Hell Hath No Fury
by Clipse
User Score
8.4

Universal acclaim- based on 192 Ratings

User score distribution:
  1. Positive: 160 out of 192
  2. Mixed: 18 out of 192
  3. Negative: 14 out of 192

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  1. Aoi
    Oct 12, 2013
    10
    Amazing album. The Neptune's production on this thing is fun and incredibly well done. It has a particular sounds to it that has certified it's classification as a classic.
  2. billdino
    Jan 30, 2014
    10
    Why is it okay for african-americans to be racist and say "Only white people like this album"? If a white person said "only black people can;t understand this music", it would be racist. So, please, drop the double standards and racism. Good music is good music. Kanye and Earl are both big fans of this albums so it doesn't hold up to scrutiny either. But maybe they're not "black enough"...
  3. wondugebeyehu
    Mar 12, 2014
    9
    The absolute pinnacle of street music. Pusha and Malice are mean, lean, and starkly self-aware. All 12 tracks are beautifully produced by The Neptunes. On these beautifully hideous beats, the duo embrace their own ugly side as they trade verses about women, clothes, family, and hustling. As they cover about everything but themselves on Hell Hath no Fury, it makes you start to think there'sThe absolute pinnacle of street music. Pusha and Malice are mean, lean, and starkly self-aware. All 12 tracks are beautifully produced by The Neptunes. On these beautifully hideous beats, the duo embrace their own ugly side as they trade verses about women, clothes, family, and hustling. As they cover about everything but themselves on Hell Hath no Fury, it makes you start to think there's a reason.… Expand
  4. ryguy2109
    May 8, 2014
    8
    The first standout are the quirky, junique beats. Then its Pusha T all over em, killin it. No Malice is solid, as they compliment each other well. No filler found. Each song is different, and yet it doesn't clash or seem scrambled.
  5. keve16
    Mar 22, 2015
    9
    9.2/10................................................................................................................................................
  6. Shady313
    Apr 11, 2015
    9
    9/10 .................................................................................................................................................
  7. slurpeemom
    Feb 7, 2021
    10
    Some of the smoothest, cleanest rhymes I've heard. Eloquent, forceful, perfectly captures a tone. Not a single weak link in the entire album, and both Malice and Pusha have incredible moments. Truly classic
  8. taykor
    Mar 28, 2022
    10
    One of the best hip-hop albums of the 2000s perfectly embodies what rap is. The braggadocious yet incredibly clever punchlines and wordplay throughout the entirety of the album combined with dark, impeccable beats laid down on every track lead to a classic album that isn't necessarily revolutionary, but an album that knows exactly what it is and an album that executes on its planOne of the best hip-hop albums of the 2000s perfectly embodies what rap is. The braggadocious yet incredibly clever punchlines and wordplay throughout the entirety of the album combined with dark, impeccable beats laid down on every track lead to a classic album that isn't necessarily revolutionary, but an album that knows exactly what it is and an album that executes on its plan perfectly. That plan is an album that totally embodies every base aspect of hip-hop perfectly.… Expand
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Awards & Rankings

4
#4 Best Album of 2006
22
#22 Most Discussed Album of 2006
36
#36 Most Shared Album of 2006

Critic Reviews

All reviews »
Metascore
89

Universal acclaim - based on 29 Critic Reviews

Critic score distribution:
  1. Positive: 28 out of 29
  2. Mixed: 1 out of 29
  3. Negative: 0 out of 29
  1. Blender
    80
    It's ghetto viciousness as literary exercise--an episode of The Wire with a better soundtrack. [Nov 2006, p.142]
  2. Entertainment Weekly
    100
    The best hip-hop album of 2006.
    Read full review
  3. Los Angeles Times
    75
    There's a cold efficiency in how the Clipse delivers songs built on street-corner cockiness and billfold bluster. It's all shamelessly amoral, but the Clipse wouldn't be such savvy hustlers if they didn't know how to sling with style.
    Read full review
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