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- Critic score
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Q MagazineAug 28, 2014It's a shame that the album starts so blandly. [Sep 2014, p.109]
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Aug 13, 2014Musically, I’m Not Bossy is pure pop with a wonderful glam mindset, but there was certainly more lyrical attention needed for it to succeed its intended purpose.
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Aug 7, 2014If they [the songs] are fiction, this is a triumph of storytelling. Where things fall down is in the production: the howling blues-rock of The Voice of My Doctor aside, her singing is pulped into a girlish murmur, which is no way to treat one of pop's great voices.
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Aug 7, 2014O’Connor’s impassioned delivery elevates the most middling melodies and predictable rhymes.
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Aug 6, 2014I'm Not Bossy is sonically diverse, but rarely do the songs give O'Connor the opportunity to flaunt her impressive vocal range or, aside from closer "Streetcars," explore the more intimate side of her still-striking voice.
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Aug 13, 2014There are transitions in mood, but the focus is on love songs with vitriol supplanted by a brand of joie de vivre, the darkness still there but distanced.
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Aug 11, 2014The album title promises much in the way of forthright antagonism and the Jessie J hair she sports suggests some kind of ironic statement on the chart mainstream, but the content fails to deliver, save for two isolated moments.
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Aug 12, 2014For an album that focuses on the theme of love, it’s really hard to find anything to swoon over on I’m Not Bossy, I’m The Boss.
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Aug 12, 2014Unfortunately, O’Connor’s music doesn’t reflect the independence she aspires to.
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Aug 12, 2014O'Connor never really goes big with any of these songs and never passes the limits of the uninteresting backing music.
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MagnetAug 6, 2014Bossy's reformation seems based in penning the dullest platitudes imaginable. [No. 112, p.59]
User score distribution:
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Positive: 15 out of 19
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Mixed: 2 out of 19
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Negative: 2 out of 19
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Jul 13, 2015
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Oct 13, 2014
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Sep 25, 2014