• Record Label: Capitol
  • Release Date: Nov 21, 2006
User Score
8.1

Universal acclaim- based on 200 Ratings

User score distribution:
  1. Negative: 24 out of 200

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  1. KenH
    Nov 28, 2006
    7
    Gotta agree with All Music Guide when they claim that the Martins weren't adventerous enough throughout this still cool record. But it's the Beatles, man, and that still counts for a lot!
  2. SaraF
    Jan 31, 2007
    7
    George Martin is absolutely wonderful in his collaboration of all the Beatles songs in this CD, and I must admit I was very impressed with the Beatle songs chosen to make the CD, especially "I Am The Walrus" and "Being For The Benefit Of Mr. Kite" even though, much to my surprise, the Martin duo chose to put Paul's songs ahead of John in this collaboration... tsk tsk... shame on you George Martin is absolutely wonderful in his collaboration of all the Beatles songs in this CD, and I must admit I was very impressed with the Beatle songs chosen to make the CD, especially "I Am The Walrus" and "Being For The Benefit Of Mr. Kite" even though, much to my surprise, the Martin duo chose to put Paul's songs ahead of John in this collaboration... tsk tsk... shame on you both! Not that John would have said anything or cared, but as a very well-informed fan, I MUST STATE this to you: John, after all, was the leader and so much more when it comes to the special "magic" we all felt back then when we first heard the Beatles to those who hear it today and feel that same magic. The fact that George and his son Giles chose to put Paul in the forefront of this CD does bring my respect for this duo down a notch or two... come on..... John has earned the right to not only have the obvious -- the first song(s) heard on this CD such as "I Am The Walrus" -- but also his name and his personal touches to each and every project that is put out today having to do with the Beatles. The fact is this: Paul chose to accept the "Sir" title, and John was probably most proudest when all was said and done of all the Beatle accomplishments that the Beatles had "Stayed Working Class". So, I say to you Paul this: "Paul, just Get Back and Let It Be for a CHANGE!." Oh, and by the way, your feeble attempts in trying to get the "Lennon-McCartney" changed over to your name first -- this epitomizes your losing touch to anything that is "real"....Listen to John's Post-Beatle songs and come down to earth! You should listen too George and Giles.... Expand
  3. Oct 27, 2011
    7
    You really shouldn't mess with something that's already perfect and can't be improved upon. While the raw material is brilliant without question, I'm not sure what the point of this project was really. The best bits are the songs that are pretty much untouched from the originals (Hey Jude, A day in the Life, Revolution all have minimal changes). The other standout moments have alreadyYou really shouldn't mess with something that's already perfect and can't be improved upon. While the raw material is brilliant without question, I'm not sure what the point of this project was really. The best bits are the songs that are pretty much untouched from the originals (Hey Jude, A day in the Life, Revolution all have minimal changes). The other standout moments have already been enjoyed on the Anthology collection. Anthology was a great project and very worthwhile because it's like a documentary on how the greatest band of all time grew and developed their ideas. This add's very little to the Beatles story. Of course it's impossible to make a record using this material sound bad and it is an enjoyable listen, but more because of the original songs rather than what Martin has done with them. Expand
Metascore
83

Universal acclaim - based on 22 Critic Reviews

Critic score distribution:
  1. Positive: 18 out of 22
  2. Negative: 0 out of 22
  1. Love vindicates the Beatles' status as master musicians and conceptualists.
  2. The question of whether anybody would listen to Love more than once if the original Beatles albums were available in equivalent sound quality is a nice one. But it doesn't seem to matter much when you can almost feel the spit flying from John Lennon's mouth during Revolution, or when A Day in the Life's orchestral swell comes surging from the speakers. After all, it's hard to ask questions when your breath has been taken away.
  3. You could figure it as a sop to today's interactive mash-up culture. Or you could say it's just extending the medley-ish, segue-happy ethos of Abbey Road to the band's entire catalog. Really, it's both, and it's bliss.