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Its ragged, unfinished nature illustrates that she's more interested in pursuing her art than recycling Come Away with Me, and if this third album isn't as satisfying as that debut, it nevertheless is a welcome transitional effort that proves her artistic heart is in the right place.
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UncutWhat's especially daring about Not Too Late is the degree to which Jones and [producer Lee] Alexander trust their songs and her languorous voice to hold the listener's interest. [Feb 2007, p.75]
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Norah Jones proves herself to be as great a songwriter as she is a pianist and vocalist.
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MojoThe majority of Not Too Late hums with a placid darkness and neurosis which is as delicious as it is unexpected. [Feb 2007, p.104]
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Q MagazineWith a surfeit of samey country-rock ballads, Not Too Late ultimately proves rather a long haul. [Feb 2007, p.98]
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Mildly adventurous.
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This collection of quaint, feel-good numbers is not going to set the world alight, but it offers something warm and comforting to come home to.
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It's pretty music, beautifully performed. But Norah Jones has more to offer than this.
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While Not Too Late is a shade darker than her mega-selling, Grammy-winning template, it's highly unlikely to win all that many new converts, and fans may find this album a little bit of a slog in places.
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Sonically, at least, the album takes only a small step away from the latte-lover mainstream.
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Not Too Late may not be the break from form that Jones is capable of, but it's an album that takes enough chances to suggest that she's started down that path.
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A very good showcase for Jones's evolution as a writer and musician.
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Norah Jones has the potential to be one of the defining singers of the decade, but her songwriting needs to take on more styles and more voices.
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Jones has concocted a pleasing effort underneath its delicate air.
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BlenderAgain, the results are a mutant virus of gorgeous and bland, grainy and slick. [Mar 2007, p.135]
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Yes, there could be more new ground broken in this material, but this does not necessarily equate to artistic diffidence.
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Nobody's rocking the boat too much, though Jones does seem to be trying to dig a little deeper into the heart of the material.
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Norah's most personal collection of songs to date.
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While the music remains modest, there are a few moments of gratifying lyrical incision and indecision befitting this being Jones’ first album bereft of covers.
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Too good to hate, not exciting enough to love, she still makes most of what’s out there sound like phony baloney.
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That voice is still "that voice," but gravity was never what made it fly.
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The darker, more mischievous mood at work is perfectly complemented by arrangements that are as inventive as they are austere.
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Subtlety was a defining characteristic of her first two records, and it carries over onto "Not Too Late," where even the differences are understated and discreet.
User score distribution:
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Positive: 37 out of 51
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Mixed: 6 out of 51
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Negative: 8 out of 51
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Jun 23, 2018
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Nov 9, 2012
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Jun 29, 2012