Gold Dust - Tori Amos
Metascore
68

Generally favorable reviews - based on 13 Critics

Critic score distribution:
  1. Positive: 7 out of 13
  2. Negative: 0 out of 13
  1. Oct 2, 2012
    87
    Re-sculpting many of her best loved songs, the complexity of her musicality emerges from the intensity of the originals-as dynamics are truly sculpted and the songs take on new and often more ominous colors.
User Score
6.7

Generally favorable reviews- based on 19 Ratings

User score distribution:
  1. Positive: 3 out of 7
  2. Negative: 3 out of 7
  1. Oct 4, 2012
    3
    I'm sorry, but you've got to be kidding me. When I first listened to this album, I thought there was some mistake. The songs sound exactly like the original versions. After putting on headphones and trying again, I can hear that they are new recordings, but barely. Sure, there's orchestration and it's pretty, but I would absolutely not call these "re-workings." If you played these for random people and had them listen to the old versions, they would be hard pressed to tell you what is different. I'm a huge Tori Amos fan, but there has just been something terrible happening with her music with everything after American Doll Posse. I'm sure plenty of people will think this album is great, but I really thought I was going to get "new" versions of the songs with completely different feelings. It just feels lazy to me. If you want to buy it, I highly suggest you listen to some samples first to make sure you know what you're getting. Full Review »
  2. Oct 5, 2012
    5
    While these are all great songs, I don't really get the point of the project. Why did Tori chose songs that were almost all already piano and strings based? They don't feel fresh or reimagined, just rehashed. If only she had chosen some of her rockier tracks and given them the Metropoloe treatment (for example, the amazing version of Spark performed live in 2011? Not terrible, but far from essential. Full Review »
  3. Oct 3, 2012
    7
    Surprising decisions made here. Some songs are very interesting in their new incarnation, others less so. Overall, the orchestration is beautiful, and her incessant vocal layering, which she's known for doing on every studio record, is distracting and unnecessary (most of the time). That the same formula applies even on her "classical" recordings is rather frustrating. Still, some gems here. Full Review »