. Their new material suffers from their process, imo. Gone are the days of writing a lot, and in the same room, and now the songs (mostly) sound like exactly like what they are -- Matt mumbling over bits of music sent to him by the twins. The things that work on Frankenstein work because they are refried ideas from Boxer > High Violet > Trouble Will Find Me. That makes them better than some other bands, but this one falls flat. And the recording is decidedly no-fi for the most part -- you'd think they fired Bryan in favor of off-the-shelf electronic drum loops. Sorry, dudes, love ya as I do, hard pass on (most of) this one. But, they've now "arrived" in the mainstream, and people are sh***ing themselves over it, so fair play to them and their new friend Taylor. Full Review »
  3. May 14, 2023
    4
    I’ve been a fan since the beginning but this record is just a huge disappointment. Listened to it 4 times but I still can’t recall more than 2I’ve been a fan since the beginning but this record is just a huge disappointment. Listened to it 4 times but I still can’t recall more than 2 songs and even those I don’t like. Yes yes the production is nice but where’s the emotion? The force they used to have? It’s okay as background music but it’s just that. Full Review »